Chamamé is a folk music genre from the Argentine Northeast, Mesopotamia ("Litoral") and the south of Brazil. Paraná, Santa Catarina, Rio Grande do Sul and Mato Grosso do Sul.
Jesuit Reductions in the area encouraged cultural growth that lasted until the Jesuits were expelled by the Spanish Crown in the late 18th century. Within this area, Yapeyú Corrientes was a centre of musical culture that many point to as the birthplace of the original Chamamé. Further mixing with instruments such as the Spanish guitar, then the violin and the accordion, finally resulted in what we currently know as "Chamamé". There are recordings of Chamamé dating back to the early 20th century, and the term 'Chamamé' was already used in 1931; this type of music, prior to that, was often referred to as the Corrientes' Polka.
The Chamamé, originally schottische brought by the Volga German immigrants, has considerable Guaraní influence, mixed with the Spanish guitar and the European accordion from those immigrants that arrived in the area at the beginning of the 20th century.
In the mornin you go gunnin
For the man who stole your water
And you fire till he is done in
But they catch you at the border
And the mourners are all singin
As they drag you by your feet
But the hangman isnt hangin
And they put you on the street
You go back jack do it again
Wheel turnin round and round
You go back jack do it again
When you know shes no high climber
Then you find your only friend
In a room with your two timer
And youre sure youre near the end
Then you love a little wild one
And she brings you only sorrow
All the time you know shes smilin
Youll be on your knees tomorrow
You go back jack do it again
Wheel turnin round and round
You go back jack do it again
Now you swear and kick and beg us
That youre not a gamblin man
Then you find youre back in vegas
With a handle in your hand
Your black cards can make you money
So you hide them when youre able
In the land of milk and honey