Xena: Warrior Princess (season 1)

The first season of the television series Xena: Warrior Princess commenced airing in the United States and Canada on September 4, 1995, concluded on July 29, 1996, and contained 24 episodes. It introduces Gabrielle (Renee O'Connor), the series co-star, beside Xena (Lucy Lawless), previously a secondary character in the TV series Hercules: The Legendary Journeys. Gabrielle becomes Xena's greatest ally; her initial naiveté helps to balance Xena and assists her in recognizing and pursuing the "greater good."

The first season aired at United States in syndication; reruns later ran on the USA Network. The season was released on DVD as a seven disc boxed set under the title of Xena: Warrior Princess: The Complete First Season on April 23, 2003 by Anchor Bay Entertainment.

Production

Crew

The season was produced by Pacific Renaissance Pictures in parcery with Universal Studios and was aired in first-run syndication in the U.S. The executive producers were Robert Tapert (series creator), with Sam Raimi and R. J. Stewart. The main staff writers were Tapert, Stewart and many others, as Steven L. Sears (co-executive producers), Terence Winter, Peter Allan Fields and Roy Thomas. Some of the first season's episodes were written or co-written by writers on a freelance basis. The regular directors throughout the season were Doug Lefler, Michael Levine, Charles Siebert, Jace Alexander, Josh Becker, John Cameron and Gary Jones. The theme music and opening sequence was composed by Joseph LoDuca.

Callisto (moon)

Callisto /kəˈlɪstoʊ/ (Jupiter IV) is one of the 67 moons of Jupiter.

It was discovered in 1610 by Galileo Galilei. It is the third-largest moon in the Solar System and the second largest in the Jovian system, after Ganymede, and the largest object in the Solar System not to be properly differentiated. At 7006482100000000000♠4821 km in diameter, Callisto has about 99% the diameter of the planet Mercury but only about a third of its mass. It is the fourth Galilean moon of Jupiter by distance, with an orbital radius of about 7009188300000000000♠1883000 km. It is not part of the orbital resonance that affects three inner Galilean satellites—Io, Europa and Ganymede—and thus does not experience appreciable tidal heating. Callisto's rotation is tidally locked to its orbit around Jupiter, so that the same hemisphere always faces inward; Jupiter appears to stand nearly still in Callisto's sky. It is less affected by Jupiter's magnetosphere than the other inner satellites because of its more remote orbit, located just outside Jupiter's main radiation belt.

Callisto (mythology)

In Greek mythology, Callisto or Kallisto (/kəˈlɪstoʊ/; Greek: Καλλιστώ [kallisˈtɔː]) was a nymph of Lycaon. Transformed into a bear and set among the stars, she was the bear-mother of the Arcadians, through her son Arcas.

The fourth Galilean moon of Jupiter is named after Callisto.

Origin of the myth

The name Kalliste (Καλλίστη), "most beautiful", may be recognized as an epithet of the goddess herself, though none of the inscriptions at Athens that record priests of Artemis Kalliste (Άρτεμις Καλλίστη), dates before the third century BCE. Artemis Kalliste was worshipped in Athens in a shrine which lay outside the Dipylon gate, by the side of the road to the Academy. W. S. Ferguson suggested that Artemis Soteira and Artemis Kalliste were joined in a common cult administered by a single priest. The bearlike character of Artemis herself was a feature of the Brauronia.

The myth in Catasterismi may be derived from the fact that a set of constellations appear close together in the sky, in and near the Zodiac sign of Libra, namely Ursa Minor, Ursa Major, Boötes, and Virgo. The constellation Boötes, was explicitly identified in the Hesiodic Astronomia (Αστρονομία) as Arcas, the "Bear-warden" (Arktophylax; Αρκτοφύλαξ):

Hamming space

In statistics and coding theory, a Hamming space is usually the set of all binary strings of length N. It is used in the theory of coding signals and transmission.

More generally, a Hamming space can be defined over any alphabet (set) Q as the set of words of a fixed length N with letters from Q. If Q is a finite field, then a Hamming space over Q is an N-dimensional vector space over Q. In the typical, binary case, the field is thus GF(2) (also denoted by Z₂).

In coding theory, if Q has q elements, then any subset C (usually assumed of cardinality at least two) of the N-dimensional Hamming space over Q is called a q-ary code of length N; the elements of C are called codewords. In the case where C is a linear subspace of its Hamming space, it is called a linear code. A typical example of linear code is the Hamming code. Codes defined via a Hamming space necessarily have the same length for every codeword, so they are called block codes when it is necessary to distinguish them from variable-length codes that are defined by unique factorization on a monoid.

Code (album)

Code (stylized as C O D E) is an album by British electronic band Cabaret Voltaire. The track "Don't Argue" was released as a single, as was "Here To Go".

The lyrics (and title) of "Don't Argue" incorporate verbatim a number of sentences from the narration of the 1945 short film Your Job in Germany, directed by Frank Capra. The film was aimed at American soldiers occupying Germany and strongly warned against trusting or fraternizing with German citizens.

Track listing

Personnel

Code (law)

A code is a type of legislation that purports to exhaustively cover a complete system of laws or a particular area of law as it existed at the time the code was enacted, by a process of codification. Though the process and motivations for codification are similar in different common law and civil law systems, their usage is different. In a civil law country, a Code typically exhaustively covers the complete system of law, such as civil law or criminal law. By contrast, in a common law country with legislative practices in the English tradition, a Code is a less common form of legislation, which differs from usual legislation that, when enacted, modify the existing common law only to the extent of its express or implicit provision, but otherwise leaves the common law intact. By contrast, a code entirely replaces the common law in a particular area, leaving the common law inoperative unless and until the code is repealed. In a third case of slightly different usage, in the United States and other common law countries that have adopted similar legislative practices, a Code is a standing body of statute law on a particular area, which is added to, subtracted from, or otherwise modified by individual legislative enactments.