Credit (creative arts)

In general, the term credit in the artistic or intellectual sense refers to an acknowledgement of those who contributed to a work, whether through ideas or in a more direct sense.

Credit in the arts

In the creative arts, credits are an acknowledgement of those who participated in the production. They are often shown at the end of movies and on CD jackets. In film, video, television, theater, etc., credits means the list of actors and behind-the-scenes staff who contributed to the production.

Credit in writing

Non-fiction

In non-fiction writing, especially academic works, it is generally considered important to give credit to sources of information and ideas. Failure to do so often gives rise to charges of plagiarism, and "piracy" of intellectual rights such as the right to receive a royalty for having written. In this sense the financial and individual meanings are linked.

Academic papers generally contain a lengthy section of footnotes or citations. Such detailed crediting of sources provides readers with an opportunity to discover more about the cited material. It also provides a check against misquotation, as it's easy for an attributed quote to be checked when the reference is available. All of this is thought to improve integrity of the instructional capital conveyed, which may be quite fragile, and easy to misinterpret or to misapply.

Fictional currency

A fictional currency is some form of defined or alluded currency in works of fiction. The names of such units of currency are sometimes based on extant or historic currencies (e.g. "Altairian dollars" or "Earth yen") while others, such as "Kalganids" in Asimov's Foundation series, may be wholly invented. A particularly common type, especially in science fiction, is electronically managed "credits". In some works of fiction, exchange media other than money are used. These are not currency as such, but rather nonstandard media of exchange used to avoid the difficulties of ensuring "double coincidence of wants" in a barter system.

Concept and creation

Authors have to take care when naming fictional currencies because of the associations between currency names and countries; recognizable names for currencies of the future (e.g. dollar or yen) may be used to imply how history has progressed, but would appear out of place in an entirely alien civilization. Historical fiction may need research. Writers need not explain the exact value of their fictional currencies or provide an exchange rate to modern money; they may rely on the intuitive grasp of their readers, for instance that one currency unit is probably of little value, but that millions of units will be worth a lot.

Freak

In current usage, the word "freak" is commonly used to refer to a person with something strikingly unusual about their appearance or behaviour. This usage dates from the so-called freak scene of the 1960s and 1970s.

An older usage refers to the physically deformed, or having extraordinary diseases and conditions, such as sideshow performers. This has fallen into disuse, except as a pejorative, and (among the performers of such shows) as jargon. "Freaks" of this kind can be classified into two groups: natural freaks and made freaks. A natural freak would usually refer to a genetic abnormality, while a made freak is a once normal person who experienced or initiated an alteration at some point in life (such as receiving surgical implants).

"Freak" continues to be used to describe genetic mutations in plants and animals, i.e. "freaks of nature." "Freak" can also be used in a verb form, and can mean: "to become stressed and upset". Usually, in this form, the word is followed by "out" to complete the phrase, "freaking out". However, this meaning and usage is usually considered slang. Adjectival forms include "freakish" as well as "freaky." The verb "freaking" (or, "freaking out") means "engaging in panicked or uncontrolled behavior"—for example, as the result of psychedelic drug use. "Freaking" may also be a minced oath used in place of "fucking," e.g. "Oh my freaking God!" The word is a homophone of "phreak" (referring to the illegal hacking of telephone systems), which it probably inspired.

Saturday Night Slam Masters

Saturday Night Slam Masters, known in Japan as Muscle Bomber – The Body Explosion (Japanese: マッスルボマー ザ・ボディー・エクスプロージョン), is a 1993 pro wrestling arcade game released for the CP System by Capcom. The game features character designs by manga artist Tetsuo Hara, famous for Fist of the North Star.

The game was followed by an updated version titled Muscle Bomber Duo in 1993, and a sequel called Ring of Destruction: Slam Masters II in 1994.

Gameplay

The original Slam Masters plays like a traditional wrestling game, only the game used a view similar to that commonly used in the fighting game genre. The game uses a three button configuration (grab, attack, and jump).

Each character has two special attacks: a non-grappling technique and a finisher. When an opponent's life meter is depleted, he must either be pinned for a three-count or forced to submit. Defeating all of the other wrestlers results in winning the championship belt, which must then be defended against the entire roster.

Freak (Bruce Foxton song)

Freak is the debut single by the English rock singer-songwriter and bass guitarist Bruce Foxton, which became a hit and one of his most recognizable songs. It was originally released in 1983, as the lead single from his debut album, "Touch Sensitive". It was inspired strongly by the 1980 biographical film The Elephant Man, with the single's cover even referencing the film's posters.

It was one of four tracks from the album that were produced by the multiple-award winning Steve Lillywhite. The song is notably Foxton's only single to make the Top 40 in the United Kingdom, peaking at 23, for a total of five weeks.

Personnel

Credits are adapted from the Single's back cover.

Sales chart performance

References