Cocktails (film)

Cocktails is a 1928 British silent comedy film directed by Monty Banks and starring Harald Madsen, Enid Stamp-Taylor and Carl Schenstrøm.

Plot

The guardian of an heiress tries to destroy the reputation of her lover by planting drugs on him.

Cast

References

Bibliography

External links

Cocktails (album)

Cocktails is the sixth studio album by American rapper Too Short. The album was released on January 24, 1995, by Jive Records. It is certified platinum and features performances by 2Pac, Ant Banks and The Dangerous Crew. Cocktails debuted at #6 on the Billboard 200 chart, selling 101,000 copies in its first week. It was Too Short's second album to reach #1 on the Top R&B/Hip-Hop Albums chart, while missing the Top 5 by one position on the Billboard 200.

Track listing

Charts

See also

References

Cocktails (The Office)

"Cocktails" is the eighteenth episode of the third season of the US version of The Office. It was written by actor Paul Lieberstein and directed by Lost series creator J. J. Abrams, his first such credit for The Office. NBC hired Abrams and Joss Whedon to each direct an episode during their February sweeps week. Michael Patrick McGill, Dan Cole, Owen Daniels, and Jean Villepique guest starred.

In the episode, Michael, Dwight, Jim and Karen attend a cocktail party at CFO David Wallace's house. While there, Michael and Jan make their relationship public, Karen makes Jim uncomfortable by pointing out all of her ex-boyfriends in attendance, and Dwight inspects the home. Meanwhile, the rest of the office goes to a bar and Pam tries to be more honest with Roy.

The first American broadcast of "Cocktails" occurred on February 22, 2007 to an estimated 8.3 million viewers. The episode was positively received by television critics, with one believing it was one of the best of the season.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.