Hamming space

In statistics and coding theory, a Hamming space is usually the set of all binary strings of length N. It is used in the theory of coding signals and transmission.

More generally, a Hamming space can be defined over any alphabet (set) Q as the set of words of a fixed length N with letters from Q. If Q is a finite field, then a Hamming space over Q is an N-dimensional vector space over Q. In the typical, binary case, the field is thus GF(2) (also denoted by Z₂).

In coding theory, if Q has q elements, then any subset C (usually assumed of cardinality at least two) of the N-dimensional Hamming space over Q is called a q-ary code of length N; the elements of C are called codewords. In the case where C is a linear subspace of its Hamming space, it is called a linear code. A typical example of linear code is the Hamming code. Codes defined via a Hamming space necessarily have the same length for every codeword, so they are called block codes when it is necessary to distinguish them from variable-length codes that are defined by unique factorization on a monoid.

Code (album)

Code (stylized as C O D E) is an album by British electronic band Cabaret Voltaire. The track "Don't Argue" was released as a single, as was "Here To Go".

The lyrics (and title) of "Don't Argue" incorporate verbatim a number of sentences from the narration of the 1945 short film Your Job in Germany, directed by Frank Capra. The film was aimed at American soldiers occupying Germany and strongly warned against trusting or fraternizing with German citizens.

Track listing

Personnel

Code (law)

A code is a type of legislation that purports to exhaustively cover a complete system of laws or a particular area of law as it existed at the time the code was enacted, by a process of codification. Though the process and motivations for codification are similar in different common law and civil law systems, their usage is different. In a civil law country, a Code typically exhaustively covers the complete system of law, such as civil law or criminal law. By contrast, in a common law country with legislative practices in the English tradition, a Code is a less common form of legislation, which differs from usual legislation that, when enacted, modify the existing common law only to the extent of its express or implicit provision, but otherwise leaves the common law intact. By contrast, a code entirely replaces the common law in a particular area, leaving the common law inoperative unless and until the code is repealed. In a third case of slightly different usage, in the United States and other common law countries that have adopted similar legislative practices, a Code is a standing body of statute law on a particular area, which is added to, subtracted from, or otherwise modified by individual legislative enactments.

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).

33⅓

33⅓ (Thirty-Three and a Third) is a series of books written about music albums, featuring one author per album. Published by Bloomsbury Publishing, the series was founded by David Barker, and is edited by Ally Jane Grossan. The series title refers to the speed (33⅓ revolutions per minute) of an LP album.

Published titles

As of January 2016, 110 books have been published.

[*] Intentionally mis-numbered

Forthcoming titles

Book one

Book one or book 1 can refer to: