Christopher Jones or Chris Jones may refer to:
Christopher Jones (born July 17, 1982) is a former American football wide receiver. He was originally an undrafted free agent signed by the Minnesota Vikings after the 2005 NFL Draft. He was on the Seahawks' roster in 2006, but did not see any playing time. He was released by the Seahawks on August 28, 2007.
He signed a contract with the Saskatchewan Roughriders on September 24, 2008 and was placed on their Developmental Squad.
Jones graduated from Jackson State University in Jackson, Mississippi, where he was an outstanding wide receiver for the Tigers. While at Jackson State, Jones qualified for the Olympic fencing team, but did not participate due to his commitments to Tiger football.
Christopher Robert Jones (born 5 November 1990) is a former English cricketer who played for Somerset, who made his County Championship debut in 2010 as a replacement for Craig Kieswetter. He was born in Harold Wood in Havering but moved to Dorset at a young age.
He was educated at Broadstone Middle School and Poole Grammar School before moving on to Durham University to read Economics. He graduated from Durham with a first-class degree in June 2013. He has played first-class cricket with Durham MCCU and was awarded the university's 'sportsman of the year' award in 2011. Jones was called into the Somerset team for a tour match against Australia in July 2013, hitting his first first-class century.
On 15 August 2014, Jones announced his retirement from first-class cricket at the end of the 2014 season to pursue a career outside of the game.
Yu-Gi-Oh! (遊☆戯☆王, Yū-Gi-Ō!, lit. "Game King") is a Japanese manga series about gaming written and illustrated by Kazuki Takahashi. It was serialized in Shueisha's Weekly Shōnen Jump magazine between September 30, 1996 and March 8, 2004. The plot follows the story of a boy named Yugi Mutou, who solves the ancient Millennium Puzzle, and awakens a gambling alter-ego within his body that solves his conflicts using various games.
Two anime adaptations were produced; one by Toei Animation, which aired from April 4, 1998 to October 10, 1998, and another produced by NAS and animated by Studio Gallop titled Yu-Gi-Oh! Duel Monsters, which aired between April 2000 and September 2004. The manga series has spawned a franchise that includes multiple spinoff manga and anime series, a trading card game, and numerous video games. Most of the incarnations of the franchise involve the fictional trading card game known as Duel Monsters, where each player uses cards to "duel" each other in a mock battle of fantasy "monsters", which forms the basis for the real life Yu-Gi-Oh! Trading Card Game.
Volume 1 is the debut solo album from ex-Busted and Son of Dork band member James Bourne, under the name Future Boy. The complete album was officially released via digital download on 3 June 2010. Produced and mixed by Tommy Henriksen and James Bourne, Bourne describes the album as "100% electronic - and not a rock album". The album had been previously released in two halves - with 'Side A' being released on 3 May, and 'Side B' being released on 1 June. The album's artwork was designed and painted by Paul Karslake. Bourne claims that the album will be released on CD at 'some point', but it will depend on 'when he has the cash'. Bourne has promoted the album by being the supporting act for Twenty Twenty during their 2010 Clubs & Pubs Tour.
The entire album was written and recorded in a week but was not released straight away.
Volume 1 (Vol. 1°) is the second studio release by Italian singer-songwriter Fabrizio De André and his first true studio album. It was first issued in 1967 on Bluebell Records.
All songs written and composed by Fabrizio De André, except where noted.
The song is dedicated to the memory of Fabrizio's longtime friend Luigi Tenco, who had committed suicide in January that year, after taking part in the Italian Song Festival of Sanremo and failing to advance to the final competition. The lyrics deal with the theme of suicide and the Church's systematic condemnation of those who kill themselves.
A translated version of the song "La Marche nuptiale", written in 1956 by Georges Brassens, who De André always considered a master as well as one of his greatest sources of inspiration.
A spiritual in which De André sings with a deep voice, similar to that of African American singers.
The singer narrates the story of Jesus in an avanguardist way, saying that his goal isn't to glorify someone who he believes was "nothing but a man gone down in history as a god". While maintaining an atheist point of view, De André shows great respect and admiration toward the human figure of Jesus, who he defined "the greatest revolutionary of all history".
Through the corridors of darkness, on the wings of mans
desire,
Conjured by the soulless ones at the everlasting fire.
Borne on waves of insanity from mans primeval past,
The mantra of the tumult has awakened him at last.
Drawing near in the gloom comes the twilight of all
shame,
The ravens of night have flown away to set Valhalla
aflame.
For too long now the right hand gods have fought between
themselves,
With paths that lead to paradise from this demented
world.
This is the age, the age of Satan, now that the twilight
is done,
Now that Satan has come.
Blue velvet shrouds the altar, black candles pierce the
dark,
The skulls of the unbelievers peer sightless, bleached
and stark.
The inverted cross of burnished gold the burial urns of
light,
The pungent smell of incense wafts out into the night.
This is the age, the age of Satan, now that the twilight
is done,
Now that Satan has come.