Critters (film)

Critters is a 1986 science fiction film comedy horror film starring Dee Wallace-Stone, M. Emmet Walsh, Billy Green Bush and Scott Grimes. It was the directorial debut of Stephen Herek who co-wrote it alongside Domonic Muir (story) and Don Keith Opper (additional scenes). It is the first film in the Critters series. Although widely believed to have been inspired by the success of Joe Dante's 1984 film Gremlins, Herek has refuted this in interviews, pointing out that the script was written by Muir long before Gremlins went into production and subsequently underwent rewrites to reduce the apparent similarities between the two films.

Plot

The film begins on a prison set on an asteroid, from which a group of 'Crites' are set to be transported to another station. When the Crites kill two guards and injure three, hijack a ship from the station, and escape, the commander of the station hires two shape-changing bounty hunters to pursue them.

On Earth, the Brown family are living in a rural Kansas town: the father, Jay; the mother, Helen; the teenage daughter, April; and the son, Brad, who keeps company with mechanic Charlie McFadden. When he and Brad are outside,shooting off homemade fireworks and playing with Brad's slingshot. Charlie accidentally hits Brad's sister with a slingshot pellet, and Brad assumes the blame on himself to protect his friend ( one of his apparent only friends thought the movie) Charlie. When later on the roof, Brad mistakes the Crites' spaceship for a meteorite. The ship thereafter lands, causing the ground to shake. Investigating, Jay discovers Brad in a tree, and takes him into the investigation.

Critter

Critter or critters may refer to:

Critter

Critter may refer to:

See also

Critters (block cellular automaton)

Critters is a reversible block cellular automaton with similar dynamics to Conway's Game of Life, first described by Tommaso Toffoli and Norman Margolus in 1987.

Definition

Critters is defined on a two-dimensional infinite grid of cells, which may be identified with the integer lattice. As in Conway's Game of Life, at any point in time each cell may be in one of two states: alive or dead. The Critters rule is a block cellular automaton using the Margolus neighborhood. This means that, at each step, the cells of the automaton are partitioned into 2 × 2 blocks and each block is updated independently of the other blocks. The center of a block at one time step becomes the corner of four blocks at the next time step, and vice versa; in this way, the four cells in each block belong to four different 2 × 2 blocks of the previous partition.

The transition function for Critters counts the number of live cells in a block, and if this number is exactly two it leaves the block unchanged. If the number of live cells is zero, one, or four, the transition function flips the state of every cell in the block. And finally, if the number of live cells is exactly three, the transition flips every state and then rotates the whole block by 180°. Because the function that combines these operations is invertible, the automaton defined by these rules is a reversible cellular automaton.

Critters (comics)

Critters was a funny animal anthology comic book published by Fantagraphics Books from 1985 to 1990 under the editorship of Kim Thompson.

Prior to Furrlough and Genus, this was the longest running funny animal anthology comic book series. The title lasted for 50 issues. Furthermore, it served as the flagship title of Fantagraphics' line of funny animal series in the 1980s.

The last 12 issues were switched to revolving features of issue-long stories, rather than the anthology format. Declining sales, due in part to the 1980s black-and-white comics market overload (many titles of which were funny-animal comics aiming for the Teenage Mutant Ninja Turtles market) led to this title's cancellation.

Alan Moore released a single "March of the Sinister Ducks" as a flexi disc in the comic issue 23.

Series

The series included in the book were:

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.