Cecilia is a female name. It may also refer to:
Cecilia, which is the name of Saint Cecilia, the patron saint of music, has been a consistently used name in the United States, where it has ranked among the top 500 names for girls for more than 100 years. It was the 274th most popular name for American girls born in 2007. It was the 317th most popular given name for women and girls in the United States census of 1990. It also ranked among the top 100 names for girls born in Sweden in the early years of the 21st century.
Cecilia was a pop-rock band based in New York. The band was from the Washington, D.C. area, then later moved to Astoria, Queens. While not a religious group, the band chose the name Cecilia from Saint Cecilia, patron saint of music and of the blind.
The band was formed by the members of the Veltz family, then living in Vienna, Virginia in 1998 when the three Veltz youngsters, Allison, Drew and Laura, began performing songs written by their father, Kenneth Veltz, at local venues. The group was originally an acoustic trio, playing local open mic gigs with Drew playing guitar for his sisters. When the family's financials were in a downturn, the band became the family business and Kenneth and mother Jeannie joined their children on drums and vocals, respectively. The group moved to New York in 2000. That same year they recorded Live at Zig's at two live performances in August, which was released in 2001. After a string of temporary bassists, Cecilia added Kevin Jacoby in late 2000. Cecilia was in negotiations to join Blackbird Records an affiliate of Atlantic Records just before the merger of AOL and Time Warner, which ended Blackbird's affiliation with Atlantic. This led to Cecilia being signed by Atlantic Records in early 2001.
"Cecilia", full title "Does Your Mother Know You're Out Cecilia", is a 1926 song written by Dave Dreyer with lyrics by Harry Ruby. The song was first recorded by Whispering Jack Smith on Victor Records.
A song is a single (and often standalone) work of music intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections. Written words created specifically for music or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs in a simple style that are learned informally are often referred to as folk songs. Songs that are composed for professional singers are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers and lyricists. Art songs are composed by trained classical composers for concert performances. Songs are performed live and recorded. Songs may also appear in plays, musical theatre, stage shows of any form, and within operas.
Ming or Song is a category of typefaces used to display Chinese characters, which are used in the Chinese, Japanese, and Korean languages. They are currently the most common style of type in print for Chinese and Japanese.
The names Song (or Sung) and Ming correspond to the Song Dynasty when a distinctive printed style of regular script was developed, and the Ming Dynasty during which that style developed into the Ming typeface style. In Mainland China, the most common name is Song (the Mainland Chinese standardized Ming typeface in Microsoft Windows being named SimSun). In Hong Kong, Taiwan, Japan and Korea, Ming is prevalent. In Hong Kong and Taiwan, “Song typeface” (宋體) has been used but “Ming typeface” (明體) has increased currency since the advent of desktop publishing. Some type foundries use "Song" to refer to this style of typeface that follows a standard such as the Standard Form of National Characters, and “Ming” to refer to typefaces that resemble forms found in the Kangxi dictionary.
Song is the third and final album of Lullaby for the Working Class. It was released October 19, 1999 on Bar/None Records.