SWA may refer to:
SWA (pronounced swǒ) the band originally started as a concept defined by Chuck Dukowski, former bassist of Black Flag while he was still a member of that band. The name (which is pronounced like "Swah" and not "S-W-A") was created by assigning an alphabetical value to numbers on a gaming die, then rolling the die three times. Dukowski would later claim that the name was offered up by Joe Carducci and was accepted by the rest of the band, despite Chuck's own discomfort with it. SWA has had the dubious distinction of being considered the "worst" band to ever record for SST Records by many label aficionados and, in one infamous fanzine article, Steve Albini claimed that among the worst things a person could do was "listen to SWA" and "be SWA". However, others have come to the band's defense. The band existed from the mid '80s until 1992 and released 5 full length albums on SST Records, all of which are currently out of print.
SWA is a biweekly business magazine based in Jakarta, Indonesia. Established in 1985, the magazine was first named as SWA Sembada. It has attracted thousands of readers across the archipelago. The magazine is part of Sembada Swakarya foundation and is published by PT Grafiti Pers, a subsidiary of the foundation.
Creep, Creeps, The Creep or The Creeps may refer to:
Creeps is a 2013 young adult novel that was written by Darren Hynes. It was first published in Canada on July 30, 2013 through RazorBill.
Wayne is a teenager growing up in a dysfunctional home. His father is an alcoholic and his mother keeps threatening to desert him all. He can't escape his home life in school either, as Wayne is constantly bullied by his schoolmate Pete "The Meat". One morning he's rescued by Marjorie, a teen girl dealing with her own problematic home life, and the two begin to befriend one another. However even as the two seek solace in one another, Pete has decided to take matters into his own hands and find a way to torment not only Wayne but Marjorie as well.
Quill and Quire panned Creeps overall, criticizing Hynes for "[rehashing] familiar caricatures" and that "aside from Wayne’s fear of daily menace and a subplot involving a play that almost doesn’t go on, there’s not a lot to the story."CM Magazine also heavily criticized Creeps, stating that "the writing style is not terribly problematic in itself—though the first-person unsent letters are a bit jarring and don’t always flow with the rest of the narration—however the failure of Hynes to move beyond stereotypes and flat adult characters—with the possible exception of Mr. Rollie, the drama teacher, and Mr. Ricketts, the janitor—keeps the story from moving beyond a limited exploration of a very haunted group of young people. "
Creeps is the 168th short subject starring American slapstick comedy team the Three Stooges. The trio made a total of 190 shorts for Columbia Pictures between 1934 and 1959. This short was released in 1951 and features Shemp Howard, Moe Howard and Larry Fine.
The Stooges tell their three sons (also the Stooges) about the time they had jobs as moving men assigned to the haunted Smorgasbord Castle. All goes well until a clanking suit of armor inhabited by the ghost of Sir Tom (voiced by Phil Arnold) instructs the Stooges to leave him be. Shemp, Larry and Moe all take turns trying to move Tom but he spooks the Stooges away.
Creeps is a remake of 1949's The Ghost Talks using ample stock footage from the original film. The new footage includes the babies (also the Stooges) and a torture room scene where Moe's trousers are sliced off.
In the scene when Sir Tom is telling the Stooges his story, there is a brief shot added where the boys are smoking; in the next shot (a recycled clip), the boys are not smoking.
From the stomas came the novation
It rattled the foundations of the house that I live in
Now I can't live there anymore
A child sleeps then he awakens
He shrieks until he is taken
To a house he can live in
Take him to a house he can live in
And in the morning when you know it's gonna be alright
In the morning when you know he won't remember a thing
Well in the morning when you know it's gonna be alright
Hush-a-bye, it's gonna be alright
Yeah, I- I get drunk and sentimental
I need a touch that is gentle
Just to take me
Take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in
And I heard your crooked words about something
So I'm sayin nothing
I know that it's nothin'
I can hear it in the house that you live in
Take me to a house I can live in
Take me to a house I can live in
Take me to somewhere I can live
Take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in
Yeah, take me to a house I can live in
Ah, take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in
Take me to a house I can live in