Metamatic is an album by John Foxx, released in 1980. It was his first solo album following his split with Ultravox the previous year. A departure from the textured mix of synthesizers and conventional instruments on Systems of Romance, his last album with the band, Metamatic 's hard-edged electronic sound was more akin to Kraftwerk's The Man-Machine (1978), Gary Numan's The Pleasure Principle (1979), and early Human League. The name 'Metamatic' comes from a painting machine by kinetic artist Jean Tinguely, first exhibited at the Paris Biennial in 1959.
Recorded in what the composer described as "an eight-track cupboard in Islington", Metamatic was engineered by then-unknown Gareth Jones. Foxx's electronic equipment included ARP Odyssey, an Elka 'String Machine' and a Roland CR-78 drum machine. His keyboard skills were rudimentary at the time, and several of the synth parts were played for him by John Wesley-Barker.
Half a dozen tracks referenced automobiles or motorways, most obviously "Underpass" and "No-One Driving". Foxx re-worked the former track as "Overpass" on the live Subterranean Omnidelic Exotour in 1998 (reissued in 2002 as the second of a 2-disc set, The Golden Section Tour + The Omnidelic Exotour); he also re-used its distinctive riff for the track "Invisible Women" on 2001's Pleasures of Electricity with Louis Gordon. The song "He's a Liquid" was influence by a still from a Japanese horror film depicting a suit draped across a chair in such a way as to suggest that the wearer had liquified; Foxx's lyrics also alluded to the 'fluidity' of human relationships. The final track, "Touch and Go", exhibited psychedelic touches that would increasingly recur in his 1980s work.
Coordinates: 53°24′07″N 2°58′52″W / 53.402°N 2.981°W / 53.402; -2.981
Cream, based at the Nation nightclub in Liverpool, is one of the best-known night clubs in the world. Cream began life as a weekly house music night at Nation, and ran in this format for over 10 years, from October 1992 to June 2002. Over the ten years of weekly Saturday nights at Nation, the club played host to many international DJ superstars, including Paul Oakenfold (who was resident DJ throughout 1997 and 1998), Paul van Dyk, Carl Cox, Sasha, Roger Sanchez, Graeme Park, Andy Weatherall plus early exclusive DJ sets from The Chemical Brothers.
CREAM was founded by Andy Carroll, James Barton and Darren Hughes as a place to party with friends and family . Cream's opening night took place on Saturday October 17, 1992, when special guest Fabi Paras joined Paul Myers and Paul Bleasdale on the decks. Week two Andy and James graced the decks and made regular appearances for many years.
Cream is a feature film starring Bruce Jones and Jack Marsden. The film was written and directed by Asa Bailey.
The film follows a retired Sergeant Major called Ron Harris. Having a bad leg due to diabetes complications, Ron is forced to receive help from various care workers after losing his wife in a tragic accident.
Filming took place during April 2014 in and around the seaside town of Llandudno in North Wales.
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Cream were a 1960s British rock supergroup power trio consisting of bassist/singer Jack Bruce, drummer Ginger Baker, and guitarist/singer Eric Clapton. Their unique sound was characterised by a hybrid of blues rock, hard rock and psychedelic rock, combining psychedelia themes, Clapton's blues guitar playing, Bruce's powerful, versatile vocals and prominent bass playing, Baker's distinctive, pulsating, jazz-influenced drumming and Pete Brown's poetry-inspired lyrics. The group's third album, Wheels of Fire (1968), was the world's first platinum-selling double album. The band is widely regarded as being the world's first successful supergroup. In their career, they sold more than 15 million albums worldwide. Their music included songs based on traditional blues such as "Crossroads" and "Spoonful", and modern blues such as "Born Under a Bad Sign", as well as more eccentric songs such as "Strange Brew", "Tales of Brave Ulysses" and "Toad".