Counterpoint

In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour. It has been most commonly identified in classical music, strongly developing during the Renaissance and in much of the common practice period, especially in Baroque music. The term originates from the Latin punctus contra punctum meaning "point against point".

General principles

Counterpoint most generally involves very different, independent, and harmonious musical lines. Counterpoint has been used to designate a voice or even an entire composition. In each era, contrapuntally organized music writing has been subject to rules—sometimes strict ones. Chords are the simultaneous soundings of notes; whereas harmonic, "vertical" features are considered secondary and almost incidental when counterpoint is the predominant textural element. Counterpoint focuses on melodic interaction—only secondarily on the harmonies produced by that interaction. In the words of John Rahn:

Counterpoint (disambiguation)

In music, counterpoint is a texture involving the simultaneous sounding of separate melodies or lines "against" each other.

Counterpoint may also refer to:

Music

Film, television and radio

Counterpoint (TV series)

Counterpoint is a Canadian current affairs television series on English-French Canadian relations which aired on CBC Television in 1967.

Premise

This Montreal-produced series highlighted Quebec culture in an effort to encourage harmony between English and French Canadians. For example, a segment showed francophone customers of a British-themed tavern while anglophones ate at a French bistro. Film, jazz and women's hockey in Quebec were also featured. While the series tended to promote culture more than politics, an interview with federal cabinet minister Jean-Luc Pépin was featured in one episode.

Counterpoint was hosted by journalist Armande Saint-Jean and actor-producer Arthur Garmaise.

Scheduling

This half-hour series was broadcast on Sunday afternoons from 12 February to 18 June 1967, initially at 2:30 p.m., and changed to the 2:00 p.m. time slot from 16 April.

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Menace

Menace may mean:

Place

Popular culture

Menace (Marvel Comics)

Menace (Lily Hollister) is a fictional character, a Marvel Comics villainess and enemy of Spider-Man. Her first appearance as Lily Hollister is in The Amazing Spider-Man #545, and her first appearance as Menace is in The Amazing Spider-Man #550, which is the start of the second story arc in the "Brand New Day" overarching storyline that followed the events of "One More Day".

Publication history

Lily Hollister was created by J. Michael Straczynski and Joe Quesada and first appeared in The Amazing Spider-Man #545 . Her alter-ego "Menace" was created by Marc Guggenheim and Salvador Larroca and first appeared in Amazing Spider-Man #550.

Fictional character biography

Lily Hollister is the daughter of Bill Hollister, a candidate for the position of mayor of New York. While dating Harry Osborn, she finds a hidden door in his closet and finds an old former journal of his, which detailed the location of one of Green Goblin's secret hideouts. When she enters the hideout, she accidentally shatters vials full of a new type of Goblin Formula that made contact with her skin, mutating her. Using weapons from the hideout and calling herself "Menace", she targets her father's campaign intending for him to gain the public's sympathy due to her attacks. Menace kidnaps Councilwoman Lisa Parfrey. Spider-Man and Jackpot attempt to rescue the Councilwoman, but Menace's glider slams into the Councilwoman and kills her. Menace escapes the crime scene but not before accusing Spider-Man of being responsible for the woman's death.

Menace (1934 film)

Menace is a 1934 British crime film directed by Adrian Brunel and starring Victor Varconi, Joan Maude and D. A. Clarke-Smith. The film was made at Shepperton Studios by the Sound City production company. It was also known by the alternative title When London Sleeps.

Cast

Bibliography

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