Dennis Jones may refer to:
Dennis Jones (14 May 1894 – 7 September 1961) was an English footballer who played at half back for various clubs in the 1920s.
Jones was born in Shirebrook and, after several years playing at centre-half in the Central Alliance League for his home-town team, joined Leicester City in June 1921, where he was switched to right-half.
After three seasons at Filbert Street, Jones moved to the south coast to join Southampton in May 1924 along with winger Fred Price as part of an exchange deal that saw full-back Harry Hooper move in the opposite direction. At The Dell, Jones found it hard to break into the first-team with Bert Shelley, Alec Campbell and George Harkus all well-established as the three half-backs. Jones replaced Campbell for four matches in September 1924, but made only three further appearances before returning to the Midlands at the end of the season.
Jones joined Mansfield Town in the summer of 1925 where he spent a season before dropping down to non-league football with spells at Shirebrook, Sutton Town and Wombwell, before becoming a scout for Leicester City and Mansfield Town.
Dennis Jones (13 November 1936 – 19 December 1999) was an Australian rules footballer who played with and coached Melbourne in the Victorian Football League (VFL).
Jones, a half-back, made his senior VFL debut in 1956 and was a member of Melbourne's 1959 premiership side. He retired from the VFL aged 25, and in 1968 became senior coach of South Australian National Football League (SANFL) club Central District. Jones remained in that role for four seasons before moving to the Western Australian Football League (WAFL) to coach West Perth, and getting them to a Grand Final. In 1978 Jones rejoined Melbourne, where he had been appointed coach, but he could not prevent the team finishing with the wooden spoon.
Come Here is Cass Fox's first full length album release as a solo artist. Commenting on her own album she said:
"CASS - Come Here sampler The girl that fronted Rui Da Silva's 'Touch Me' sounds glorious on 'Out of Reach', Which samples early '70s Parliament. It's a heavy R&B/soulster simultaneously sitting in a '60s Aretha soul camp, Definitely deserves to be a single. Of course Island could opt for 'Million Dollars', which has echoes of Electribe 101's soulful house, but fortified with funky rhythm guitar and turnablism. Cass shines vocally on the trippy, mid-tempo soulful 'Strangers'." - DJ Magazine Review
“(Cass)….has delivered a debut solo album that should put her in the forefront of sophisticated modern pop chanteuses. There are too many potential single here to list them all but this is definitely an album where, if you like one track, you’ll fall for the whole thing.” Hi Fi News
“She has the face and voice of an angel” Irish World
“There are class songs aplenty here, and among the comparators inevitably being employed to describe her sound, which have ranged from Dolly Parton and Dusty Springfield to Sinéad O'Connor and Tracy Chapman – it’s Annie Lennox that she most resembles. Do we really need to say more?” Boys Toys..
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Woo Jin-won (Korean: 우진원, October 25, 1978), better known by his stage name Masta Wu (Korean: 마스타 우) is a South Korean rapper, songwriter and producer. His previous stage name was Ginnwon. He was also a part of the hip hop project duo YMGA.
After being an underground rapper, Woo signed with YG Entertainment. He released his first album, Masta Peace in 2003, and his second album Brand Wu Year in 2007.
In 2014 he was one of the producers of the talent show Show Me The Money 3.
He wrote several songs for his label-mates, for example project duo Hi Suhyun, solo singer Lee Hi and girl band 2NE1. As of April 2015 he has 74 songs credited to his name at the Korea Music Copyright Association.
In 2016 he announced his departure from YG Entertainment to establish his own label.
Come Here, stylised as come Here, is the seventh full-length studio album and eighth original album by Japanese boy band KAT-TUN, released in Japan on June 25, 2014 under the label J-One Records. The album contains four previously released tracks — "To The Limit", "Fumetsu no Scrum", "Expose" and "Face to Face" — all of which were number one on the Oricon weekly singles chart.
Come Here is the eighth original album release from KAT-TUN, released approximately seven months after their previous original album Kusabi. The release comes in two versions - Regular Edition and Limited Edition.
The stylised version of the album's title, "come Here", has only the "H" in capitals to signify the H for KAT-TUN fans named "hyphens", that concerts are their "home", that they have matured into adults ("H" can be read as ecchi), and finally because "H" is the eighth letter of the alphabet and it is their eighth overall album.
Both versions of the album include four previously released singles, four solo songs, and eight new songs. The Regular Edition contains two extra bonus tracks, "Sunrise" and "Yasashii Ame (優しい雨)". The Limited Edition contains a DVD containing the music video and making for the lead track, "Come Here".
And everybody mathces
That's way it's standing there
But now we're here
Come here
Come here come here
Come here
Come here come here
They come here
Come here
Come here come here
Gig faces
Hey i like this
Dig it all
Hey i like this
How the girls says
You try for this
How the girls wants
Allright then
My seeses is seens
And i do all night my scenes
This girls says i'm
And i'm not a lion
So were's my part of
I'm on fire
On fire
Buy you all
I will buy you
And every body sees her
That's way they standig here
But now we're here
But now we're here
But now we're here
But now we're here
But now we're here
Hey come here
My car it's so special
My bitch is so special
You warned it
Stop fixed it
You warned all
And remind me
You know i'm a bad guy
You know that we rolle it
You know i'm a bad guy
No warry we smile
We're wild on the island
So we burning up
We burning up
And every sees her that's way we standing here
They didn't sees us
Come here come here
Come here come here
Hey come here come here
Come here come here