Constance (1998 film)
Constance (1998) is an erotic film "for women," directed by Knud Vesterskov and produced by Puzzy Power, a division of Lars von Trier's film company Zentropa. It was the first hardcore pornographic film ever to have been produced by an established mainstream film studio.
Constance is based on the Puzzy Power Manifesto developed by Zentropa in 1997, and was the first in a series of pornographic films aimed particularly at a female audience. The others would be Zentropa's Pink Prison (1999) and All About Anna (2005).
Plot
A young woman, Constance (Anaïs), arrives at the mansion of the experienced Lola (Katja Kean), where she is initiated into the mysteries of sexuality. The story is told in flashback via a framing device with lyrical diary excerpts and narration read by mainstream actresses Christiane Bjørg Nielsen and Hella Joof. (In the English-language version, narration is by Danish actress Susan Olsen and Helle Fagralid).
Critical reception
The film was shown in mainstream cinemas in Europe, and was reviewed by mainstream film critics. The Stockholm Film Festival arranged a special screening in Stockholm on Valentine's Day.
List of parishes of Portugal: M
The freguesias (civil parishes) of Portugal are listed in by municipality according to the following format:
- freguesias
Mação
Macedo de Cavaleiros
Machico (Madeira)
Madalena (Azores)
Mafra
Maia
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
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