Coil

Coil may refer to:

Science, technology and medicine

Music

Other uses

People with the surname

See also

Coil (band)

Coil was an English cross-genre, experimental music group formed in 1982 by John Balance—later credited as "Jhonn Balance"—and his life partner and collaborator Peter Christopherson, aka "Sleazy". The duo worked together on a series of releases before Balance chose the name Coil, which he claimed to be inspired by the omnipresence of the coil's shape in nature. Today, Coil remains one of the most influential and best-known industrial music groups.

The group's first official release as Coil was a 1984 12" album titled How to Destroy Angels released on the Belgian Les Disques du Crépuscule's sublabel LAYLAH Antirecords. Following the 12"s success, Some Bizarre Records produced two albums, Scatology, Horse Rotorvator and Coil departed SomeBizzare Label and Produced Love's Secret Domain, which met with little commercial success, but were praised as innovative due to their blend of industrial music and acid house.

In 1985, the group began working on a series of soundtracks, amongst them music for the first Hellraiser movie based on the novel The Hellbound Heart by their acquaintance at that time, Clive Barker. The group's first live performance in 16 years occurred in 1999, and began a series of mini-tours that would last until 2004. Following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website Threshold House that Coil as an entity had ceased to exist.

Coil (album)

Coil is an album by Toad the Wet Sprocket released in 1997. It is their fifth studio album, and the final one before the band broke up in 1998. As with previous albums, Coil was released under the Columbia Records label and produced by Gavin MacKillop.

This album has been praised by some as the band's most mature album. It combines themes explored in all of their previous albums - including love, spirituality and the virtues of an uncomplicated life - and it continues the straightforward rock sound found in Dulcinea. One song from the album, "Come Down", hit the Billboard Modern Rock and Mainstream Rock Charts, and the single "Crazy Life" explores the perceived injustices experienced by Leonard Peltier. "Whatever I Fear" was also released as a single but failed to chart with poor backing from Columbia Records; thus in turn, the planned fourth single "Dam Would Break" was never released.

Track listing

Studio outtakes

Cloud

In meteorology, a cloud is an aerosol comprising a visible mass of liquid droplets or frozen crystals made of water or various chemicals. The droplets or particles are suspended in the atmosphere above the surface of a planetary body. On Earth clouds are formed by the saturation of air in the homosphere when air cools or gains water vapor.

Cloud types in the troposphere, the atmospheric layer closest to Earth's surface, have Latin names due to the universal adaptation of Luke Howard's nomenclature. It was formally proposed in December 1802 and published for the first time the following year. It became the basis of a modern international system that classifies these tropospheric aerosols into several physical forms which can be found at various altitude levels or étages.

The Miracle Ultraviolence Connection

Up In Smoke is an American professional wrestling tag team currently performing on the independent circuit. Consisting of Cheech and Cloudy, the team has performed under a number of different names and also functioned as a stable called The Miracle Ultraviolence Connection from 2007 to 2008 with Brodie Lee as a member. Up In Smoke has achieved championship success in a number of promotions, including Independent Wrestling Association Mid-South, and has also seen greater exposure upon performing in other independent promotions such as Chikara, Combat Zone Wrestling, Ring of Honor and Evolve.

In wrestling

Cloudy (song)

"Cloudy" is a song by American music duo Simon & Garfunkel from their third studio album, Parsley, Sage, Rosemary and Thyme (1966). It was co-written by Paul Simon and Bruce Woodley of the Seekers; that band later covered it on their 1967 album Seekers Seen in Green. The Cyrkle released a version of the song on their 1966 debut album, Red Rubber Ball.

Composition

"Cloudy" employs a "breezy, almost jazzy musical style," with its title serving as a "point of departure for [its] scattered, whimsical text."

References

Bibliography