Fundición Tipográfica Nacional or the Nacional Typefoundry was for many years the leading type foundry of Spain. It was founded in Madrid in 1915 and functioned there until bought out by Fundición Tipográfica Neufville of Barcelona in 1971. It employed prestigious designers like Carlos Winkow and Enric Crous-Vidal and was noted for its bold and striking art deco faces.
Radar is an acronym for RAdio Detection And Ranging.
Radar may also refer to:
"Radar" is a song recorded by American singer Britney Spears for her fifth studio album, Blackout (2007). It was written and produced by Bloodshy & Avant and The Clutch, with additional writing from Henrik Jonback, as a record that did not relate to any of her personal problems at the time. The recording sessions took place the day after Spears filed for divorce from Kevin Federline, and members of The Clutch claimed to be surprised by her work ethic. "Radar" was originally planned to be released as the third single from Blackout, but "Break the Ice" was chosen instead. The song was then planned as the fourth single, but the release was cancelled as Spears began recording her sixth studio album, Circus (2008). "Radar" was later included as a bonus track on Circus, and released as the fourth and final single from the album on June 22, 2009 by Jive Records.
Musically, "Radar" is an electropop and synthpop song, that runs through a midtempo dance groove. Spears' vocals are auto tuned and accompanied by sonar pulses and a heavy usage of distorted synthesizers. The lyrics refer to an attraction between the protagonist and a man, while she wonders if he knows what she is feeling. "Radar" received mixed reviews from critics; some called it one of the highlights of Blackout, while others felt that it was over-produced and also criticized her vocals for being processed. In July 2008, "Radar" charted in the top forty of Ireland and New Zealand, and inside the top-ten in Sweden. After it was released as a single from Circus, the track performed poorly on the charts and did not manage to enter the top forty in most countries. However, it became her 21st hit on the US Billboard's Pop Songs chart, the most for any artist of the decade.
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
A la seconde (French pronunciation: [a la səɡɔ̃d]) A position of the leg to the side or a movement with the leg held to the side in second position, as in a pirouette à la seconde, in which a dancer turns with the working leg à la hauteur ('elevated') in second position
Also, one of the directions of the body, facing the audience (i.e. en face), arms in second position, with one leg extended to second position.
(French pronunciation: [a la katʁijɛm]) One of the directions of body, facing the audience (en face), arms in second position, with one leg extended either to fourth position in front (quatrième devant) or fourth position behind (quatrième derrière).
(French pronunciation: [a tɛʁ]) Touching the floor.
Italian, or French adage, meaning 'slowly, at ease.'
A syllable is a unit of organization for a sequence of speech sounds. For example, the word water is composed of two syllables: wa and ter. A syllable is typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants).
Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic meter and its stress patterns.
Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing".
A word that consists of a single syllable (like English dog) is called a monosyllable (and is said to be monosyllabic). Similar terms include disyllable (and disyllabic) for a word of two syllables; trisyllable (and trisyllabic) for a word of three syllables; and polysyllable (and polysyllabic), which may refer either to a word of more than three syllables or to any word of more than one syllable.
Coda is a Rock en Español band from Mexico, formed in 1989. The band had much of success in the early 1990s, releasing four albums. In the late 1990s, the band had several line-up changes; the band disbanded in 2000, but resurfaced in 2002 with a new line-up.
Coda was formed in 1989 by Salvador "Chava" Aguilar and Toño Ruíz with the intention to do quality rock music. They recruited Jesús "Chucho" Esquivel, Zitto Bremont and Diego Benyure. Their first show was in April 1989 when they opened a concert for another band at the Isabel Corona Theater in Mexico. In 1990, they released an EP called Tiempo Perfecto that was poorly received. Shortly after, Diego and Zitto left the band and were replaced with David Melchor and Allán Pérez respectively.
In December 1991, Raúl Vázquez, general director of Sony Music, heard the band and decided to sign them. The following year, they started working on their first full-length album. Enciéndelo was finally released in 1993 produced by Luis Carlos Maluly. The album managed to put the band on the radar and featured singles like "Tócame", "Eternamente", and "Sin Ti No Se Continuar". The video of "Tócame", directed by Memo del Bosque peaked at #1 in the TV channel TeleHit.
What you don't know
Is that I love you
What you don't know, whoa
Is how much I care
And what you don't see
Are my dreams about you
I dream about you,
I dream about you
But I'm afraid to let you in,
And I'm afraid to let you know,
Yes, I'm afraid to let my love show
It's so peculiar
This thing that we've found.
It's so amazing, yeah
How loud my heart does sound
Feel the pulse,
It's beating only for you,
Oh, it's beating only,
Beating only for you.
But I'm afraid to let you in,
And I'm afraid to let you know,
Yes, I'm afraid to let my love show
Don't you wonder of this timing
It's mysteriously, yeah, mystifying
I'm head over feet,
Flying all around
Oh, won't you catch me
Before I hit the ground
But I'm afraid to let you in,
And I'm afraid to let you know,
Yes, I'm afraid to let my love show.
But I won't be afraid to let you in,
I won't be afraid to let you know,