Cedartown, Georgia

Cedartown is a city in Polk County, Georgia. As of the 2010 census, the city had a population of 9,750. The city is the county seat of Polk County. Cedartown is the principal city of and is included in the Cedartown, Georgia Micropolitan Statistical Area, which is included in the Atlanta-Sandy Springs-Gainesville, Georgia-Alabama (part) Combined Statistical Area.

The Cedartown Commercial Historic District is listed on the National Register of Historic Places. The Cedartown Waterworks-Woman's Building-Big Spring Park Historic District is also listed along with the Northwest Cedartown Historic District and South Philpot Street Historic District.

Geography

According to the United States Census Bureau, Cedartown has a total area of 6.9 square miles (18 km²), of which 6.8 square miles (18 km²) is land and 0.04 square miles (0.10 km²) (0.44%) is water.

History

Cherokee and Creek Native Americans first inhabited the area known as Cedar Valley. The Cherokee people had established a village there in the 1830s after the Native Americans were forced out on the Trail of Tears.

Cedartown, Georgia (album)

Cedartown, Georgia is a 1971 album by Waylon Jennings.

Background

Jennings' second release of 1971 finds the singer moving further away from the Nashville Sound that had dominated his early albums at RCA. Its title track, a morbid tale of murder, reached #14 on the country singles chart, and the LP also contains "It's All Over Now," written by Waylon's wife Jessi Colter, who duets with Jennings on Paul Simon's "Bridge Over Troubled Water" and also appears on the album cover with him. Like most country albums during this period, Cedartown, Georgia contains songs that were recorded during numerous sessions that stretched back over periods of months and even years, depriving the album of any sense of continuity. As Michael Striessguth's laments in his book Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville, "Because RCA-Nashville failed to embrace the idea of the concept album, it happily dropped unreleased scraps from earlier sessions into those collections, spoiling any semblance of cohesion that they might have had." In his autobiography Jennings wrote, "They always needed a marketing plan...Music is just music, and people who put labels on music are those who have to merchandize it. It makes their job a lot easier. I wanted to cut my records a whole different way; I wanted to build the song in the studio, not in the control room. I wanted the dynamics to happen out there with the band."