Saga is an annual musical festival organized by Royal College Colombo. The first SAGA was held in 2004 and since then has become an important event on Colombo's cultural calendar. It is named after the ancient Greek epic poems the Odyssey and the Iliad attributed to Homer. In the aspect of oriental music the term referred to the oriental version of sing musical scales as ‘Sa’ refers to the oriental equivalent of the 1st degree- “Do” while “Ga” refers to the equivalent of the 3rd degree, or “Me”
For many years before Saga, an annual concert performed by the by Royal College Hostel named Miyasi Meerawaya. Miyasi Meerawaya was limited to hostelers, however Upali Gunasekara, the newly appointed Principal of Royal College Colombo wished to broaden the scope for every one to perform. As a result Saga I was organized in 2004 with the leadership of Principal Upali Gunasekara and Music Teacher Ashoka Pushpakumara. The project was joined by the School Development Society of the College which was in the process of developing a fundraising event to help development projects within the school. With it the two projects merged becoming one of the largest national events. Over the years dance and drama were added to the event.
Saga (佐賀市, Saga-shi) is the capital city of Saga Prefecture, located on the island of Kyushu, Japan.
Saga was the capital of Saga Domain in the Edo period, and largest city of former Hizen Province.
As of February 1, 2009, the city has an estimated population of 238,934 and a population density of 554 persons per km². The total area is 431.42 km².
On October 1, 2005, Saga absorbed the towns of Fuji, Morodomi and Yamato (all from Saga District) and the village of Mitsuse (from Kanzaki District) to create the new and expanded city of Saga. With this creation, the city now neighbors the city of Fukuoka (in Fukuoka Prefecture).
On October 1, 2007 the towns of Higashiyoka, Kawasoe, and Kubota (all from Saga District) were also incorporated into Saga, further expanding its borders.
Although Saga is the capital of Saga Prefecture, it can also be said to be within the Greater Fukuoka metropolitan area, and by extension, Fukuoka-Kitakyushu Metropolitan Area.
In Norse mythology, Sága (Old Norse: [saːɣa], possibly meaning "seeress") is a goddess associated with the wisdom Sökkvabekkr (Old Norse: [sɔkːwabekːr]; "sunken bank", "sunken bench", or "treasure bank"). At Sökkvabekkr, Sága and the god Odin merrily drink as cool waves flow. Both Sága and Sökkvabekkr are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda, written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the goddess and her associated location, including that the location may be connected to the goddess Frigg's fen residence Fensalir and that Sága may be another name for Frigg.
The etymology of the name Sága is generally held to be connected to the Old Norse verb sjá, meaning "to see" (from Proto-Germanic *sehwan). This may mean that Sága is to be understood as a seeress. Since Frigg is referred to as a seeress in the poem Lokasenna, this etymology has led to theories connecting Sága to Frigg. Rudolf Simek says that this etymology raises vowel problems and that a link to saga and segja (meaning "say, tell") is more likely, yet that this identification is also problematic.
Combat or fighting is a purposeful violent conflict meant to weaken, establish dominance over, or kill the opposition, or to drive the opposition away from a location where it is not wanted or needed.
The term combat (French for fight) typically refers to armed conflict between opposing military forces in warfare, whereas the more general term "fighting" can refer to any physical or verbal conflict between individuals or nations. Combat violence can be unilateral, whereas fighting implies at least a defensive reaction. A large-scale fight is known as a battle. A verbal fight is commonly known as an argument.
Combat may take place under a specific set of rules or be unregulated. Examples of rules include the Geneva Conventions (covering the treatment of people in war), medieval chivalry, the Marquess of Queensberry rules (covering boxing) and several forms of combat sports.
Combat in warfare involves two or more opposing military organizations, usually fighting for nations at war (although guerrilla warfare and suppression of insurgencies can fall outside this definition). Warfare falls under the laws of war, which govern its purposes and conduct, and protect the rights of combatants and non-combatants.
Combat juggling is a sport played by two or more players juggling three juggling clubs each. Combat can be played individually against a single opponent (one-on-one-combat), between teams of two or more players each, or in a group where everyone plays against everyone. The object of the game is to maintain the own juggling pattern while attempting to make the opponent drop one or more clubs.
The players start juggling three clubs at the same time. Players are allowed to interfere with other players' patterns in an attempt to make them drop. They should only attack their opponents' clubs, not their opponents' bodies. Anyone who is no longer juggling at least three clubs (because they dropped, collected, or had a club stolen by an opponent) is out of the game. The last person left juggling wins.
The player who drops will not gain a point, while the player who maintains the juggling longer than the opponent and finishes its pattern cleanly, i.e. catches all three clubs without dropping, will.
The ComBat was an aluminium cricket bat and the subject of an incident that occurred at the WACA cricket ground in Perth in December 1979.
Australia were playing England in the first Test, and were in trouble at the end of the first day, at a score of 232/8 with Dennis Lillee not out. When the second day of play began, Lillee emerged onto the field carrying not the traditional willow bat, but a cricket bat made from aluminium. The bat, manufactured by the company of Lillee's good friend Graeme Monaghan, was intended only as a cheap replacement for traditional cricket bats for schools and developing countries. Nevertheless, Lillee decided to use it in the Test match as a marketing stunt, and at that point, there were no rules against using such a bat. This was not the first time Lillee had used an aluminium bat, as he had employed one 12 days previously in a Test against the West Indies, without incident.
The trouble began on the fourth ball of the day, when Lillee straight drove a ball from Ian Botham. The ball went for three runs, and nothing appeared untoward. However, Australian captain Greg Chappell thought that the ball should have gone for a four, and instructed twelfth man Rodney Hogg to deliver a conventional wooden bat to Lillee. As this was happening, English captain Mike Brearley complained to umpires Max O'Connell and Don Weser that the metallic bat was damaging the soft, leather cricket ball.