Amm or AMM may refer to:
AMM is a British free improvisation group that was founded in London, England, in 1965. The group was initially composed of Keith Rowe on guitar, Lou Gare on saxophone and Eddie Prévost on drums. The three men shared a common interest in exploring music beyond the boundaries of conventional jazz, as part of a larger movement that helped spawn European free jazz and free improvisation. AMM have never been well known to the general public, but have been influential on the field of improvised music. Most of their recordings have been released on Matchless Recordings, which was run by founding member and percussionist Eddie Prévost. In a 2001 interview, founding member Keith Rowe was asked if "AMM" was an abbreviation; he replied, "The letters AMM stand for something, but as you probably know it's a secret!"
AMM was initially composed of Keith Rowe on guitar, Lou Gare on saxophone and Eddie Prévost on drums. Rowe and Gare were members of Mike Westbrook's band; Prévost and Gare were also in a hard bop jazz quintet. The three men shared a common interest in exploring music beyond the boundaries of conventional jazz, as part of a larger movement that helped spawn European free jazz and free improvisation.
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
A la seconde (French pronunciation: [a la səɡɔ̃d]) A position of the leg to the side or a movement with the leg held to the side in second position, as in a pirouette à la seconde, in which a dancer turns with the working leg à la hauteur ('elevated') in second position
Also, one of the directions of the body, facing the audience (i.e. en face), arms in second position, with one leg extended to second position.
(French pronunciation: [a la katʁijɛm]) One of the directions of body, facing the audience (en face), arms in second position, with one leg extended either to fourth position in front (quatrième devant) or fourth position behind (quatrième derrière).
(French pronunciation: [a tɛʁ]) Touching the floor.
Italian, or French adage, meaning 'slowly, at ease.'
A syllable is a unit of organization for a sequence of speech sounds. For example, the word water is composed of two syllables: wa and ter. A syllable is typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants).
Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic meter and its stress patterns.
Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing".
A word that consists of a single syllable (like English dog) is called a monosyllable (and is said to be monosyllabic). Similar terms include disyllable (and disyllabic) for a word of two syllables; trisyllable (and trisyllabic) for a word of three syllables; and polysyllable (and polysyllabic), which may refer either to a word of more than three syllables or to any word of more than one syllable.
CODA was a Canadian magazine devoted to covering all things related to jazz. The magazine produced 6 publications a year on a bi-monthly basis. Founded in 1958 by publisher and record producer John Norris, the magazine contains reviews and articles about current jazz artists on the international scene, as well as articles on jazz recordings, jazz books, and other topics related to jazz. In 1976 Norris was succeeded by saxophonist Bill Smith.
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