In linguistics, a numeral is a member of a word class (or sometimes even a part of speech) designating numbers, such as the English word 'two' and the compound 'seventy-seven'.
Numerals may be attributive, as in two dogs, or pronominal, as in I saw two (of them).
Many words of different parts of speech indicate number or quantity. Quantifiers do not enumerate, or designate a specific number, but give another, often less specific, indication of amount. Examples are words such as every, most, least, some, etc. There are also number words which enumerate but are not a distinct part of speech, such as 'dozen', which is a noun, 'first', which is an adjective, or 'twice', which is an adverb. Numerals enumerate, but in addition have distinct grammatical behavior: when a numeral modifies a noun, it may replace the article: the/some dogs played in the park → twelve dogs played in the park. (Note that *dozen dogs played in the park is not grammatical, so 'dozen' is not a numeral.)
Zero or Zéro is surname, given name or pseudonym of the following people:
Zero is name of the following notable fictional characters:
Zero is the eleventh single by B'z, released on October 7, 1992, and the only one from their album Run. This song is one of B'z many number-one singles in Oricon chart, selling over 600,000 copies in its first week, although there was no tie up for the song at that moment. The single was re-released in 2003, and re-entered at #4. It sold over 1,310,000 copies according to Oricon.
A boy is a young male human, usually a child or adolescent. When he becomes an adult, he is described as a man. The most apparent difference between a typical boy and a typical girl is the genitalia. However, some intersex children with ambiguous genitals, and genetically female transgender children, may also be classified or self-identify as a boy.
The term boy is primarily used to indicate biological sex distinctions, cultural gender role distinctions or both. The latter most commonly applies to adult men, either considered in some way immature or inferior, in a position associated with aspects of boyhood, or even without such boyish connotation as age-indiscriminate synonym. The term can be joined with a variety of other words to form these gender-related labels as compound words.
The word "boy" comes from Middle English boi, boye ("boy, servant"), related to other Germanic words for boy, namely East Frisian boi ("boy, young man") and West Frisian boai ("boy"). Although the exact etymology is obscure, the English and Frisian forms probably derive from an earlier Anglo-Frisian *bō-ja ("little brother"), a diminutive of the Germanic root *bō- ("brother, male relation"), from Proto-Indo-European *bhā-, *bhāt- ("father, brother"). The root is also found in Flemish boe ("brother"), Norwegian dialectal boa ("brother"), and, through a reduplicated variant *bō-bō-, in Old Norse bófi, Dutch boef "(criminal) knave, rogue", German Bube ("knave, rogue, boy"). Furthermore, the word may be related to Bōia, an Anglo-Saxon personal name.
"Boys" is a song by Luther Dixon and Wes Farrell, originally performed by The Shirelles and released as the B-side of their "Will You Love Me Tomorrow" single in November 1960. It was covered by The Beatles and included on their first album released in the United Kingdom, Please Please Me (1963).
The Beatles' version was recorded at Abbey Road Studios on February 11, 1963, in a single take, and is Ringo Starr's first recorded lead vocals with the Beatles; and, as the fifth track on the Beatles first album, Please Please Me, represents the first time many fans heard Starr singing on a lead vocal. February 11 was a marathon day for the Beatles, as they recorded 10 of the 14 tracks they needed for Please Please Me. The band covered an additional song by the Shirelles on their first album, "Baby It's You".
The Beatles did not concern themselves about possible homosexual undertones that go with singing a song about boys, although they altered the gender pronouns employed on the Shirelles' version (e.g. "My girl says when I kiss her lips..."). In an October 2005 Rolling Stone interview, Paul McCartney stated: "Any one of us could hold the audience. Ringo would do 'Boys', which was a fan favourite with the crowd. And it was great — though if you think about it, here's us doing a song and it was really a girls' song. 'I talk about boys now!' Or it was a gay song. But we never even listened. It's just a great song. I think that's one of the things about youth — you just don't give a shit. I love the innocence of those days." (The lyrics talk specifically about a boy kissing a girl, not another boy.)
"Boys" is a song recorded by American singer Britney Spears for her third studio album, Britney (2001). It was written and produced by Chad Hugo and Pharrell Williams (known collectively as The Neptunes). A version of the song, entitled the "The Co-Ed Remix", was released as the sixth and final single from Britney on July 29, 2002. The new version also served as the second single from the soundtrack of Austin Powers in Goldmember. "Boys" is a R&B and hip hop song, including funk influences. The remix carries a slower tempo than the album version, and both versions are noted to be reminiscent of Janet Jackson. Some critics praised Williams and Spears' chemistry, as well as the production on the track, while others did not think the song worked well.
While the song did not perform well on the Billboard charts in the United States, it reached the top ten on the Belgian charts and in Ireland and the United Kingdom, and charted in the top 20 in Australia, Germany, Austria, Switzerland, Sweden, Finland, and Denmark. The song would later be certified Gold in Australia. The song's accompanying music video, directed by Dave Meyers, was nominated at the 2003 MTV Video Music Awards for "Best Video from a Film." The clip features Spears and Williams at a party. The singer has performed "Boys" a number of times including at the 2002 NBA All-Star Game, on Saturday Night Live, and on several of her concert tours.
Mother 210:
Dear Colleague,
I am so very sorry that my son has made such an exhibition of himself with your daughter. It really does seem quite out of character for him, although I have to admit that he’s always been a funny boy. Of course, he’s really got into trouble with the Supervisors, but I’m afraid he’s only got himself to blame.
I’ve been worrying myself silly, as I’m sure you’ll understand. I just wanted to send you a short communication to apologise and I can assure you that it will not happen again.
Judge 444:
This court recognises the findings of the Inner Bureau of Medical Affairs, in that there is clearly a need for emotional decontamination and mental correction. We therefore assign the subject to emotional decontamination centre Zero Zero or System six zero five, until such time as this affliction has been completely subdued.
Mother 210:
I don’t understand why she’d want to go up there in the first place. I mean, why bother getting involved? She’s some sort of scientist isn’t she? I suppose that’s the reason.
Why won’t they let him come out? He’s not a criminal, is he? Anyone would think he was some kind of specimen.
Neurosurgeon 463: