Coil

Coil may refer to:

Science, technology and medicine

Music

Other uses

People with the surname

See also

Coil (band)

Coil was an English cross-genre, experimental music group formed in 1982 by John Balance—later credited as "Jhonn Balance"—and his life partner and collaborator Peter Christopherson, aka "Sleazy". The duo worked together on a series of releases before Balance chose the name Coil, which he claimed to be inspired by the omnipresence of the coil's shape in nature. Today, Coil remains one of the most influential and best-known industrial music groups.

The group's first official release as Coil was a 1984 12" album titled How to Destroy Angels released on the Belgian Les Disques du Crépuscule's sublabel LAYLAH Antirecords. Following the 12"s success, Some Bizarre Records produced two albums, Scatology, Horse Rotorvator and Coil departed SomeBizzare Label and Produced Love's Secret Domain, which met with little commercial success, but were praised as innovative due to their blend of industrial music and acid house.

In 1985, the group began working on a series of soundtracks, amongst them music for the first Hellraiser movie based on the novel The Hellbound Heart by their acquaintance at that time, Clive Barker. The group's first live performance in 16 years occurred in 1999, and began a series of mini-tours that would last until 2004. Following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website Threshold House that Coil as an entity had ceased to exist.

Coil (album)

Coil is an album by Toad the Wet Sprocket released in 1997. It is their fifth studio album, and the final one before the band broke up in 1998. As with previous albums, Coil was released under the Columbia Records label and produced by Gavin MacKillop.

This album has been praised by some as the band's most mature album. It combines themes explored in all of their previous albums - including love, spirituality and the virtues of an uncomplicated life - and it continues the straightforward rock sound found in Dulcinea. One song from the album, "Come Down", hit the Billboard Modern Rock and Mainstream Rock Charts, and the single "Crazy Life" explores the perceived injustices experienced by Leonard Peltier. "Whatever I Fear" was also released as a single but failed to chart with poor backing from Columbia Records; thus in turn, the planned fourth single "Dam Would Break" was never released.

Track listing

Studio outtakes

Boogie

Boogie is a repetitive, swung note or shuffle rhythm,"groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916. By the 1930s, Swing bands such as Benny Goodman, Glenn Miller, Tommy Dorsey, Gerald Martin, and Louis Jordan all had boogie hits. By the 1950s, boogie became incorporated into the emerging rockabilly and rock and roll styles. In the late 1980s and the early 1990s country bands released country boogies. Today, the term "boogie" usually refers to dancing to pop, disco, or rock music.

History

The boogie was originally played on the piano in boogie-woogie music and adapted to guitar. Boogie-woogie is a style of blues piano playing characterized by an up-tempo rhythm, a repeated melodic pattern in the bass, and a series of improvised variations in the treble. Boogie woogie developed from a piano style that developed in the rough barrelhouse bars in the Southern states, where a piano player performed for the hard-drinking patrons. Wayne Schmidt remarks that with boogie-woogie songs, the "bass line isn't just a time keeper or 'fill' for the right hand"; instead, the bassline has equal importance to the right hand's melodic line. He argues that many boogie-woogie basslines use a "rising/falling sequence of notes" called walking bass line.

Boogie (album)

Boogie is a compilation album of both previously released and unreleased tracks by the American band The Jackson 5. It was released after the release of the Jacksons studio album Destiny in 1979. Boogie is considered the rarest of all Jackson 5 or Jacksons releases, as not many albums were pressed and fewer were sold at the time.

Background and composition

In 1979, the Jacksons moved up in the Top 10 with the album Destiny, released by Epic, and the hit "Shake Your Body (Down to the Ground)". Michael Jackson began recording Off the Wall that year, and Motown wanted to cash in on the newfound success with Boogie on the Natural Resources label.

Five of the seven songs are unpublished productions by Hal Davis; some are in the line of "Pride and Joy" on "Joyful Jukebox Music" as "I Was Made To Love Her" and "Love's Gone Bad". The sweetness of "One Day I'll Marry You", following the sessions for "Never Can Say Goodbye", might have its place in albums like Maybe Tomorrow and Got to Be There. "Oh, I've Been Blessed" is produced by Bobby Taylor, recorded in the early beginnings of Motown group. "Penny Arcade" is the vein of Lookin' Through the Windows.

Boogie (2009 film)

Boogie (Spanish: Boogie, el aceitoso) is a 2009 3D Argentinian Flash-animated action-thriller film, based on the Argentine character Boogie, the oily by Roberto Fontanarrosa, and directed by Gustavo Cova. The voices of main characters Boogie and Marcia were performed by Pablo Echarri and Nancy Dupláa. It was the first 3D animated movie made in Argentina and Latin America.

Plot

Boogie meets Marcia at a bar, the girlfriend of the mafia Boss Sonny Calabria, who asks him if he finds her attractive. Boogie points that she is fat in a very rude manner, and leaves. Some time later Calabria is sent to trial, threatened by the existence of a mysterious witness who could incriminate him. Calabria's people try to hire Boogie to kill that witness, but as he requests too much money they decide to hire Blackburn instead, a competitor killer. Angered by the situation, Boogie decides to kidnap the witness to force Calabria to pay him. The witness was Marcia, who had changed into a thin figure after Boogie's criticism, causing Calabria to leave her and get together with another fat woman, as he preferred fat women. Marcia falls in love with this seeming hero, despite his constant violence and lack of feelings, until she finds out his true plans. She tries to escape from him, but Boogie captures her back and negotiates giving her up to Calabria.