Map

A map is a symbolic depiction highlighting relationships between elements of some space, such as objects, regions, and themes.

Many maps are static two-dimensional, geometrically accurate (or approximately accurate) representations of three-dimensional space, while others are dynamic or interactive, even three-dimensional. Although most commonly used to depict geography, maps may represent any space, real or imagined, without regard to context or scale; e.g. brain mapping, DNA mapping and extraterrestrial mapping.

Although the earliest maps known are of the heavens, geographic maps of territory have a very long tradition and exist from ancient times. The word "map" comes from the medieval Latin Mappa mundi, wherein mappa meant napkin or cloth and mundi the world. Thus, "map" became the shortened term referring to a two-dimensional representation of the surface of the world.

Geographic maps

Cartography or map-making is the study and practice of crafting representations of the Earth upon a flat surface (see History of cartography), and one who makes maps is called a cartographer.

Maps (Maroon 5 song)

"Maps" is a song by American band Maroon 5. The song was released on June 16, 2014, as the lead single from their fifth studio album V.

Composition

The song was written by Adam Levine, Ammar Malik, Ryan Tedder, Benny Blanco and Noel Zancanella, and produced by the latter three. Blanco and Malik have previously teamed with Maroon 5 on the songs "Moves like Jagger" and "Payphone", while Tedder and Zancanella have worked with the group on the songs "Love Somebody" and "Lucky Strike". "Maps" is an up-tempo pop track, composed in the key of C# minor (with the main chord progression of A–B–C#m - both in the verses and the chorus - and F#m–G#m-G#7 in the pre-chorus), that contains a "breezy guitar lick". It marks Maroon 5's further departure from the funkier sound for which the band was originally known. The official remix features a new verse from Big Sean and new production beats.

Lyrically, the song is about "the search for love, particularly a love that has been lost and needs to be found". In the chorus, Adam Levine sings "All the roads you took came back to me / So I'm following the map that leads to you."

Get Cape. Wear Cape. Fly

Sam Duckworth is an English musician formerly known as Get Cape. Wear Cape. Fly. He is sometimes referred to as Get Cape, Cape, GCWCF and Slam Dunkworth (the latter title apparently first coined by Emmy The Great). According to Duckworth, his stage name comes from Retro Gamer magazine, from an article about superhero games such as Batman containing the heading "Get Cape. Wear Cape. Fly".

Music career

Sam grew up in Southend-on-Sea, Essex. Get Cape was signed to Atlantic Records in March 2006, after playing many gigs, both with punk rock band Silverskin and as Get Cape. As Get Cape, Duckworth has collaborated with Billy Bragg, Nitin Sawhney, Shlomo, Killa Kela, Baba Maal, Flea, Kate Nash, and many others with his participation in many events for Africa Express.

Sam co-organised The Demolition Ball - the last night at the London Astoria venue before it was knocked down in January 2009. Get Cape also headlined the Astoria for his 21st birthday party.

After 10 years, Sam Duckworth decided to end Get Cape. Wear Cape. Fly, to continue to make music under his own name. The last ever show under the 'Get Cape' moniker was held at The Forum, Kentish Town on 12 September 2014.

Sinitic languages

The Sinitic languages, are a family of Sino-Tibetan languages, often synonymous with the group of Chinese varieties. They have frequently been postulated to constitute a primary branch, but this is rejected by an increasing number of researchers. The Bai languages and possible relatives, whose classification is difficult, may also be Sinitic; otherwise Sinitic is equivalent to Chinese, and the term may be used to indicate that the varieties of Chinese are distinct languages rather than dialects of a single language.

References

Works cited

Simplified Chinese characters

Simplified Chinese characters are standardized Chinese characters prescribed in the Xiandai Hanyu Tongyong Zibiao (List of Commonly Used Characters in Modern Chinese) for use in mainland China. Along with traditional Chinese characters, it is one of the two standard character sets of the contemporary Chinese written language. The government of the People's Republic of China in mainland China has promoted them for use in printing since the 1950s and 1960s in an attempt to increase literacy. They are officially used in the People's Republic of China and Singapore.

Traditional Chinese characters are currently used in Hong Kong, Macau, and the Republic of China (Taiwan). While traditional characters can still be read and understood by many mainland Chinese and Singaporeans, these groups generally retain their use of Simplified characters. Overseas Chinese communities generally tend to use traditional characters.

Simplified Chinese characters are officially called in Chinese jiǎnhuàzì (简化字 in simplified form, 簡化字 in traditional form). Colloquially, they are called  jiǎntizì (简体字 / 簡體字). Strictly, the latter refers to simplifications of character "structure" or "body", character forms that have existed for thousands of years alongside regular, more complicated forms. On the other hand, jiǎnhuàzì means the modern systematically simplified character set, that (as stated by Mao Zedong in 1952) includes not only structural simplification but also substantial reduction in the total number of standardized Chinese characters.

Sadness

Sadness (also called heavy-heartedness) is emotional pain associated with, or characterized by feelings of disadvantage, loss, despair, grief, helplessness, disappointment and sorrow. An individual experiencing sadness may become quiet or lethargic, and withdraw themselves from others. Crying is often an indication of sadness.

Sadness is one of the "six basic emotions" described by Paul Ekman, along with happiness, anger, surprise, fear and disgust.

In childhood

Sadness is a common experience in childhood. Acknowledging such emotions can make it much easier for families to address more serious emotional problems, although some families may have a (conscious or unconscious) rule that sadness is "not allowed".Robin Skynner has suggested that this may cause problems, because with sadness "screened-off" we are left a bit shallow and manic.

Sadness is part of the normal process of the child separating from an early symbiosis with the mother and becoming more independent. Every time a child separates just a tiny bit more, he or she will have to cope with a small loss. If the mother cannot allow the minor distress involved, the child may never learn how to deal with sadness by themselves. Pediatrician T. Berry Brazelton argues that too much cheering a child up devalues the emotion of sadness for them; and Selma Fraiberg suggests that it is important to respect a child's right to experience a loss fully and deeply.

Lost Dogs (album)

Lost Dogs is a two-disc compilation album by the American alternative rock band Pearl Jam, released on November 11, 2003 through Epic Records. The album has been certified gold by the RIAA in the United States.

Overview

Lost Dogs is a double-disc collection of B-sides and other released and unreleased rarities. Lost Dogs sold 89,500 copies in its first week of release and debuted at number fifteen on the Billboard 200 chart. Lost Dogs has been certified gold by the RIAA.

A number of songs included on Lost Dogs differ from the originally released versions, including "Alone", "U", "Wash", and "Dirty Frank". The album includes the hidden track "4/20/02" at the end of disc two, a tribute to Alice in Chains frontman Layne Staley. It was written by vocalist Eddie Vedder during the recording sessions for Riot Act on the day that he heard the news of Staley's death. The song features only Vedder singing and playing the guitar in a ukulele-inspired tuning. According to Vedder, the reason why it was not included on Riot Act was that the band already had too many songs. According to guitarist Mike McCready, the reason the song was only featured as a hidden track on Lost Dogs is because Vedder "wouldn't want it to be exploitative."