File:Fangoria issue 07.png Fangoria, Issue 7 |
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Editor | Chris Alexander |
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Categories | Horror (beginning with Issue 7), originally Fantasy |
Monthly (10 issues annually) | |
First issue | 1979 |
Company | The Brooklyn Company, Inc. |
Country | United States |
Website | https://www.fangoria.com |
Fangoria is an internationally-distributed US film fan magazine specializing in the genres of horror, slasher, splatter and exploitation films, in regular publication since 1979.
Contents |
Fangoria was first planned in 1978 under the name Fantastica as a companion to the science fiction media magazine Starlog; just as Starlog covered science fiction films for a primarily teenaged audience, Fantastica was intended to cover fantasy films for a similar audience. The publishers were anticipating a groundswell of interest in fantasy owing to the plans at that time for bringing Robert E. Howard's Conan the Barbarian to the screen, plans first announced in 1978.
The Conan film did not arrive until several years later and, when it did, no groundswell in the demand for fantasy films occurred. But before the magazine was even launched, other factors intervened to change the magazine's focus and direction.
The first issue was assembled under the editorship of "Joe Bonham," a pseudonym taken from the quadriplegic hero of Dalton Trumbo's pacifist novel Johnny Got His Gun. This was a cover for Rolling Stone contributor and screenwriter Ed Naha and writer Ric Meyers, best known for his encyclopedic Great Martial Arts Movies: From Bruce Lee to Jackie Chan.
Shortly after the publishing trade press announced the coming launch of Fantastica, the publishers of a Starlog competitor, Fantastic Films magazine, brought suit on the basis of "unfair trade," contending that its young audience would be confused by the magazine's similar title.
The launch of the magazine was delayed by several months as the court deliberated the issue. When, in early 1979, the decision was made in favor of the plaintiff, the publishers of Fantastica were without a usable name, and a pressing need to get the long-delayed issue to the printers. Some quick brainstorming sessions resulted in the name Fangoria, over the objections of Robert "Bob" Martin, who was hired as editor during the delay.
The first issue of Fangoria was entirely designed around the original "fantasy film" concept for the magazine, and proved to be an abysmal failure, as were several issues that followed, all continuing with the same conceptual approach.
By the time that issue number four was on the stand and number six was in preparation, the publisher confided to Martin that the magazine was losing approximately $20,000 per issue, not an amount that the small publisher could continue to sustain for long.
Two phenomena allowed Martin to reshape the magazine and bring it back from the abyss of debt. First, was the immensely positive audience response to one of the articles that appeared in the first issue of Fangoria, an article that celebrated the craft of special makeup effects artist Tom Savini, and his very wet-looking special effects for the 1978 film Dawn of the Dead.
Second was the palpable stench of defeat that was surrounding Fangoria. With its demise all but certain, senior employees and the two owners of the publishing firm stood back from the fray and allowed the untried young editor to take the lead, reshaping the entire book according to what he believed would work.
Issue seven, with a cover story on Stanley Kubrick's adaptation of Stephen King's The Shining, was the first issue of any national magazine to wholly concern itself with horror film as produced in the closing quarter of the 20th Century, with no trace of daintiness about its subject matter. It also was the first issue of Fangoria to achieve a profit.[citation needed]
Subsequent issues would sharpen the focus, but by issue twelve, the formula was well-set, and remains largely unchanged to this date. Martin continued as editor to 1986, with co-editor David Everitt added in the early 1980s, and after leaving Fangoria worked with film director Frank Henenlotter on the screenplays for Frankenhooker and Basket Case 3: The Progeny. Everitt left the magazine shortly after Martin's departure, and was replaced by Starlog editor David McDonnell, who handled both magazines for several months before turning over the reins to longtime editor Tony Timpone.
In the late 1980s and early 90s, Fangoria tested numerous international horror markets, releasing issues of the magazine modified for various foreign languages. These publishings (released in Italy, Japan, Czechoslovakia, and elsewhere) lasted only a handful of editions before being discontinued.
In 1990, Timpone brought current managing editor Michael Gingold on-board, having been previously introduced to his horror-themed fanzine, Scareaphenalia.[1] In addition to his editorial duties at the magazine, Gingold posts the majority of the news updates at fangoria.com
[2]
Creative Group purchased Fangoria (and its parent publication Starlog) in the early 2000s, hoping to branch out the brand identity of the magazine to radio, television, and comics. After several failed ventures, Creative Group filed for Chapter 11 on March 21, 2008.[3] In the summer of 2008, Fangoria and all of its related brands were purchased by The Brooklyn Company, Inc., led by longtime Fangoria president Thomas DeFeo.[4] Under DeFeo's ownership, Fangorias brand identity was radically modified in early 2009. The most notable of his changes were the transformation of the company's long-standing logo and a drastic overhaul to the magazine's cover. Starting with Issue 281, Fangorias cover no longer carried its original logo, trademark "film strip", tagline, or additional embedded photos.
In February 2010, Chris Alexander, a Toronto-based former writer for Rue Morgue, succeeded Tony Timpone as Fangoria's new editor.[5] Under his management, the magazine altered its image again, reverting to a layout similar to what it had in the early 1990s. The cover's layout was again altered (this time by graphic artist Jason Beam) - keeping the new logo, but honoring reader requests to bring back the embedded photos and a horizontal "film strip." Several new staff members were also hired full time including Sam Zimmerman, Rebekah McKendry, and Robert Feldman all of whom had previously worked with Fangoria. In addition, several new writers for both web and magazine were brought in.
As of 2010, Fangoria's publishing office is located just north of New York City's Times Square, with Alexander's satellite office in Toronto, Ontario. They also have a satellite office in Los Angeles, California and several writers based out of Richmond, Virginia.
In 2011, Alexander resurrected the original logo, presenting a classic Fangoria look, coupled with illustrated covers and a bottom page filmstrip that Alexander freely admitted to "borrowing" from long defunct monster magazine Castle of Frankenstein. The new covers often feature original painted portrait artwork from filmmakers and artists like Marvel Comics' Nick Percival, impressionist UK animator Ashley Thorpe and Australian artist Michael Broom. The changes reflect Alexander's editorial focus on horror history as well as a more experimental aesthetic.[citation needed]
Later in 2011 the magazine took on Amanda Dyar of BioGamer Girl Magazine as a contributing writer to their video game section[6] and interviewer for game-related content such as her interview with Joe Lynch on G4's Epictober Fest.[7]
Starting in 1985, Fangoria has sponsored annual horror movie conventions known as the Weekend of Horrors in Los Angeles, New Jersey, and Chicago (with Austin, Texas added in 2008).[8] These conventions were produced in association with Creation Entertainment. After breaking ties with Creation in 2009, Fangoria began their own conventions, titling them the "Trinity of Terrors."
In 1991, Fangoria began honoring horror cinema with their annual Chainsaw Awards, which were voted on by readers of their magazine. The winners were announced at an awards show in Los Angeles, California, which was produced by Fangoria's managing editor, Michael Gingold. While the Chainsaw Awards continued in the magazine, the awards show was stopped after 1996.
In 1990, Fangoria created Fangoria Films, with the goal of financing one feature film a year under this banner. The first film was 1990's Mindwarp, starring Bruce Campbell. They then created Children of the Night in 1991 and Severed Ties in 1992 before ceasing production.[9]
In 1996, Fangoria Films re-emerged as a distribution company, occasionally using their "Gore Zone" label, to release twenty low-budget horror features over the next ten years.
From 1999 to 2003, they partnered with Bedford Entertainment to attain wider releases of certain Fangoria titles.[10] Movies released during this time included I, Zombie: A Chronicle of Pain, The Last Horror Movie, Slashers, and Dead Meat.[11] Many of these films featured the Fangoria logo along the top of their video/DVD covers, while Fangoria's involvement in other releases was substantially more subdued.
In 2004/2005, Fangoria Films produced and distributed Fangoria's Blood Drive, two DVD compilations of award-winning short horror films. The first volume was hosted by musician-turned-filmmaker Rob Zombie, and the second by MuchMusic's (now called FUSE) Mistress Juliya.
After their purchase by Creative Group in the early 2000s, they developed Fangoria Entertainment. This allowed both parties to agitate the Fangoria brand identity to a number of other media outlets in 2006. Creative Group also added a new "Vampire Skull" logo to Fangoria's properties, which was used extensively after its inception. As of 2010, all of Creative Group's Fangoria brands have been halted.
Fangoria's online site features daily updates about the world of horror, allowing the Fangoria brand to remain relevant to those who do not typically read print magazines. The website also features several specialized horror blogs, including [14]Gay of the Dead. Written by Sean Abley, Gay of the Dead continues Fangoria's long tradition of being supportive of homosexuals working in the horror industry. Former editor Tony Timpone was very vocally supportive of Clive Barker's coming out process in the mid '90s, and Fangoria.com has continued this tradition by interviewing several members of the gay horror community, including Jeffrey Schwarz, JT Seaton, April A Taylor and Jeremy Owen.
On December 5, 2007, a warehouse operated by Kable News, in Oregon, Illinois, which contained all back issues of Fangoria and Starlog magazines, burned to the ground. As back issues of Fangoria are not re-printed, the only remaining back issues are now housed in private collections or those available on the secondary market.[15]
Fangoria has appeared or been mentioned in various media outlets, usually pertaining to its significance to the horror film industry.
Fangoria are a Spanish electropop duo, consisting of Olvido Gara (aka Alaska, main vocals, occasional guitar), and Nacho Canut (keyboards, occasional bass guitar). Fangoria have sold 1 million records worldwide since 1989.
In 1977 Alaska, along with Nacho Canut and Carlos Berlanga, formed the band Alaska y los Pegamoides. Later, in 1982, they changed the name to Alaska y Dinarama. The group was popular and influential during La Movida Madrileña. Some of their famous recordings include Abracadabra, Ni Tú Ni Nadie,(which was entered for the Spanish heats of the Eurovision Song Contest in 1985 and later covered by the Mexican group Mœnia in 2004 and by the Puerto Rican band Circo in 2005) and ¿A quién le importa? (later covered by Mexican musician Thalía in 2002).
In 1989 Carlos Berlanga left, and the band transformed once again, this time adopting the name of the American horror film magazine Fangoria — they had already made clear their fascination with American z-movies with songs like "Mi novio es un Zombi" ("My Boyfriend Is A Zombie") and "La rebelión de los electrodomésticos" ("The household appliance rebellion"). With each name change, the band drove away from punk and embracing electropop, although strong guitars are normally present in their performances.
Fangoria is an American magazine devoted to horror and exploitation films, which has a number of associated brands:
Fangoria may also refer to:
Sangre, which means "Blood" in Spanish, is the fictional Earth-like planet ruled by a sadistic cannibal elite, The Brotherhood of Pain in science fiction New Wave author Norman Spinrad's novel of violent revolution The Men in the Jungle. Sangre has a population of 15 million humans, most of whom are descendants of captives taken when the Brotherhood of Pain raided the now Lost Colony of Eureka, and a native population of semi-intelligent insects.
Sangre means "blood" in Spanish. The word also can refer to:
Sangre ("Blood") is a 2005 Mexican drama film directed by Amat Escalante. It was screened in the Un Certain Regard section at the 2005 Cannes Film Festival.