Aion (2003) is an album by the Finnish rock group CMX. The word Aion (or Aeon) is Ancient Greek for "age, life-force" and also a Finnish verb form meaning "I intend (to do something)".
The album is regarded as something of a concept album by the band and listeners alike; a common theme throughout the songs is the concept of the devil and how this concept manifests itself in the mortal world.
The album was placed at #50 in Finnish rock magazine Soundi's list of "50 most remarkable Finnish rock albums of all time".
All songs written by CMX with lyrics by A. W. Yrjänä.
Aion (碧海のAiON, Hekikai no Aiōn, literally meaning "Aion of Green Sea") is a Japanese manga series written and illustrated by Yuna Kagesaki. The series was published in Japan by Fujimi Shobo and serialized in Monthly Dragon Age magazine. The manga has been distributed in English by Tokyopop. The story is about an immortal girl, Seine Miyazaki, and an orphan boy, Tatsuya Tsugawa, who gets involved with her.
After both his parents died in an accident, Tsugawa Tatsuya is now left with millions in inheritance that he cannot use. In the weeks after, he is still mourning and thinking about his father's last words, "A Tsugawa family's man must be a man of great caliber". However, Tatsuya is not confident he can fulfill his father's last wish.
One day a week after the accident, he meets Seine Miyazaki, a strange girl who seems to enjoy being bullied. Tatsuya believes he can help her although his friends only see her as a masochist pervert, and Seine herself told him to mind his own business.
Aion (Greek: Αἰών) is a Hellenistic deity associated with time, the orb or circle encompassing the universe, and the zodiac. The "time" represented by Aion is unbounded, in contrast to Chronos as empirical time divided into past, present, and future. He is thus a god of eternity, associated with mystery religions concerned with the afterlife, such as the mysteries of Cybele, Dionysus, Orpheus, and Mithras. In Latin the concept of the deity may appear as Aevum or Saeculum. He is typically in the company of an earth or mother goddess such as Tellus or Cybele, as on the Parabiago plate.
Aion was of major importance in late antiquity when Hellenistic religion underwent a syncretistic phase with various deities converging on a single supreme God. Aion, identified with Eros in mythology, became recognized as the supreme God of Hellenistic religion and philosophy, existing above all Gods of the pantheon and the empire.
Aion, also called Aeon is identified as the Logos in Hermetism; GRS Mead confirms that there is no distinction between the Logos and God: "...if the Logos or Æon is momentarily treated of as apart from Supreme Deity, it is not so in reality; for the Logos is the Season of God, God in His eternal Energy, and the Æon is the Eternity of Deity, God in His energic Eternity, the Rest that is the Source of all Motion."
In ordinary language, the term crime denotes an unlawful act punishable by a state. The term "crime" does not, in modern criminal law, have any simple and universally accepted definition, though statutory definitions have been provided for certain purposes. The most popular view is that crime is a category created by law; in other words, something is a crime if declared as such by the relevant and applicable law. One proposed definition is that a crime or offence (or criminal offence) is an act harmful not only to some individual or individuals but also to a community, society or the state ("a public wrong"). Such acts are forbidden and punishable by law.
The notion that acts such as murder, rape and theft are to be prohibited exists worldwide. What precisely is a criminal offence is defined by criminal law of each country. While many have a catalogue of crimes called the criminal code, in some common law countries no such comprehensive statute exists.
The state (government) has the power to severely restrict one's liberty for committing a crime. In modern societies, there are procedures to which investigations and trials must adhere. If found guilty, an offender may be sentenced to a form of reparation such as a community sentence, or, depending on the nature of their offence, to undergo imprisonment, life imprisonment or, in some jurisdictions, execution.
Crime is a 2008 novel by Scottish writer Irvine Welsh. It is the sequel to his earlier novel, Filth.
The main protagonist is Ray Lennox; a Detective Inspector with the Lothian and Borders Police who attempts to recover from a mental breakdown induced by stress, cocaine and alcohol abuse and a child murder case in Edinburgh in which he was the lead investigating officer by taking a holiday in Florida with his fiancée, Trudi. The pair meet up with Eddie 'Ginger' Rodgers, one of Lennox's retired former colleagues, and his wife Delores, and they all drink into the early hours of the morning. The next morning Lennox finds himself craving more alcohol and goes to a bar with Trudi where they have an argument which causes Trudi to angrily leave the bar. Lennox continues drinking heavily. Soon afterwards he meets two women, Starry and Robyn, in a different bar and they all go back Robyn's apartment where they drink more alcohol and take cocaine. They are soon joined by two men, Lance Dearing and Johnnie, and a fight breaks out a short time later when Lennox sees Johnnie is sexually assaulting Tianna, Robyn's ten-year-old daughter. Lennox incapacitates Johnnie and struggles with Dearing who ultimately leaves the apartment with everyone except Lennox and Tianna, who have locked themselves in a bathroom. After a fight Lennox is left in the apartment with Tianna, the 10-year-old daughter of one of the women.
Crime fiction is the literary genre that fictionalises crimes, their detection, criminals, and their motives. It is usually distinguished from mainstream fiction and other genres such as historical fiction or science fiction, but the boundaries are indistinct. Crime fiction has multiple sub-genres, including detective fiction (such as the whodunit), courtroom drama, hard-boiled fiction and legal thrillers. Suspense and mystery are key elements that are nearly ubiquitous to the genre.
In Italy people commonly call a story about detectives or crimes giallo (English: yellow), because books of crime fiction have usually had a yellow cover since the 1930s.
The earliest known crime fiction is Thomas Skinner Sturr's anonymous Richmond, or stories in the life of a Bow Street officer (1827); the earliest full-length novel in the genre is The Rector of Veilbye by the Danish author Steen Steensen Blicher, published in 1829. Better known are the earlier dark works of Edgar Allan Poe (e.g., "The Murders in the Rue Morgue" (1841), "The Mystery of Marie Roget" (1842), and "The Purloined Letter" (1844)). Wilkie Collins' epistolary novel The Woman in White was published in 1860, while The Moonstone (1868) is often thought to be his masterpiece. French author Émile Gaboriau's Monsieur Lecoq (1868) laid the groundwork for the methodical, scientifically minded detective. The evolution of locked room mysteries was one of the landmarks in the history of crime fiction. The Sherlock Holmes mysteries of Arthur Conan Doyle are said to have been singularly responsible for the huge popularity in this genre. A precursor was Paul Féval, whose series Les Habits Noirs (1862–67) features Scotland Yard detectives and criminal conspiracies. The best-selling crime novel of the nineteenth century was Fergus Hume's The Mystery of a Hansom Cab (1886), set in Melbourne, Australia.
One peaceful afternoon
I picked up from my mailbox
The strangest looking letter I'd ever seen
A chilling little envelope
Bordered with flying bats and eerie serpents
Whose eyes were tinted green
That letter was addressed to me
So as I opened it, I froze
What I read turned my complexion three shades of blue
It said, "my name is Isaac Horowitz
I'm a male witch, a warlock
And I feel I need to spend some time with you."
Now, as a Christian from a little church
With God's call on my life,
A man of faith and power, with a challenge to grow
I did what any saint would do
In my situation
I tore it up said, "Lord, no way I'm gonna go."
Then gently and methodically the Holy Spirit spoke
And reminded me, we're God's voice to our nation
It's the church's responsibility to witness
So reluctantly I accepted this...
Witch's invitation
He had the house you'd expect
The old english cottage
A nightmare on Elm street special right to the core
The overgrown ivy,
The gate that creaked when opened
Somehow you'd expect Freddy to answer this door
The doorbell rang the hollow gong,
The knob twisted, then opened
Then Isaac stood before me with a grin
His jet black hair and well-trimmed beard
Flowed with his black silk clothes
My skin crawled as he said,
"Please..come on in"
His house was filled
With every occultic symbol you could fathom
Hanging pentagrams and horoscope signs,
A Ouija board and dungeons and dragons game
Set on the table
A crystal ball with an incandescent shine
Then graciously he handed me some steaming herbal tea
It's prescence caused my memory to jog
I thought of every horror flick I'd seen
When I was a kid and thought:
"You drink this stuff, next day you'll be a frog"
Then he led me to a high-backed chair
As he meticulously began to unfold his scenario
With evil patience
I was given a giant leather-bound book
Jammed with newspaper clippings
Thus the reason for this...
Witch's invitation
With eagerness he pointed to each article with pride
He said,
"I healed this woman through a Babylonian chant
See this man? I cured him
While performing druid worship
I was paid to curse this man with AIDS, by his aunt"
On and on, page after page,
Delightfully he flaunted each incident for an hour
Without a breath
He said, "do you realize through my understanding of the dark regions that I can make you rich?
Or even curse someone to death?"
I sat literally intimidated
by the immensity in demon power,
while his face shown with a Satanic arrogant bliss.
Then placing his hands on the arms of my chair
He said, "what can your God do to compare with this?"
I knew then how Moses felt,
How when his rod turned to a serpent
And the three magicians' did the same.
It's as if you're sitting there
In that stunned moment while your faith gets violated
And all you feel is weak, powerless and lame
I desperately and deeply prayed
Saying, "Jesus give me wisdom
I don't wanna put you through some foolish test."
Then a shaft of light shot through my soul
Lighting my eyes with fire
God stood me up, and I threw the book back in his chest
I said, "Isaac,
I'll not compare God's miracles versus Satan's
The issue's not God's kingdom in Satan's lair,
The real comparison is the condition of your soul
And the condition of mine,
and you puppet of the devil that I will compare.
My friend, one day they're coming for you
The soft associates in your incantations
The friendly demons you think you now control
The time will come when you'll be lying in bed
Wheezing like a dying animal,
and those spirits lay claim
To the rights they own to your soul.
Then the room will grow dark,
And the most hideous faces you ever saw
Will come flaming out of the floor with a yell
The vile informants that promised reincarnation
Will claw your spirit and victoriously
Drag your soul to Hell."
Then I grabbed the book and said,
"In that moment,
Which mantra, which incantation you gonna chant
To tell them to leave you alone?
My friend,
I know beyond a shadow of a doubt what I would say...
I am bought with the blood of Jesus, let me go!"
I said, "Isaac, when you tossed that book in my lap,
You glowed with a sinister victory
You rejoiced when you saw your name in black & white
Now I rejoice,
But not that your cousel of demons
Are subject to Jesus,
But that my name is written
In the lamb's book of life!"
Then Isaac jumped up from his chair and screamed,
"You must leave now!"
I said, "I will, but one last obligation.
Next time think twice
Before you rumble with a man of God.
And by the way, thanks for your, uh...