Chanbara (チャンバラ), also commonly spelled "chambara", meaning "sword fighting" movies, denotes the Japanese genre called samurai cinema in English, and is roughly equivalent to western cowboy and swashbuckler films. Chanbara is a sub-category of jidaigeki, which equates to period drama. Jidaigeki may refer to a story set in an historical period, though not necessarily dealing with a samurai character or depicting swordplay.
While earlier samurai period pieces were more dramatic rather than action-based, samurai movies post World War II have become more action-based, with darker and more violent characters. Post-war samurai epics tended to portray psychologically or physically scarred warriors.Akira Kurosawa stylized and exaggerated death and violence in samurai epics. His samurai, and many others portrayed in film, were solitary figures, more often concerned with concealing their martial abilities, rather than showing them off.
Historically, the genre is usually set during the Tokugawa era (1600–1868). The samurai film hence often focuses on the end of an entire way of life for the samurai: many of the films deal with masterless ronin, or samurai dealing with changes to their status resulting from a changing society.
valmara valmara valmara flechettes
kiss me with the lisp
of your shrapnel caress
lost this arm, lost this leg
lost this diving board
just a belly flopped proposal
of let's be friends
tour de force
defacto
ayuchuco
tour de force
prosthetic, prosthetic, prosthetic blemish
necro is the velcro on the charred appendage
carterize solder gun in the melting of seeds
oh dear god what a tangled web we weave
tour de force
defacto
ayuchuco
tour de force
all we are are failed attempts
propelled by stilt-leg presidents
incarcerate the mason fence
like flechettes flechettes flechettes
i'm not biting the lead my pencil's broken again
we will fill in the blanks
or i can cheat off your test