For Monkeys is the third album by the Swedish punk rock band Millencolin, released on April 20, 1997 in Sweden by Burning Heart Records and on May 20, 1997 in the United States by Epitaph Records. "Lozin' Must" was released as the album's single, with an accompanying music video.
All songs written by Nikola Sarcevic, except where noted.
Crunk is a genre of hip hop music originated by Three 6 Mafia in Memphis, Tennessee in the early 1990s and gained mainstream success around 2003–04. Performers of crunk music are sometimes referred to as "crunksters". Crunk is often up-tempo and one of Southern hip hop's more club-oriented subgenres. An archetypal crunk track most frequently uses a drum machine rhythm, heavy bassline, and shouting vocals, often in a call and response manner. The term "crunk" is also used as a blanket term to denote any style of Southern hip hop, a side effect of the genre's breakthrough to the mainstream. The word derives from a slang past-tense form, "crunk", of the verb "to crank" (as in the phrase "crank up"), but has also been popularly assumed to mean "cronic-drunk", or "crazy drunk", after association with Crunk Juice, a brand of strong alcoholic beverage associated with the music genre. The term also means getting hyped or excited.
The term has been attributed mainly to African-American slang, in which it holds various meanings. It most commonly refers to the verb phrase "to crank up". It is theorized that the use of the term came from a past-tense form of "crank", which was sometimes conjugated as "crunk" in the South, such that if a person, event or party was hyped-up, i.e. energetic – "cranked" or "cranked up" – it was said to be "crunk".
Crunk / Krunk is a style of hip hop music originating the southern United States.
Crunk may also refer to:
Crunk Energy Drink, sometimes stylized as CRUNK!!! Energy, is an energy supplement owned by Solvi Acquisition LLC, a privately held company headquartered in Twinsburg, OH.
CRUNK Energy was invented in 2004 by renowned spirits entrepreneur Sidney Frank.
Monkeys are haplorhine ("dry-nosed") primates, a paraphyletic group generally possessing tails and consisting of approximately 260 known living species. Many monkey species are tree-dwelling (arboreal), although there are species that live primarily on the ground, such as baboons. Most species are also active during the day (diurnal). Monkeys are generally considered to be intelligent, particularly Old World monkeys.
Lemurs, lorises, and galagos are not monkeys; instead they are strepsirrhine ("wet-nosed") primates. Like monkeys, tarsiers are haplorhine primates; however, they are also not monkeys. There are two major types of monkey: New World monkeys (platyrrhines) from South and Central America and Old World monkeys (catarrhines of the superfamily Cercopithecoidea) from Africa and Asia. Hominoid apes (gibbons, orangutans, gorillas, chimpanzees, and humans), which all lack tails, are also catarrhines but are not considered monkeys. (Tailless monkeys may be called "apes", incorrectly according to modern usage; thus the tailless Barbary macaque is sometimes called the "Barbary ape".) Because old world monkeys are more closely related to hominoid apes than to new world monkeys, yet the term "monkey" excludes these closer relatives, monkeys are referred to as a paraphyletic group. Simians ("monkeys") and tarsiers emerged within haplorrhines some 60 million years ago. New world monkeys and catarrhine monkeys emerged within the simians some 35 millions years ago. Old world monkeys and Hominoidea emerged within the catarrhine monkeys some 25 millions years ago. Extinct basal simians such as Aegyptopithecus or Parapithecus [35-32 Million years ago] are also considered monkeys by primatologists.
Monkeys (Chair) is a sculpture by the American artist Jeff Koons (112 x 23 x 26 in). It was made in 2002 within the framework of the Popeye Series and is now in possession of the Collection Uli Knecht.
The sculpture is a somewhat surreal combination of everyday objects. Three monkeys, which resemble very much inflatable children’s toys, are connected together. They form a chain that dangles from the ceiling. A white straw chair is attached at the lowest end of the chain. The sculpture illustrates Jeff Koon’s fascination for children’s toys which becomes particularly evident in the Popeye Series for which Koons sought inspiration in floating aids in the shape of animals. The monkeys that feature in the sculpture remind of the game Barrel of Monkeys in which the players have to gain the hook-tailed monkeys in a chain. Monkeys (Chair) is an example of Koons’s strategy of mashing up ideas and methods of Pop, Conceptual, and appropriation art with handicraft and popular culture.
Susan Minot /ˈmaɪnət/ (born 7 December 1956) is an American novelist and short story writer.
Minot was born in Boston, Massachusetts. She grew up in Manchester, Massachusetts, the second of eight children. She graduated from Concord Academy and then attended Brown University, where she studied writing and painting; in 1983 she graduated from Columbia University School of the Arts with an M.F.A. in creative writing.
Her first book, Monkeys, won the 1987 Prix Femina Étranger. She has also received an O. Henry Prize and a Pushcart Prize for her writing.
Sexuality and the difficulties of romantic relationships are a constant theme in Minot's work. Her second book, Lust and Other Stories, focuses on "the relations between men and women in their twenties and thirties having difficulty coming together and difficulty breaking apart". Reviewing her novella Rapture in The Atlantic Monthly, James Marcus notes that "Sex and the single girl have seldom been absent from Susan Minot's fiction", and Dave Welch at Powells.com identifies one of Minot's themes as "the emotional safeguards within family and romantic relations that hold people apart". About Lust, Jill Franks observes that Minot
The joy and the pain, it's all in the game
but right now the joy's far away
we're gonna take it back to how it was before now
so what if we're last, so what if we're gone
you're waiting for that day, but I know it won't come
we've reached the bottom and now we're just looking forward.
For twelve years I've been down
but I'm not whining, I'm still smiling
and I'm still around every night.
Every Sunday or Wednesday I'll be there
with all the other folks biting those nails
and some of us I know that we would die for you
and maybe you think it's just cause I have my smartcard
but forget that pal, tell you what
we're in it and we're in it to win it.
So many hours spent in that building
and all the memories divine
just a few more seasons, then we'll be back.