Mesh

A mesh is a barrier made of connected strands of metal, fiber, or other flexible/ductile materials. A mesh is similar to a web or a net in that it has many attached or woven strands.

Types of mesh

Partition of an interval

In mathematics, a partition of an interval [a, b] on the real line is a finite sequence x = ( x_i ) of real numbers such that

In other terms, a partition of a compact interval I is a strictly increasing sequence of numbers (belonging to the interval I itself) starting from the initial point of I and arriving at the final point of I.

Every interval of the form [x_i, x_i+1] is referred to as a sub-interval of the partition x.

Refinement of a partition

Another partition of the given interval, Q, is defined as a refinement of the partition, P, when it contains all the points of P and possibly some other points as well; the partition Q is said to be “finer” than P. Given two partitions, P and Q, one can always form their common refinement, denoted P ∨ Q, which consists of all the points of P and Q, re-numbered in order.

Norm of a partition

The norm (or mesh) of the partition

is the length of the longest of these subintervals, that is

Applications

Partitions are used in the theory of the Riemann integral, the Riemann–Stieltjes integral and the regulated integral. Specifically, as finer partitions of a given interval are considered, their mesh approaches zero and the Riemann sum based on a given partition approaches the Riemann integral.

Meš

The cuneiform MEŠ, or meš is a plural form attached at the end of Mesopotamian cuneiform words as a suffix. As part of a name (PN, personal name, or other), or major class being referenced, in capital letters (a sumerogram form), it is typically separated from other capital letter sumerograms with a period. The name of the group can follow, in lower case letters, for example: (men-massu, Amarna letter EA 365), LÚ.MEŠ–ma-as-sà-meš, (and using a secondary suffix meš, not being typical).

The MEŠ cuneiform is a vertical stroke, followed by three or four angled smaller wedge-strokes. The strokes can also be "not angled", but 45 degree wedges, smaller, or large. For example, Amarna letter EA 161, Aziru to Pharaoh, shows a series of six preparation items listed sequentially. The following wedges (on the meš or sumerogram .MEŠ wedges, are large, and the scribe has a scribing base line, that follows the vertical stroke, a baseline on which the wedges are placed sequentially. EA 161 shows the baseline 'remainder', extending beyond the last 3rd, or 4th wedge.

Crisis (novel by Jorge Majfud)

Crisis is the seventh book of the Uruguayan American writer and literature professor Jorge Majfud. This fourth installment is based on the experiences of the author both as a migrant and a Latino out.

Plot Summary

This novel focuses on Latin-American immigrants’ drama in the US, particularly undocumented experiences. In a deeper sense, Crisis talks about the universal experiences of people getting away from a geographical region, evidently seeking a better way of life but in truth, running away, escaping from realism distinguished as unjust but solved rarely by moving to another place.

Escaping, moving, and missing persons are like regular characters in the novel of Jorge Majfud, which record their courses to their own identity’s discovery in various situations and realities. The characters within the novel encounter obstacles in terms of cultural, economic and moral cruelties as unavoidable factors of their experiences – as existential and social living beings.

Crisis (Fleetway)

Crisis was a British comic book magazine published from 1988 to 1991 as an experiment by Fleetway to see if intelligent, mature, politically and socially aware comics were saleable in the United Kingdom. The comic was initially published fortnightly, and was one of the most visible components of the late-80s British comics boom, along with Deadline, Revolver, and Toxic!.

History

Crisis was Fleetway's response to the success of Deadline. David Bishop, in his Thrill Power Overload, comments "2000 AD had once represented the cutting edge of British comics, but was now in danger of looking staid and old fashioned next to Deadline".

Crisis would offer to make the work creator-owned, which might the chance for royalties and greater copyright control, which was a departure from the way they had done business up until then. They also planned to turn the stories into American comic books which would sell better on the other side of the Atlantic, although ultimately only the first few titles got this treatment and the title moved to shorter stories after issue #14.

Crisis (Ornette Coleman album)

Crisis is a live album by the American jazz saxophonist and composer Ornette Coleman recorded at New York University in 1969 and released on the Impulse! label.

Reception

Brian Olewnick's Allmusic review awarded the album 4½ stars and stated "Crisis somehow lacks the reputation of the revolutionary Coleman albums from early in his career, but on purely musical grounds it ranks among his most satisfying works".

Track listing

Personnel

References