The Drop | ||||
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File:Enodrop.jpg | ||||
Studio album by Brian Eno | ||||
Released | 7 July 1997 | |||
Recorded | 1996 | |||
Genre | Ambient, Instrumental | |||
Length | 74:00 | |||
Label | All Saints Records | |||
Producer | Brian Eno | |||
Brian Eno chronology | ||||
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Drop is a 1997 album by Brian Eno.
The album continues in the same style as much of his work of the period exploring impressionistic, ambient instrumental soundscapes rather than more conventional songwriting.
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This 1990s electronic music album-related article is a stub. You can help Wikipedia by expanding it. |
The Drop is a 2014 novel by Dennis Lehane. It was adapted from a feature film of the same name, released in September 2014, and the last film of James Gandolfini. The film was an adaptation of a 2009 short story by Lehane, "Animal Rescue".
The Drop is a steel sculpture resembling a raindrop by the group of German artists known as Inges Idee, located at Bon Voyage Plaza in the Coal Harbour neighborhood of downtown Vancouver. The 65-foot (20 m) tall piece is covered with Styrofoam and blue polyurethane. According to Inges Idee, the sculpture is "an homage to the power of nature" and represents "the relationship and outlook towards the water that surrounds us."The Drop was commissioned as part of the 2009 Vancouver Convention Centre Art Project and is owned by BC Pavco.
According to the City of Vancouver Public Art Registry, The Drop is a blue 65-foot (20 m) tall sculpture depicting a "large, gentle 'raindrop' captured in its descent at the moment of contact". The central "spine" of the sculpture is composed of steel and covered with Styrofoam and blue polyurethane. The piece's color compliments the sky and contrasts with the large yellow sulfur piles visible on the opposite shoreline.
The drop is a unit of measure of volume, the amount dispensed as one drop from a dropper or drip chamber. It is often used in giving quantities of liquid drugs to patients, and occasionally in cooking.
The volume of a drop is not well-defined: it depends on the device and technique used to produce the drop, on the strength of the gravitational field, and on the density and the surface tension of the liquid.
There are several exact definitions of a "drop":
A drop in popular music, especially electronic music styles, is a point in a music track where a switch of rhythm or bass line occurs and usually follows a recognizable build section and break.
The term "drop" comes from the composer or producer "dropping in" the primary rhythmic and foundational elements previously hinted at into the mix more or less at once. Related terms, typically describing certain types of drops, include "beat-up" (so named because it is a point where the producer brings up the foundational kick drum beat after having faded it down during a break or buildup) and "climax" (typically describing a single particularly striking drop heard late in the track).
Many genres of EDM can have more than one drop during a track, especially if the song is built on a "dance-pop" verse/chorus with vocals; a drop of some kind is typically heard somewhere during each chorus as the high point of that verse/chorus cycle. Most genres, however, tend to emphasize a single drop as the beginning of the high point, or climax, of the entire track; in vocal subgenres this is typically the last repetition of the chorus, while in nonvocal genres it typically occurs in the last quarter of the track.
An overhand (or overcut or drop) is a semi-circular and vertical punch thrown with the rear hand. It is usually employed when the opponent is bobbing or slipping. The strategic utility of the drop relying on body weight can deliver a great deal of power.
Left overhand in long range
Left overhand in long range
Right overhand in long range
Right overhand in long range
Left overhand in long range and counterpunch
Left overhand in long range and counterpunch
DV8 is a comic book published by Wildstorm. The series revolves around the lives of a group of Gen-Active people (Called DV8, or referred to as "The Deviants"), initially living in New York under the supervision of Ivana Baiul, who sends them on life-threatening black ops assignments.
The series lasted 32 issues. The story of most DV8 members continued in the pages of Gen-Active, an anthology-series featuring various Wildstorm characters. Gen-Active lasted 6 issues.
Writer, Micah Wright, pitched a relaunch to WildStorm in 2003, but it was not picked up by the publisher. The artist on the book would have been Mark Robinson (Codename: Knockout).
The title returned in June 2010 as an eight-issue limited series called DV8: Gods and Monsters, written by Brian Wood with art by Rebekah Isaacs. The project is something Wood had been trying to get commissioned for years:
Rather than saving the world, they use their powers for selfish reasons: to please themselves, indulge in any fancy that comes their way, uncaring about anybody else, and to forget that they are all just pawns to Ivana, expendable to her needs and desires. The members don't like each other, but are soon banding together for survival. This is what stands this book apart from most other superhero teams: they aren't heroes, they are not nice people, don't even like each other and can't even save themselves, let alone the world.
(Styles P)
Kings lose crowns, teachers stay intelligent
That's what KRS said
The Ghost nigga, time is money
Double R, D-Block
Poobs let's go
If it's beef better move on nigga, or get shot in the head
Or trucked over by the UConn nigga (trucked over)
Touch me, lose two arms, nigga you might think you hot
You dead wrong, you just lukewarm nigga
I'm colder than the ice in the freezer
Butcher knife slice and you seize up
44 blunts, I got a right to amnesia
Late night I'm pipin a diva
All my niggaz hyper and eager
In case I miss the hit the sniper'll leave ya
This case it's better to give than be the receiver
In the M-6 blowin the weed up
Comin through the hood makin sure that it's G'd up
I'ma I'ma hustler, you know that I read up
My rap is like coke, so my shit stay ki'd up
Y'all lil' niggaz new to the slums
I'm from the spot where the dope move faster than the cougar'll run
Come through with a chip, 22 in the bun
Ask the streets who can spit an iller fluid than son
Sheeit, nobody right? (Nobody)
Kill you, you a nigga nobody like
Fuck with me if you lookin for the rowdy type
I get it buzzin with cousin
Six dozen bullets skippin in the Audi right
This is Styles nigga, I keep it comin like gunshots
And you ain't said nuttin in the wild nigga
You ain't said nuttin, what? Motherfucker
Time is money nigga, that's all I'ma say