Pow! may refer to:
"Pow! (Forward)" is a song released by English grime artist Lethal Bizzle. The track features guest appearances from a variety of underground grime artists. It was released on 25 October 2004 for digital download via iTunes and then released on 20 December 2004 as a single. It charted on 1 January 2005 at number 11 on the UK Singles Chart and currently stands as Lethal Bizzle's joint highest-charting solo single, along with Rari WorkOut and Fester Skank.
"Pow! (Forward)", also known as "Forward Riddim", features other Grime artists such as Fumin, D Double E, Napper, Jamakabi, Neeko, Flowdan, Ozzie B, MC Forcer and Demon. It was banned from airplay on some radio stations due to some controversial lyrics about gun culture. Even with little promotion, it still managed to reach number 11 in the UK top 40 in early 2005. It has also been banned from many clubs as it tended to provoke fights. There is also a document called Pow Pow about the song which was released in 2005.
Pow! was a weekly British comic book magazine published by Odhams Press in 1967 and 1968 from their headquarters at 64 Long Acre, London. Part of their Power Comics imprint, it was printed on newsprint stock, in black-and-white except for its colour front and back covers, and initially comprised 28 pages.
Pow! first appeared on 21 January 1967. With its 53rd issue, dated 13 January 1968, it merged with its sister title Wham! to form Pow and Wham. The 86th and final issue appeared on 7 September 1968, after which it merged into Smash!, another of the Power Comics line.
It is unrelated to POW! Entertainment, an American media production company.
Pow! was owned by IPC, the International Publishing Corporation, a company formed in 1963 by Cecil Harmsworth King, chairman of the Daily Mirror and Sunday Pictorial (now the Sunday Mirror), through a series of corporate mergers. All of the comics published by IPC were under the control of one or other of the subsidiary companies which King had brought together to form IPC, including Fleetway Publications Ltd and Odhams Press.
Clown is a 2014 Canadian-American 3D psychological thriller-supernatural horror film directed by Jon Watts, produced by Mac Cappuccino, Eli Roth and Cody Ryder, and written by Christopher D. Ford and Watts. The film stars Laura Allen, Andy Powers, and Peter Stormare. The visual effects for the clown monster were done by Alterian, Inc. and Tony Gardner. Principal photography began in November 2012, in Ottawa. The UK premiere was February 27, 2015, in Scotland at FrightFest Glasgow 2015. The film was theatrically released in Italy on November 13, 2014 by Dimension Films and FilmNation Entertainment. Clown was released on DVD and Blu-ray on March 2, 2015, by StudioCanal.
Kent McCoy, a real estate agent, is a loving husband and father who, for the birthday of his son Jack, hosts a party and invites a clown to amuse Jack and his friends. The clown accidentally goes to another party, but Kent discovers an old clown costume in the attic of one of the houses he is overseeing and decides to wear it, entertaining his son and his friends. After the party, Kent falls asleep still wearing the clown costume, but the next morning he is no longer able to take it off, as the body suit, wig, and red nose are progressively adhering to his skin. When his pregnant wife Meg tries to help Kent remove the fake nose, it rips from his flesh, wounding him. Kent also begins to show strange behaviour and a deep sense of hunger, with a noisy gurgling in his stomach.
Violator (also referred to at times as The Violator) is a fictional supervillain, who appears in the Spawn comic books published by Image Comics. The character first appeared in Spawn #2 (May 1992) and was created by writer-artist Todd McFarlane. He serves as a major antagonist in issues 1-100 and later became a secondary antagonist in the recent issues. He is Spawn's most recognizable enemy.
In 2009, Violator was ranked as IGN's 97th Greatest Comic Book Villain of All Time.
Violator is the oldest and most powerful of five hell-born demons known as the Phlebiac Brothers, and his main purpose is to guide Hellspawns towards fulfilling Satan's desire: to cultivate Evil souls on Earth for Hell's army. He has been Hell's guide for multiple Hellspawn, his latest charge being the current Spawn, Al Simmons. However, Violator views humanity as weak and so asserts that demons should lead the armies of Hell, not Spawn. Accordingly, much of his terrestrial activities, sanctioned by Hell or not, are aimed at proving his superiority to his master. The Violator's current disguise is that of The Clown, a 5'6" overweight, balding man with menacing face-paint. The Violator is not a demon to be taken lightly: he has shown many times that he is more than a match for a young Hellspawn. His hands are tied by his role, though, as he cannot kill a Spawn without an order from his superiors. His role is not to kill the Hellspawn, but to weaken them and cause them to waste their powers in wreaking havoc. His chief purpose is to groom and prepare the young Hellspawn for their service in Satan's army. He has been killed multiple times, each time to be returned to Hell and reanimated by his master.
"Clown" is the fourth single by the American nu metal band Korn from their self-titled debut album.
What inspired Jonathan Davis to write this song though, was an early gig in San Diego where a skinhead was booing them and telling them to "go back to Bakersfield!" Jonathan knelt down to hear him and the guy took a swing at him. He missed and the band's manager assaulted him. The skinhead was all tattooed and looked like a "clown" to Jonathan Davis, inspiring the title of the song and also the line "Hit me clown, because I'm not from your town." Preceding the song is a conversation with Korn fooling around at the song's recording. A quote taken from Korn's Who Then Now? video, which serves as an introduction for the music video:
The video begins with the band walking in a hallway in a high school and a clown as well sometimes holding something on his nose. Then the band start playing in a locker room which appears to be happening at night. Jonathan Davis is seen singing and in some clips he is sitting in the locker room in the dry shower but with a few people spraying a little tiny bit of water on his hair to tease him. This represents some of his painful experiences in high school of being teased. It also features the band in a gym and clips of jocks in their football jerseys and cheerleaders seen by someone who walks in the halls. One of the cheerleaders goes into the bathroom and starts smiling in the dark room with a little light and starts brushing her hair with her hands. Clips also show the band performing in a dark room. The video ends off with the cheerleader in the bathroom taking off her shirt showing a tattoo on her back showing the band's logo. The music video most likely could be them in a school after a football game at night. The music video aired in 1996 and was directed by McG.
What's all this confusion?
Just look at this mess
There's too much information
I can do with a little less
Everything's gotten out of hand
I need some space in here
I'm crowded up in no-time
Opinions everywhere
And nothing's makin' any sense
Total chaos livin' there
Who takes responsibility
It is all so unclean
Nothin' left but to
Clean up, got to clean up my head
Throw out all the dark, let the light shine in instead
Free and, all the lies that I've been fed
Clean up, got to clean up my head
Enough insinuations
Let's deal with just the facts
You've created all this anyway
Get this monkey off my back
You're supposed to be the expert
Don't point your finger at me
(Ooh, ooh, ooh )
Clean up, got to clean up my head
Throw out all the dark, let the light shine in instead
Free and, all the lies that I've been fed
Clean up, got to clean up my head
It's not the money
It's not the fame
It's not even how you try to trash my name
It's time to clean the air with a little class
I'm movin' out and if you don't like it you can kiss my ass
Clean up, got to clean up my head
Throw out all the dark, let the light shine in instead
Free and, all the lies that I've been fed
Clean up, got to clean up my head
Clean up, got to clean up my head
Throw out all the dark, let the light shine in instead
Free and, all the lies that I've been fed
Clean up, got to clean up my
Clean up, got to clean up my