Stuttering (/ˈstʌtərɪŋ/) or stammering (/ˈstæmərɪŋ/) (more generally the first in US and the second in British usage) (alalia syllabaris, alalia literalis or anarthria literalis) is a speech disorder in which the flow of speech is disrupted by involuntary repetitions and prolongations of sounds, syllables, words or phrases as well as involuntary silent pauses or blocks in which the person who stutters is unable to produce sounds. The term stuttering is most commonly associated with involuntary sound repetition, but it also encompasses the abnormal hesitation or pausing before speech, referred to by people who stutter as blocks, and the prolongation of certain sounds, usually vowels or semivowels. According to Watkins et al. stuttering is a disorder of "selection, initiation, and execution of motor sequences necessary for fluent speech production." For many people who stutter, repetition is the primary problem. The term "stuttering" covers a wide range of severity, encompassing barely perceptible impediments that are largely cosmetic to severe symptoms that effectively prevent oral communication. In the world, approximately four times as many men as women stutter, encompassing 70 million people worldwide, or about 1% of the world's population. The impact of stuttering on a person's functioning and emotional state can be severe. This may include fears of having to enunciate specific vowels or consonants, fears of being caught stuttering in social situations, self-imposed isolation, anxiety, stress, shame, being a possible target of bullying (especially in children), having to use word substitution and rearrange words in a sentence to hide stuttering, or a feeling of "loss of control" during speech. Stuttering is sometimes popularly seen as a symptom of anxiety, but there is actually no direct correlation in that direction (though as mentioned the inverse can be true, as social anxiety may actually develop in individuals as a result of their stuttering).
Stutter was the debut album from English band James, released in June 1986. The album was produced by Lenny Kaye, although the band had originally hoped to work with Brian Eno. After a bidding war between a number of labels, the album was released on Blanco y Negro, part of Sire. Artwork was provided by John Carroll. The album initially received positive responses in the UK and Germany where it was voted second best album of the year by writers (and 16th by readers) of the influential indie magazine Spex. Allmusic called it "Thin, spiky, jagged folk music" and commented on the performances by the band: "Tim Booth is a mere bystander to his wild vocals while the rest of the band watch Gavan Whelan have an absolute fit on — what sounds like — four drum kits at once. This is shoddy, shameless chaos. Nothing more than a terribly produced mess of tragic rock-star baiting and deliberate discordance. An amazing debut."
The Guardian listed Stutter as one of the "1001 Albums to Hear Before You Die", praising the record thus: "Before Madchester, and before the Horlicks rock of "Sit Down" became ubiquitous, James were an invigorating prospect: a folk-pop band apparently engaged in a bout of pro-wrestling with their instruments. Their debut album clangs like a grand piano tumbling downstairs - leaving singalong melodies in its wake."
A stutter, or stuttering is a speech disorder characterized by the spasmodic repetition of a sound.
Stutter or stuttering may also refer to:
Crack may refer to:
Crack may also refer to:
Crak! (sometimes Crack!) is a 1963 pop art lithograph by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. It was used in marketing materials for one of Lichtenstein's early shows. It is one of several of his works related to military art and monocular vision.
When Lichtenstein had his first solo show at The Leo Castelli Gallery in New York City in February 1962, it sold out before opening. The exhibition included Engagement Ring, Blam and The Refrigerator. The show ran from February 10 through March 3, 1962. After a west coast exhibition at Ferus Gallery in Los Angeles from April 1–27, 1963, Lichtenstein had his second solo exhibition at the Leo Castelli Gallery from September 28 – October 24, 1963 that included Whaam!, Drowning Girl, Torpedo...Los!, Baseball Manager, In the Car, and Conversation.
Named for its onomatopoeic graphic text, Crak! is an offset lithograph on lightweight, white wove paper. According to the Lichtenstein Foundation, it was a marketing poster that "was published to announce Lichtenstein's exhibition at Leo Castelli Gallery, September 28 [–] October 24, 1963." The foundation notes that the work is sometimes dated 1964 with numbered impressions that are inscribed reflecting that date.
"Craic" (/kræk/ KRAK), or "crack", is a term for news, gossip, fun, entertainment, and enjoyable conversation, particularly prominent in Ireland. It is often used with the definite article – the craic. The word has an unusual history; the English crack was borrowed into Irish as craic in the mid-20th century and the Irish spelling was then reborrowed into English. Under either spelling, the term has great cultural currency and significance in Ireland.
The term crack is ultimately derived from the Middle English crak, meaning "loud conversation, bragging talk". A sense of crack found in Northern England and Scotland meaning "conversation" or "news" produces expressions such as "What's the crack?", meaning "how are you?" or "have you any news?" The context involving "news" and "gossip" originated in Northern English and Scots. A book on the speech of Northern England published in 1825 equates crack with "chat, conversation, news". The Scottish song "The Wark o The Weavers" which dates back to the early part of the 19th century, published by David Shaw, who died in 1856, has the opening line "We're a' met thegither here tae sit and crack, Wi oor glasses in oor hands..." A collection of folk songs from Cumberland published in 1865 refers to villagers "enjoying their crack". A glossary of Lancashire terms and phrases published in 1869 lists crack as meaning "chat", as does a book on the local culture of Edinburgh published in the same year. Glossaries of the dialects of Yorkshire (1878), Cheshire (1886), and Northumberland (1892) equate crack variously with "conversation", "gossip", and "talk". These senses of the term entered Hiberno-English from Scots through Ulster at some point in the mid-20th century and were then borrowed into Irish.