Hex or HEX may refer to:
Hex, in comics, may refer to:
It may also refer to:
A hex is an item of rock climbing equipment used to protect climbers from injury during a fall. They are intended to be wedged into a crack or other opening in the rock, and do not require a hammer to place. They were developed as an alternative to pitons, which are hammered into cracks and are more prone to damage the rock. Most commonly, a carabiner will be used to join the hex to the climbing rope by means of a loop of webbing, cord or a cable which is part of the hex.
Hexes are a type of nut, a hollow eccentric hexagonal prism with tapered ends, usually threaded with webbing, a swaged cable, or a cord. They are manufactured by several firms, with a range of sizes varying from about 10–100 millimetres (0.4–4 in) wide. Climbers select a range of sizes to use on a specific climb based on the characteristics of the cracks in the rock encountered on that particular climb. Sides may be straight or curved although the functioning principles remain the same no matter which shape is selected; the lack of sharp corners on curved models may make them easier to remove from the rock.
Children is the eighth album by David Murray to be released on the Italian Black Saint label. It was released in 1984 and features performances by Murray, James "Blood" Ulmer, Don Pullen, Lonnie Plaxico and Marvin "Smitty" Smith.
The album was identified by Chris Kelsey in his Allmusic essay "Free Jazz: A Subjective History" as one of the 20 Essential Free Jazz Albums.
The Allmusic review by Scott Yanow awarded the album 4 stars stating "The somewhat noisy performances are pretty spontaneous and, thanks to Pullen's rhythmic style, a little more accessible than one might expect, despite being quite adventurous.".
Children (Icelandic: Börn ( pronunciation )) is a 2006 Icelandic film. The film was highly acclaimed and won several Edda Awards. The film was also submitted as Iceland's official entry to the Academy Awards foreign film section. The film is set in the Breiðholt suburb of the Icelandic capital, and portrays a grittiness which is in "stark contrast to the tourist-friendly portrayal of Reykjavík.
The plot centers around single nurse Karaitas (Nína Dögg Fillipusdóttir), her son, Guðumund (Andri Snær Helgason), who only plays with schizophrenic family friend, Marino (Ólafur Darri Ólafsson), and criminal father Garðar (Gísli Örn Garðarsson) and his conflicts which lead to the near death beating of twin brother Georg.
Karaitas lives in a housing project in Fell (Upper-Breiðholt), Reykjavík and is struggling to take care of her children with her ex-husband trying to take custody of her kids. Garðar (Gísli Örn Garðarsson), who is struggling to wanting to change from his criminal life lives in Lower-Breiðholt and decides it's time to try and connect with his son. But, when he tries to change he realizes it can be harder than he thinks.
The Children of the Vault are a group of fictional superhuman beings with Spanish codenames. They are a team of supervillains opposed to the X-Men. Their motives to attack both humans and mutants were not exactly clear to begin with, though it was known they held a grudge against Sabretooth. Their motive is that they believe themselves to be the rightful species to inherit the planet, but must first wipe out everyone else.
They are not mutants, but beings evolved from a baseline human genome over a time period of 6,000 years. Their society was raised in the hold of a ship where temporal acceleration technology was used to evolve individuals into superpowered beings, in a fashion similar to the creations of the Weapon Plus Program. Due to genetic drift, they are a separate species from either baseline humans or mutant humans.
Five superpowered beings who aimed to destroy both mutants and baseline humans surfaced and hunted for Sabretooth. In their attempts, they casually destroyed a town in Nogales, Mexico, and manipulated survivors and the media into thinking that the X-Men were involved. Creed was ambushed by Aguja and Fuego, unfortunately attacked too recklessly, allowing for Sabretooth to escape. He reaches the X-Men. The Children of the Vault killed all of the members of the S.H.I.E.L.D. facility where Northstar was captive and took him, and later Aurora, in order to kill Sabretooth. Images of the X-Men were doctored into the security footage by Serafina, allowing for a similar attempt to discredit the team. They also enhanced the powers of the twins so that they now produce a powerful heat blast when touching.