Quan

Quán is the Pinyin romanization of the Chinese family names 權/权 and 全.

權

Quan (traditional Chinese: 權; simplified Chinese: 权; pinyin: Quán) is a Chinese surname. A notable with the surname Quan surname was Quan Deyu, who was born in 759 during the reign of Emperor Suzong. His family claimed to descend from the Later Qin official Quan Yi (權翼). His family tree was from the Sui Dynasty official Quan Rong (權榮).

During the Shang Dynasty, the Quan family founded the state of Quan (權國). In the state of Chu, the Xiong family lived in Quan Country (權縣), and took the surname Quan.

全

Quan (Chinese: 全; pinyin: Quán), is a Chinese family name. Liang, Yang in alternative mandarin are other spellings. The character 全 is rendered as Jeon in Korean and is one of several Chinese characters for the common Korean surname Jeon (Chun). The name is spelled Chuan in Taiwan, based on the Wade–Giles romanization system. Quan Cong was a military general of Eastern Wu during the Three Kingdoms, Quan Huijie (全惠解) the Empress Quan (全) was empress of Eastern Wu.

Quan (disambiguation)

Quan is a Chinese and Vietnamese surname. Quan may also refer to:

See also

Quan (rapper)

Clifford Peacock, better known by his stage name Quan or Don Ferquan, is an American rapper, affiliated with Nas and Ill Will Records. In 2008, he signed with Just Blaze label Fort Knocks as a joint venture with Ill Will. He is currently signed to Amalgam Digital, who distributed his album Walking Testimony in 2009.

Biography

Nas signed Quan to his Ill Will record label, and featured him on "Just a Moment", the third single from his 2004 Street's Disciple album. The album was a critical success for Nas, and Quan's heartfelt verse earned him respect from the hip-hop community at large. He later contributed to songs for the albums of both Cassidy and Jeannie Ortega.

In 2004, Quan began recording material for his debut album, titled Until My Death. The idea of the album's title came about when Quan recalled: "I got this phrase tattooed across my back when I was a younger. It symbolized a change for me, cause I knew that had I not chose to do something different, the result was gonna be just that — Death. I had come too close, too many times, for God to just keep given me chances." The debut to date has yielded only one official single titled "All for War," which featured production by Mike Wonder and L.E.S. Additionally, the debut album was slated to feature guest appearances by the likes of Nas, Cassidy, The Neptunes and Missy Elliott, however the project was "temporarily" shelved in 2011. Quan confirmed in multiple interviews that he was saving the project for a "major" release and revealed that over the number of years that he had recorded over 400 tracks for the album. In 2008, after meeting producer Just Blaze at a party at a club in Manhattan they got talking and decided to do a joint venture with his label Fort Knocks Entertainment & Nas label Ill Will Records. In 2009, Quan released the album Walking Testimony which served as an "appetizer" for Until My Death.

Crack

Crack may refer to:

Crack may also refer to:

Music

Slang

Software

Other uses

Crak!

Crak! (sometimes Crack!) is a 1963 pop art lithograph by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. It was used in marketing materials for one of Lichtenstein's early shows. It is one of several of his works related to military art and monocular vision.

Background

When Lichtenstein had his first solo show at The Leo Castelli Gallery in New York City in February 1962, it sold out before opening. The exhibition included Engagement Ring, Blam and The Refrigerator. The show ran from February 10 through March 3, 1962. After a west coast exhibition at Ferus Gallery in Los Angeles from April 1–27, 1963, Lichtenstein had his second solo exhibition at the Leo Castelli Gallery from September 28 – October 24, 1963 that included Whaam!, Drowning Girl, Torpedo...Los!, Baseball Manager, In the Car, and Conversation.

Named for its onomatopoeic graphic text, Crak! is an offset lithograph on lightweight, white wove paper. According to the Lichtenstein Foundation, it was a marketing poster that "was published to announce Lichtenstein's exhibition at Leo Castelli Gallery, September 28 [–] October 24, 1963." The foundation notes that the work is sometimes dated 1964 with numbered impressions that are inscribed reflecting that date.

Craic

"Craic" (/kræk/ KRAK), or "crack", is a term for news, gossip, fun, entertainment, and enjoyable conversation, particularly prominent in Ireland. It is often used with the definite article – the craic. The word has an unusual history; the English crack was borrowed into Irish as craic in the mid-20th century and the Irish spelling was then reborrowed into English. Under either spelling, the term has great cultural currency and significance in Ireland.

History

The term crack is ultimately derived from the Middle English crak, meaning "loud conversation, bragging talk". A sense of crack found in Northern England and Scotland meaning "conversation" or "news" produces expressions such as "What's the crack?", meaning "how are you?" or "have you any news?" The context involving "news" and "gossip" originated in Northern English and Scots. A book on the speech of Northern England published in 1825 equates crack with "chat, conversation, news". The Scottish song "The Wark o The Weavers" which dates back to the early part of the 19th century, published by David Shaw, who died in 1856, has the opening line "We're a' met thegither here tae sit and crack, Wi oor glasses in oor hands..." A collection of folk songs from Cumberland published in 1865 refers to villagers "enjoying their crack". A glossary of Lancashire terms and phrases published in 1869 lists crack as meaning "chat", as does a book on the local culture of Edinburgh published in the same year. Glossaries of the dialects of Yorkshire (1878), Cheshire (1886), and Northumberland (1892) equate crack variously with "conversation", "gossip", and "talk". These senses of the term entered Hiberno-English from Scots through Ulster at some point in the mid-20th century and were then borrowed into Irish.