Cocoon is a 1985 American science fiction fantasy comedy-drama film directed by Ron Howard about a group of elderly people rejuvenated by aliens. The movie stars Don Ameche, Wilford Brimley, Hume Cronyn, Brian Dennehy, Jack Gilford, Steve Guttenberg, Maureen Stapleton, Jessica Tandy, Gwen Verdon, Herta Ware, Tahnee Welch, and Linda Harrison. The film is loosely based on the novel of the same name by David Saperstein.
The film was shot in and around St. Petersburg, Florida: locations included the St Petersburg Shuffleboard Club, Sunny Shores Rest Home, The Coliseum, and Snell Arcade buildings. The film earned two Academy Awards for Best Supporting Actor (Don Ameche) and for Best Visual Effects.
A sequel, Cocoon: The Return, was released in 1988 in which almost all of the original cast reprised their roles.
About 10,000 years ago, peaceful aliens from the planet Antarea set up an outpost on the planet Earth, on an island later known to mankind as Atlantis. When Atlantis sank, twenty aliens were left behind, kept alive in large rock-like cocoons at the bottom of the Atlantic Ocean. Now a group of Antareans have returned to Earth to collect them. Disguising themselves as humans, they rent a house with a swimming pool, and charge the water with "life force" to give the cocooned Antareans energy to survive the trip home. They charter a boat from a local captain named Jack (Steve Guttenberg) who helps them retrieve the cocoons. Jack likes Kitty (Tahnee Welch), a beautiful woman from the team who chartered his boat. When he spies on her while she undresses in her cabin, Jack is shocked when he discovers she is an alien. After the aliens reveal themselves to him and explain what's going on, he decides to help them.
A pupa (Latin pupa for doll, pl: pupae or pupas) is the life stage of some insects undergoing transformation. The pupal stage is found only in holometabolous insects, those that undergo a complete metamorphosis, going through four life stages: embryo, larva, pupa and imago. (For a list of such insects see Holometabolism).
The pupae of different groups of insects have different names such as chrysalis for the pupae of butterflies and tumbler for those of the mosquito family. Pupae may further be enclosed in other structures such as cocoons, nests or shells.
In the life of an insect the pupal stage follows the larval stage and precedes adulthood (imago). It is during the time of pupation that the adult structures of the insect are formed while the larval structures are broken down. Pupae are inactive, and usually sessile (not able to move about). However, the pupae may be exarate (have movable legs, wings, antennae, etc.) or obtect (covered in a hard case with the legs and wings attached immovably against the body). They have a hard protective coating and often use camouflage to evade potential predators.
"Cocoon" is a song recorded by Icelandic singer Björk for her fifth studio album Vespertine. It was written and produced by Björk and Thomas Knak, and released as the album's third single on 11 March 2002, by One Little Indian Records. Inspired by her relationship with artist Matthew Barney, Björk set to make a record with a domestic mood. Working with Knak, she wrote "Cocoon", a glitch song which is lyrically a song about a woman who describes making love with her lover during their post-coital hibernation, and includes frank sexual narrative related both explicitly and through over-sharing and metaphor.
The single peaked at number 35 on the UK Singles Chart.
In 2000, Björk starred on her acting debut Dancer in the Dark. While she worked on the film, she also began producing her next album, writing new music and teaming with new collaborators; she has said "Selmasongs was the day job and Vespertine was the hobby". Her new relationship with artist Matthew Barney and the tension while filming Dancer in the Dark have been referred to as the two major forces that shaped what would become Vespertine. Björk set to make a record with a domestic mood featuring "everyday moods and everyday noises translating into melodies and beats". She commented about when she first heard about the producer she would work on the album, produced by Thomas Knak: "I had to go to Denmark for a year. There was nothing going on. I was literally lying on the beach, looking at the ocean, with a ghetto blaster listening to Thomas Knak/Opiate's album. I realised he was from Copenhagen. I just called him up."
Cocoon is a French pop folk band from Clermont-Ferrand that sings in English. They were founded in 2006 by Mark Daumail (born 6 December 1984) and keyboardist Morgane Imbeaud (born 14 April 1987). On stage they are generally accompanied by Raphaël Séguinier (drums) and Oliver Smith (bass).
The band's first album, My Friends all Died in a Plane Crash, was released on October 22, 2007. It proved to be an international commercial and critical success selling over 100,000 copies and certified platinum in France.
After their first album, Cocoon released the live CD/DVD, Back to Panda Mountain, on September 7, 2009. Following the release of a live CD/DVD, they went on a world tour, dubbed the "Baby Panda Tour". In April 2010, the band started to record their second studio album, Where the Oceans End.
Alongside Cocoon, the duo's members have taken on solo musical projects.
In 2014, Mark Daumail released his solo album entitled Speed of Light that has charted on SNEP Official French Albums Chart and on Ultratop Belgian Wallonia Albums Chart.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.