Comte AC-3
The Comte AC-3 was a 1920s Swiss bomber/transport aircraft produced by Flugzeugbau A. Comte.
Design and development
In November 1928, as a response to increasing tensions and clashes between troops in the Gran Chaco border region between Bolivia and Paraguay, Bolivia placed an order with Alfred Comte, the owner of a small Swiss aircraft manufacturer for three long-range bomber-transport aircraft, using funds collected by popular subscription.
The AC-3 was a high-wing semicantilever monoplane of mixed construction. It was fabric covered with a conventional tail unit. It had three open cockpits, one in the nose for a gunner or observer, one forward of the wing for a pilot, and one on the upper rear fuselage for a rear gunner. An unconventional engine layout had two 447 kW (600 hp) Hispano-Suiza inline piston engines in tandem supported on eight struts above the fuselage. The installation had to be high enough to allow clearance for the two (one pusher, one tractor) propellers above the fuselage. A hatch in the port side allowed cargo or troops to be carried in the main cabin.
AC3
AC3 or AC-3 may refer to:
Video games
Signal processing
Transport
Computer science
Company
Other
Dolby Digital
Dolby Digital is the name for audio compression technologies developed by Dolby Laboratories. It was originally named Dolby Stereo Digital until 1994. Except for Dolby TrueHD, the audio compression is lossy. The first use of Dolby Digital was to provide digital sound in cinemas from 35mm film prints. It is now also used for other applications such as HDTV broadcast, DVDs, Blu-ray Discs and game consoles.
In the cinema
Batman Returns was the first film to use Dolby Digital technology when it premiered in theaters in the summer of 1992. Dolby Digital cinema soundtracks are optically recorded on a 35 mm release print using sequential data blocks placed between every perforation hole on the sound track side of the film. A constant bit rate of 320 kbit/s is used. A charge-coupled device (CCD) scanner in the image projector picks up a scanned video image of this area, and a processor correlates the image area and extracts the digital data as an AC-3 bitstream. The data are finally decoded into a 5.1 channel audio source. All film prints with Dolby Digital data also have Dolby Stereo analogue soundtracks using Dolby SR noise reduction and such prints are known as Dolby SR-D prints. The analogue soundtrack provides a fall-back option in case of damage to the data area or failure of the digital decoding; it also provides compatibility with projectors not equipped with digital soundheads. Almost all current release cinema prints are of this type and may also include SDDS data and a timecode track to synchronize CD-ROMs carrying DTS soundtracks.
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