Taro
Taro (/ˈtɑːroʊ, ˈtæ-/, US /ˈtæroʊ/) is a common name for several plants in the Araceae family which are used as vegetables for their corms (thickened underground stems), leaves, and leaf-stems (petioles).
Of these, Colocasia esculenta is the most widely cultivated, and the way it is used is discussed here. More specifically, this article describes the "dasheen" form of taro; another variety of taro is known as eddoe.
Colocasia esculenta is thought to be native to Southern India and Southeast Asia, but is widely naturalised. It is a perennial, tropical plant primarily grown as a root vegetable for its edible starchy corm, and as a leaf vegetable. It is a food staple in African, Oceanic and South Indian cultures and is believed to have been one of the earliest cultivated plants.Colocasia is thought to have originated in the Indomalaya ecozone, perhaps in East India, Nepal and Bangladesh, and spread by cultivation eastward into Southeast Asia, East Asia and the Pacific Islands; westward to Egypt and the eastern Mediterranean Basin; and then southward and westward from there into East Africa and West Africa, whence to the Caribbean and Americas. It is known by many local names and often referred to as "elephant ears" when grown as an ornamental plant.
Come Sail Away – The Styx Anthology
Come Sail Away – The Styx Anthology is a musical album by Styx, released on May 4, 2004. It is a compilation consisting of two compact discs and contains a thorough history of the band. The album encompasses many of the band's most popular and significant songs, ranging from the band's first single from their self-titled album, "Best Thing," through the song "One with Everything," a track included on Styx's most recent album at the time of release, Cyclorama.
The most notable omission from the compilation is "Don't Let It End," Dennis DeYoung's top-ten single from their 1983 album, Kilroy Was Here.
This is the only Styx compilation album to date to combine the original versions of songs from the band's early Wooden Nickel albums with their later material. Their Wooden Nickel breakout hit "Lady" was included on the 1995 Greatest Hits collection, but as a note-for-note re-recording, labelled "Lady '95." As such, this is the first truly career-spanning collection for the band ever compiled.
Sir Sly
Sir Sly is an American indie pop band, formerly known as "The Royal Sons", formed and based in Los Angeles, California, United States. The band is fronted by vocalist Landon Jacobs with instrumentalists Jason Suwito and Hayden Coplen accompanying him. While they originally operated together under the band name "The Royal Sons", the trio gradually built a steady following and managed to top The Hype Machine chart, eventually revealing their identities. Their original band gathered over $13,000 in a Kickstarter campaign, released an album, and then split up. Now they have come together under the new band name of "Sir Sly"
Their debut single, "Ghost", was released on March 4, 2013, on the National Anthem and Neon Gold labels followed by the single "Gold" on May 21, 2013. "Gold" peaked at No. 30 on the Billboard Alternative Songs chart and No. 45 on the Rock Airplay chart. "Gold" is also featured in the video game, MLB 14: The Show.
They gained international fame after the Assassin's Creed IV: Black Flag accolade trailer was released in which their song "Gold" was used.
Gold (2015 film)
Gold. is a German experimental short documentary film directed by Alexander Tuschinski. It intercuts abandoned 19th century gold-mining towns in the desert with sequoia trees in a forest. The film had its world premiere at Mykonos Biennale on July 3, 2015, where it was screened in competition and received the Biennale's Golden Pelican Award by Lydia Venieri. It had its German premiere at Berlin Short Film Festival on July 4, 2015.
Production
The film is set to the fourth movement of Beethoven's seventh symphony, which has been called "Apotheosis of Dance" by Richard Wagner. The director's intention was to intercut nature and human structures to show nature overtaking. It was filmed with a tight schedule and the crew travelled long distances in a short amount of time to get many different shots needed. Tuschinski edited the film from six hours of material from "countless camera-angles", as most shots are shown only very briefly due to the often rapid editing. Planning the film, he was inspired by the early works of his friend and mentor Hugo Niebeling that connect cinematoraphy and music in a very direct way.
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