A noun (from Latin nōmen, literally meaning "name") is a word that functions as the name of some specific thing or set of things, such as living creatures, objects, places, actions, qualities, states of existence, or ideas.Linguistically, a noun is a member of a large, open part of speech whose members can occur as the main word in the subject of a clause, the object of a verb, or the object of a preposition.
Lexical categories (parts of speech) are defined in terms of the ways in which their members combine with other kinds of expressions. The syntactic rules for nouns differ from language to language. In English, nouns are those words which can occur with articles and attributive adjectives and can function as the head of a noun phrase.
Word classes (parts of speech) were described by Sanskrit grammarians from at least the 5th century BC. In Yāska's Nirukta, the noun (nāma) is one of the four main categories of words defined.
The Ancient Greek equivalent was ónoma (ὄνομα), referred to by Plato in the Cratylus dialog, and later listed as one of the eight parts of speech in The Art of Grammar, attributed to Dionysius Thrax (2nd century BC). The term used in Latin grammar was nōmen. All of these terms for "noun" were also words meaning "name". The English word noun is derived from the Latin term, through the Anglo-Norman noun.
Circadian is a concept album and the first full length studio album by 5th Projekt. It was released on August 29, 2006 on 5th Projekt's Organik Rekords. It explores the metaphysical relationship of humanity as it coexists with its environment and the cycles of which both partake and create. Music and lyrics were written by Tara Rice and/or Sködt D. McNalty.
It was a deep interest in the effects of cycles and in the ways human individual rhythms interact with nature that ignited 5th Projekt's debut album Circadian. Produced by 5th Projekt, recorded from May-November 2005 at Toronto's Chemical Sound with James Heidebrecht, mixed by Ken Andrews (formerly of the band Failure) and mastered by Juno nominee João Carvalho, the album takes on the themes of balance and discovery.
The journey begins "In a Coma," "inspired by Yevgeny Zamyatin's 1924 novel We, a precursor to such dystopian classics as Brave New World and Nineteen Eighty-Four, this haunting, relentlessly propulsive track could be an instrumental and it would still manage to articulate the essence of the lyrics: muffled panic, emotional numbness and an unvanquished longing for a better world." The opening piece sets the pace for the dreamlike lyrical exploration and the atmospheric compositions that characterize the album. The goal of the album is to capture humanity in all its diverse facets. The images that the music invokes are as various as the individuals who listen.
Who's to say you're never wrong
Who's to say that I'm not already gone
Who's to say the time inside your head
Keeps running on and on and on and on
Who's to say we'll make it through
I'm starting to believe that what we think is never true
Who's to say the rhymes beside your bed
Will keep you warm when everything is getting colder
And I'm just holding on until it's over
Mayday, somebody save me now
And I'm closing my eyes cause once the sun rises
It's out of my hands
Who's to say this history
Isn't only just some winner's distant memory
You can't escape this drying ink
The fall of who we are is getting closer
And I'm just holding on until it's over
Mayday, somebody save me now
I'm cutting all ties from the world outside
Cause it's over my head
It's all coming undone and falling apart somehow
And I'm closing my eyes cause once the sun rises
It's out of my hands
The light pulls me under