"Count On Me" is a 1978 song and single by Jefferson Starship written by Jesse Barish for the album Earth. The single, in lighter rock mode, gave Starship another US Top 10 hit after "Miracles".
Count on Me may refer to:
"Count on Me" is a duet by American recording artists Whitney Houston and CeCe Winans. It is an uplifting song about leaning on a friend for support when needed. Released in early 1996, the song was the fourth single from the soundtrack album of the motion picture Waiting to Exhale, and the second single by Houston released from that album and its soundtrack. became Winans highest position reached on the US Hot 100 as the single reached the top ten, peaking at number eight. It was certified gold in the U.S.
Chicago Tribune editor Greg Kot wrote that the soul is present on this song and it doesn't sound "particularly enraptured". Allmusic editor Craig Lytle praised: "She (Whitney) teams with Cece Winans on the inspirational duet "Count on Me," and both accomplished singers raise all hopes with their comforting vocals." Billboard called this song torchy.The Orlando Sentinel wrote that "with its swelling choruses and shouted pledges of friendship" the song "is infused with We Are the World earnestness and overkill, but the performances save it from being too treacly".
On the Town is a 1949 musical film with music by Leonard Bernstein and Roger Edens and book and lyrics by Betty Comden and Adolph Green. It is an adaptation of the Broadway stage musical of the same name produced in 1944 (which itself is an adaptation of the Jerome Robbins ballet entitled Fancy Free which was also produced in 1944), although many changes in script and score were made from the original stage version; for instance, most of Bernstein's music was dropped in favor of new songs by Edens, who disliked the majority of the Bernstein score, for being too complex and too operatic. This caused Bernstein to boycott the film.
The film was directed by Gene Kelly and Stanley Donen, and stars Kelly, Frank Sinatra, Ann Miller, Betty Garrett, Jules Munshin, and Vera-Ellen. It also features Alice Pearce and in small, bit part, Bea Benaderet. It was a product of producer Arthur Freed's Unit at MGM, and is notable for its combination of studio and location filming, as a result of Gene Kelly's insistence that some scenes be shot in New York City itself, including at the American Museum of Natural History, the Brooklyn Bridge, and Rockefeller Center.