Comanche is a 1956 Western film directed by George Sherman and starring Dana Andrews. The film has a theme song "A Man Is As Good As His Word" sung by The Lancers.
In 1875, near Durango, Mexico, a group of renegade Comanche attack a peaceful village and kidnap the daughter of a Spanish aristocrat. They escape the Mexican Army by crossing into US territory. Jim Read (Dana Andrews), a frontier scout, is sent to investigate and ease tensions between the Mexicans and the Comanche. But long standing hatred and the profitable business of scalp-hunting does not help in resolving the conflict. Read is sent to negotiate with the Comanche chief, Quanah (Kent Smith). Whilst searching for Quanah, Read sees Art Downey (Stacy Harris), a local scalp-hunter, shoot and injure a Comanche. Read rescues him and takes him to Quanah. Read however is himself accused of the shooting by Black Cloud (Henry Brandon), the renegade leader, until the injured brave recovers enough to clear his name. Read reveals to Quanah that they are cousins and that his mother was the sister of Quanah’s mother. Quanah swears loyalty to his white friend. Read leaves to fetch government officials to a peace council, but discovers a cavalry detachment that has been massacred by Black Cloud and his renegades. The Government official, Commissioner Ward (Lowell Gilmore), has ordered the cavalry to subdue the Indians, by force if necessary. Black Cloud attacks a column of cavalry troopers and captures Ward. Quanah and a large force of loyal Comanche intervene and threaten to attack Black Cloud. Vengeful Black Cloud kills Ward. In the ensuing battle, Read kills Downey and Black Cloud and peace is restored.
The year 1956 in film involved some significant events.
(*) After theatrical re-issue(s)
Palme d'Or (Cannes Film Festival):
Golden Lion (Venice Film Festival): Not awarded
Golden Bear (Berlin Film Festival):
U.S.A. unless stated
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: