Church Music (album)

Church Music is the fifth full-length studio album and ninth overall by David Crowder Band, released September 22, 2009 through sixstepsrecords. It reached No. 1 on the Billboard Christian albums chart, and debuted at No. 11 on the Billboard 200.

Recording process

The album runs continuously (there are no gaps between the tracks), which essentially creates a 73-minute song, and when the album is looped, it creates a neverending song. To do this the band sequenced the tracks before anything had been recorded so keys and tempos could be finalized. According to David Crowder, "We programmed the album first, forcing ourselves to write from the track up, and then, after the song emerged, we dismantled it, replacing much of the programming with live instrumentation but leaving the fundamentals that the song emerged from intact."

Style

Church Music differs considerably from the previous album (Remedy) in the band's heavy use of synthesizers and other electronic instruments. In past albums this style is limited to only several songs, however on Church Music an electronic beat (at minimum) is present in almost every track. David Crowder alluded to this stylistic shift in the bridge of "Alleluia, Sing," about which he commented, "In many ways this is classic Crowder Band, but the real, and first, indicator that the album is going to take a left turn is the bridge, where the pulsating synth bed serves as a sign post, saying 'there are going to be musical elements present which are extremely familiar to listeners accustomed to the sounds of the current landscape of popular music.'"

Church music

Church music is music written for performance in church, or any musical setting of ecclesiastical liturgy, or music set to words expressing propositions of a sacred nature, such as a hymn.

History

Early Christian music

Christianity began as a small, persecuted Jewish sect. At first there was no break with the Jewish faith; Christians still attended synagogues and the Temple in Jerusalem just as Christ had done, and presumably still carried on the same musical traditions in their separate Christian meetings. The only record of communal song in the Gospels is the last meeting of the disciples before the Crucifixion. Outside the Gospels, there is a reference to St. Paul encouraging the Ephesians and Colossians to use psalms, hymns and spiritual songs.

Later, there is a reference in Pliny who writes to the emperor Trajan (61–113) asking for advice about how to prosecute the Christians in Bithynia, and describing their practice of gathering before sunrise and repeating antiphonally "a hymn to Christ, as to God". Antiphonal psalmody is the singing or musical playing of psalms by alternating groups of performers. The peculiar mirror structure of the Hebrew psalms makes it likely that the antiphonal method originated in the services of the ancient Israelites. According to the historian Socrates of Constantinople, its introduction into Christian worship was due to Ignatius of Antioch (died 107), who in a vision had seen the angels singing in alternate choirs.

Christian music

Christian music is music that has been written to express either personal or a communal belief regarding Christian life and faith. Common themes of Christian music include praise, worship, penitence, and lament, and its forms vary widely across the world.

Like other forms of music the creation, performance, significance, and even the definition of Christian music varies according to culture and social context. Christian music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace.

Worship services

Among the most prevalent uses of Christian music are in church worship or other gatherings. Most Christian music involves singing, whether by the whole congregation (assembly), or by a specialized subgroup—such as a soloist, duet, trio, quartet, madrigal, choir, or worship band—, or both. It is frequently accompanied by instruments, but some denominations (such as some Exclusive Brethren, the Churches of Christ, the Primitive Baptists and the Free Church of Scotland) or congregations still prefer unaccompanied or a cappella singing. One of the earliest forms of worship music in the church was the Gregorian chant. Pope Gregory I, while not the inventor of chant, was acknowledged as the first person to order such music in the church, hinting the name “Gregorian” chant. The chant reform took place around 590–604 CE (reign of Pope Gregory I) (Kamien, pg. 65–67). The Gregorian chant was known for its very monophonic sound. Believing that complexity had a tendency to create cacophony, which ruined the music, Gregory I kept things very simple with the chant.