Claire (1924 film)

Claire is a 1924 German silent film directed by Robert Dinesen and starring Lya De Putti, Eduard von Winterstein and Theodor Loos.

Cast

References

Bibliography

External links

1924 in film

The year 1924 in motion picture involved some significant events and films.

Events

Top grossing films (U.S.)

Notable films released in 1924

U.S.A. unless stated

Claire (given name)

Claire or Clair /ˈklɛər/ is a given name of Latin/Viking origin via French; the name could mean "clear" or "famous". The word still means clear in French in its feminine form.

Its popularity in the United Kingdom peaked during the 1970s and 1980s; in 1974 it was the second most popular female first name and in 1984 was still sixth, but by 1997 it had fallen out of the top 100 after several years of sharply declining popularity.

The name was traditionally considered male, specifically when spelled Clair; however, it is now commonly used as a female name and is usually spelled Claire.

Women with the given name Clair or Claire

Claire Littleton

Claire Littleton is a fictional character played by Emilie de Ravin on the ABC drama television series Lost, which chronicles the lives of the survivors of a plane crash in the South Pacific. Claire is introduced in the pilot episode as a pregnant crash survivor. She is a series regular until her mysterious disappearance in the fourth season finale. The character returned as a regular in the sixth season.

Character biography

Before the Crash

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

List of film periodicals

Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.

Magazines and trade publications

Scholarly journals

References

Bibliography