IDM may refer to:
In computing, identity management (IdM) describes the management of individual principals, their authentication, authorization, and privileges within or across system and enterprise boundaries with the goal of increasing security and productivity while decreasing cost, downtime and repetitive tasks.
The terms "Identity Management" and "Identity and Access Management" are used interchangeably in the area of Identity access management, while identity management itself falls under the umbrella of IT Security.
Identity-management systems, products, applications and platforms manage identifying and ancillary data about entities that include individuals, computer-related hardware and applications.
Technologies, services and terms related to identity management include Directory services, Digital Cards, Service Providers, Identity Providers, Web Services, Access control, Digital Identities, Password Managers, Single Sign-on, Security Tokens, Security Token Services (STS), Workflows, OpenID, WS-Security, WS-Trust, SAML 2.0, OAuth and RBAC.
Intelligent dance music (commonly IDM) is a genre of electronic music that emerged in the early 1990s. It was originally influenced by developments in underground dance music such as Detroit techno and various breakbeat styles that were emerging in the UK at that time. Stylistically, IDM tended to rely upon individualistic experimentation rather than adhering to musical characteristics associated with specific genres of dance music. The range of post-techno styles to emerge in the early 1990s were described variously as "art techno", "ambient techno", "intelligent techno", and "electronica". In the United States, the latter is often used as a catchall term to describe not only downtempo or downbeat/non-dance electronic music but also electronic dance music (EDM).
The term "IDM" is said to have originated in the United States in 1993 with the formation of the "IDM list", an electronic mailing list originally chartered for the discussion of music by (but not limited to) a number of prominent English artists, especially those appearing on a 1992 Warp Records compilation called Artificial Intelligence.
Crack may refer to:
Crack may also refer to:
Crak! (sometimes Crack!) is a 1963 pop art lithograph by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. It was used in marketing materials for one of Lichtenstein's early shows. It is one of several of his works related to military art and monocular vision.
When Lichtenstein had his first solo show at The Leo Castelli Gallery in New York City in February 1962, it sold out before opening. The exhibition included Engagement Ring, Blam and The Refrigerator. The show ran from February 10 through March 3, 1962. After a west coast exhibition at Ferus Gallery in Los Angeles from April 1–27, 1963, Lichtenstein had his second solo exhibition at the Leo Castelli Gallery from September 28 – October 24, 1963 that included Whaam!, Drowning Girl, Torpedo...Los!, Baseball Manager, In the Car, and Conversation.
Named for its onomatopoeic graphic text, Crak! is an offset lithograph on lightweight, white wove paper. According to the Lichtenstein Foundation, it was a marketing poster that "was published to announce Lichtenstein's exhibition at Leo Castelli Gallery, September 28 [–] October 24, 1963." The foundation notes that the work is sometimes dated 1964 with numbered impressions that are inscribed reflecting that date.
"Craic" (/kræk/ KRAK), or "crack", is a term for news, gossip, fun, entertainment, and enjoyable conversation, particularly prominent in Ireland. It is often used with the definite article – the craic. The word has an unusual history; the English crack was borrowed into Irish as craic in the mid-20th century and the Irish spelling was then reborrowed into English. Under either spelling, the term has great cultural currency and significance in Ireland.
The term crack is ultimately derived from the Middle English crak, meaning "loud conversation, bragging talk". A sense of crack found in Northern England and Scotland meaning "conversation" or "news" produces expressions such as "What's the crack?", meaning "how are you?" or "have you any news?" The context involving "news" and "gossip" originated in Northern English and Scots. A book on the speech of Northern England published in 1825 equates crack with "chat, conversation, news". The Scottish song "The Wark o The Weavers" which dates back to the early part of the 19th century, published by David Shaw, who died in 1856, has the opening line "We're a' met thegither here tae sit and crack, Wi oor glasses in oor hands..." A collection of folk songs from Cumberland published in 1865 refers to villagers "enjoying their crack". A glossary of Lancashire terms and phrases published in 1869 lists crack as meaning "chat", as does a book on the local culture of Edinburgh published in the same year. Glossaries of the dialects of Yorkshire (1878), Cheshire (1886), and Northumberland (1892) equate crack variously with "conversation", "gossip", and "talk". These senses of the term entered Hiberno-English from Scots through Ulster at some point in the mid-20th century and were then borrowed into Irish.