Crazy (Ricki-Lee Coulter song)

"Crazy" is a song by Australian recording artist Ricki-Lee Coulter, taken from her third studio album Fear & Freedom (2012). It was written by Coulter, Brian London and Johnny Jam, while the production was also handled by the latter two. The song was released digitally on 13 July 2012, as the third single from the album.

Lyrically, Coulter stated that "Crazy" is about "encouraging you [to] let go of your inhibitions, go crazy and let the music take over". Following its release, "Crazy" peaked at number four on the ARIA Dance Chart and number 46 on the ARIA Singles Chart. The accompanying music video was directed by Melvin J. Montalban and filmed in the Callan Park Hospital for the Insane in Sydney. The video features Coulter playing three characters – a nurse, patient and psychologist.

Background and release

"Crazy" was written by Ricki-Lee Coulter, Brian London and Johnny Jam, while the production was also handled by the latter two. During an interview with The Daily Telegraph, Coulter said she wrote the song "as if I was actually singing it directly to the people on the dance floor". She went on to describe it as "sensual and erotic, encouraging you let go of your inhibitions, go crazy and let the music take over". "Crazy" was released digitally on 13 July 2012. On 23 July 2012, it debuted at number 52 on the ARIA Singles Chart and number four on the ARIA Dance Chart. The following week, "Crazy" fell out of the top 100 of the ARIA Singles Chart. On 6 August 2012, the song re-entered the chart at number 46, where it peaked.

Crazy Magazine

Crazy Magazine was an illustrated satire and humor magazine, and was published by Marvel Comics from 1973 to 1983 for a total of 94 regular issues (and two "Super Specials", Summer 1975, 1980). It was preceded by two standard-format comic books titled Crazy.

Many comic book artists and writers contributed to the effort in the early years. These included Stan Lee, Will Eisner, Vaughn Bodé, Frank Kelly Freas, Harvey Kurtzman, Mike Ploog, Basil Wolverton, Marie Severin, Mike Carlin, editor Marv Wolfman and executive editor Roy Thomas. Mainstream writers like Harlan Ellison and Art Buchwald also contributed. Lee Marrs supplied a few pictures. In addition to drawn art, Crazy experimented with fumetti.

History

Marvel (then known as Atlas) first published a Crazy comic book in 1953. It ran for seven issues, through mid-1954, and was focused on popular culture parodies and humor. The second comic title, as Crazy!, ran for three issues in 1973, and reprinted comics parodies from Marvel's late-1960s Not Brand Ecch. Later that year, Marvel repurposed the title for a black-and-white comics magazine. Marv Wolfman edited the first ten issues from 1973–1975 and the first "Super Special", and created the magazine's first mascot, Irving Nebbish, a short, bug-eyed man in a large black hat and draped in a black cape.

Crazy (The Boys song)

"Crazy" is the title of a number-one R&B single by The Boys. The hit song spent one week at number one on the US R&B chart and also reached number twenty-nine on the Billboard Hot 100.

Music video

At the beginning of the video, the oldest brother Khiry is accidentally kicked in the back of the head during a dance rehearsal and begins to have the "craziest dream". His dream is a series of music video spoofs which include in order: "Faith" by George Michael, "Every Little Step" by Bobby Brown, "Vogue" by Madonna, "Rhythm Nation" by Janet Jackson, "Thriller" by Michael Jackson, and "Baby Don't Forget My Number" by Milli Vanilli. He then wakes up just as the nurse appears.

References

See also

Squire

Beginning in the Middle Ages, a squire was the shield- or armour-bearer of a knight. At times, squires acted as a knight’s errand runner or servant. Use of the term evolved over time. Initially, squires were a knight’s trainees/apprentices. Later, a village leader or a lord of the manor might be called a squire, and still later, the term applied to key public figures, such as justices of the peace or members of parliament. In contemporary American usage, squire is the title given to justices of the peace or similar local dignitaries.

Squire is a shortened version of the word 'esquire', from the Old French escuier (modern French écuyer), itself derived from the Late Latin scutarius (“shield bearer”), in medieval or Old English a scutifer. The Classical Latin equivalent was armiger, “arms bearer”.

Knights in training

The most common definition of “squire” refers to the Middle Ages. A squire was typically a teenaged boy, training to become a knight. A boy became a squire at the age of 14 or 15. Squires were the second step to becoming a knight, after first having served as a page. Boys served a knight as an attendant or shield carrier, doing simple but important tasks such as saddling a horse or caring for the knight’s weapons and armour. The squire would sometimes carry the knight’s flag into battle with his master.

Squire (album)

Squire is the second solo album by Alan Hull. Recorded at Morgan Studios December 1974 & January 1975 except "Waiting" which was recorded at Trident Studios with Roy Baker in March 1973. Squire was released on Warner Brothers, K56121, in 1975. Information taken from the cover of the album, bought on release in 1975.

Track listing

All songs written by Alan Hull (©Hazy Music); except "Nuthin' Shakin'" (Eddie Fontaine, Cirino Colacrai, Diane Lampert, John Gluck, Jr., ©Jewel Music)

Personnel

Squire (novel)

Squire is the third book in the series Protector of the Small by fantasy author Tamora Pierce. It details Keladry of Mindelan's (Kel's) continuing quest for knighthood.

Plot summary

Squire tells the story of Keladry of Mindelan's years as a squire, between the ages of fourteen and eighteen. Having passed the "big examinations", Kel becomes a squire without a knight-master. While she becomes frustrated at waiting for offers from knights, her best friend, Nealan of Queenscove, becomes squire to Alanna the Lioness, the first lady knight in Tortall, and Kel's personal hero.

While Kel is disappointed at not becoming the Lioness's squire, she shortly receives an equally prestigious offer from Lord Raoul of Goldenlake, commander of the elite King's Own and a personal friend to the Lioness. As Lord Raoul's squire, she travels with the King's Own and participates in routine duties ranging from chasing rogue centaurs to helping to rebuilt villages afflicted by natural disasters such as mudslides. Along the way, Kel acquires a baby griffin from the bandits who kidnapped him from his parents' nest. Due to the high incidence of kidnapping immature griffins for their magical powers, griffin parents attack any human who has ever touched one of their offspring, so this task is not without its dangers.

Sandie Shaw

Sandie Shaw (born 26 February 1947) is an English pop singer, who was one of the most successful British female singers of the 1960s. In 1967 she was the first British act to win the Eurovision Song Contest. She has been described as "the barefoot pop princess of the 1960s".

She announced her retirement from music in April 2013.

Biography

Early life and career

Sandra Ann Goodrich was born and brought up in Dagenham, Essex, England. On leaving school, she worked at the nearby Ford Dagenham factory, and did some part-time modelling before coming second as a singer in a local talent contest. As a prize, she appeared at a charity concert in London, where her potential was spotted by singer Adam Faith. He introduced her to his manager, Eve Taylor, who won her a contract with Pye Records in 1964 and gave her the stage name of "Sandie Shaw".

Taylor teamed Shaw with songwriter Chris Andrews, who wrote her first single, "As Long as You're Happy Baby", which failed to make the charts. However, for her second single Taylor gave her the Bacharach and David song "(There's) Always Something There to Remind Me", which had been a No. 49 US pop hit for singer Lou Johnson. Shaw's version rose quickly to No. 1 in the UK Singles Chart in the autumn of 1964, and also charted in the United States at No. 52 on the Billboard Hot 100 early the following year. "I'd Be Far Better Off Without You" was issued as the follow-up, but DJs preferred its B-side, "Girl Don't Come", also written by Andrews, and the sides were switched. "Girl Don't Come" reached No. 3 in the UK and became her biggest US hit, reaching No. 42. It was followed by further hits in the UK including "I'll Stop at Nothing", "Long Live Love", her second UK No. 1 in 1965, and "Message Understood". The singles were produced by Taylor, Andrews and Shaw herself (though she was never credited), with help from Pye Records arranger Ken Woodman.