The Time | ||||
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File:The Time (Bros album) cover.jpeg | ||||
Studio album by Bros | ||||
Released | October 1989 | |||
Genre | Pop, dance-pop | |||
Length | 49:20 | |||
Label | CBS | |||
Producer | Nicky Graham | |||
Bros chronology | ||||
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Singles from The Time | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Time is the second album from British pop band Bros and the follow-up to the successful debut Push. It was released in 1989 and was their first album as a duo (Matt Goss and Luke Goss) due to the departure of Craig Logan earlier in the year. It was also the first album to feature Matt and Luke as co-writers, along with Nicky Graham.
The album reached #4 in the UK and spawned four hit singles.[2] It ended up being certified Gold.[3]
[4] | ||||||||||
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No. | Title | Length | ||||||||
1. | "Madly In Love" | 7:09 | ||||||||
2. | "Too Much" | 3:30 | ||||||||
3. | "Chocolate Box" | 3:57 | ||||||||
4. | "Money" | 4:21 | ||||||||
5. | "Streetwise" | 4:29 | ||||||||
6. | "Club Fool" | 5:28 | ||||||||
7. | "Black and White" | 3:52 | ||||||||
8. | "Don't Bite the Hand" | 3:10 | ||||||||
9. | "Space" | 3:40 | ||||||||
10. | "Sister" | 4:23 |
CD bonus track[5] | ||||||||||
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No. | Title | Length | ||||||||
11. | "Life's a Heartbeat" | 4:43 |
Catch were a British indie pop group consisting of musicians Toby Slater (vocals and keyboards), Wayne Murray (bass and vocals) and Ben Etchells (guitar). The band were signed to Virgin Records and released two singles - "Bingo", which reached No. 23 in the UK Singles Chart, and "Dive In", which reached No. 44. The band released one self-titled album, which was only issued in Indonesia. The album is no longer in print or available online, however various tracks have surfaced on file and video sharing websites over the years.
Reputedly formed when Slater, Murray and Etchells kissed the same girl at a party, Catch were in fact formed from the ashes of Brattish, Slater's first band, formed in 1994/95, which also included Etchells. Brattish rehearsed the Catch material extensively, paid for by interested A&R men, but never gigged. Slater also was a driving-force behind the short-lived "Romo" movement in the autumn/winter of 1995, DJ-ing at "Arcadia".
"Bingo" was Catch's biggest hit, and resulted in the band appearing on Top Of The Pops, Light Lunch, The Paul Ross Show (performing three songs live), The Jack Docherty Show and various Saturday morning UK TV shows. "Bingo" was also being shown on the ITV Chart Show when ITN interrupted programming to report on the death of Diana, Princess of Wales in 1997. Slater also presented some shows on MTV around this time. An album was quickly released in Indonesia due to the band's popularity there, but was never released in the UK due to Slater being unhappy with it at the time. The band visited Jakarta for a promotional tour and performed acoustically for fans.
In baseball, a catch occurs when a fielder gains secure possession of a batted ball in flight, and maintains possession until he voluntarily or intentionally releases the ball. When a catch occurs, the batter is out, and runners, once they properly tag up (retouch their time-of-pitch base), may attempt to advance at risk of being tagged out.
Unlike in American football and other sports, neither secure possession for a time nor for a number of steps is enough to demonstrate that a catch has occurred. A fielder may, for example, appear to catch and hold a batted ball securely, take a few more steps, collide with a wall or another player, and drop the ball. This is not a catch.
Umpires signal a catch with the out signal: a fist raised into the air, often with a hammering motion; if there is doubt about it, the umpire will likely shout "That's a catch!" On a close no-catch, the umpire will signal with the safe signal, which is both arms swept to the side and extended, accompanied by the call "No catch, no catch!" with an emphasis on the word "no".
Toss juggling is the form of juggling which is most recognisable as 'juggling'. Toss juggling can be used as: a performing art, a sport, a form of exercise, as meditation, a recreational pursuit or hobby.
In toss juggling, objects — such as balls, bean bags, rings, clubs, etc. — are thrown or tossed into the air and caught. Toss juggling is a form of object manipulation.
'Toss juggling' has a number of basic principles and patterns. Most of the more complex patterns are variations of the basic ones and all toss juggling must conform to these basic principles.
Toss juggling is, according to most sources, the throwing and catching of objects, where there are more objects than there are hands (or sometimes other parts of the body) doing the throwing and catching. Three balls thrown and caught between two hands is toss juggling, as there are more balls than hands. Two balls between two hands would not be considered toss juggling, as the number of balls and hands is equal.
To be announced (TBA), to be confirmed (TBC), and to be determined (or to be decided, TBD) are placeholder terms used very broadly in event planning to indicate that although something is scheduled or expected to happen, a particular aspect of that remains to be arranged or confirmed.
These phrases are similar, but may be used for different degrees of indeterminacy:
Other similar phrases sometimes used to convey the same meaning, and using the same abbreviations, include "to be ascertained", "to be arranged", "to be advised", "to be adjudicated", "to be done", "to be decided", and "to be declared".
Use of the abbreviation "TBA" is formally reported in a reference work at least as early as 1955, and "TBD" is similarly reported as early as 1967.
In computing, ANSI escape codes (or escape sequences) are a method using in-band signaling to control the formatting, color, and other output options on video text terminals. To encode this formatting information, certain sequences of bytes are embedded into the text, which the terminal looks for and interprets as commands, not as character codes.
ANSI codes were introduced in the 1970s and became widespread in the minicomputer/mainframe market by the early 1980s. They were used by the nascent bulletin board system market to offer improved displays compared to earlier systems lacking cursor movement, leading to even more widespread use.
Although hardware text terminals have become increasingly rare in the 21st century, the relevance of the ANSI standard persists because most terminal emulators interpret at least some of the ANSI escape sequences in the output text. One notable exception is the win32 console component of Microsoft Windows.
Almost all manufacturers of video terminals added vendor-specific escape sequences to perform operations such as placing the cursor at arbitrary positions on the screen. One example is the VT52 terminal, which allowed the cursor to be placed at an x,y location on the screen by sending the ESC
character, a y
character, and then two characters representing with numerical values equal to the x,y location plus 32 (thus starting at the ASCII space character and avoiding the control characters).
TBC may refer to:
Band.
Uh, I don't know it's... It's just a thing with me you know.
If I see somethin' that I like, it's a... I have to go for it.
And I like what I see, baby. Ah, come here.
I got real bored on a friday night, I couldn't find a damn thing to do.
So I pulled out a suit about the same color as my BMW.
I drove to the party and I stepped on in, just to see what I could see.
Everybody knew what I was lookin' for. I was lookin' for some company, that's right!
Jerk out, jerkin' everything in sight. - And you know that I'm talkin' about the...
Jerk out. - I got the cash, I got the ride. Oh, Lawd.
Got to make some love tonight. - And you know I got the look.
I saw a real fine thing sittin' by the bar. She looked kinda all alone.
So I slid on over and I asked her name. The Stella was bad to the bone.
I showed her my stash and I kissed her cheek. The only kind of rap it takes.
She knew I was bad when I jerked her to my ride. She said, "How much money you make?"
Let's just say it'll be more money...
Jerk out. - Than you'll ever see in your lifetime, ha ha!
Jerkin' everything in sight. - I'm talkin' about the...
Jerk out. Got to make some love tonight.
(chorus)
Jerk it, jerk it. - I'm talkin' about the ...
Jerk it, jerk it. Jerk out.
Jerk it, jerk it. - I'm talkin' about the ...
Jerk it, jerk it. Jerk out.
I took her to my crib and I laid her down. Her body felt kinda right.
Maybe I was wrong but what the hell, I figured that was what she liked.
I said "Baby, don't get too comfortable, cuz I really like to sleep alone.
Leave your number on the table by my data bank. I love you, but you got to go."
.... What?
Jerk out. - You ain't got to go home, but you got to get the hell outta here.
Jerkin' everything in sight. - I'm talkin' about the...
Jerk out. Got to make some love tonight. - All night.
Jerk out. - What's your number girl?
Jerkin' everything in sight. - In sight. The master of the....
Jerk out. Got to make some love tonight. - Oh, I got to make some love.
(repeat chorus)
Jerk out, jerkin' everything in sight. - You look so satisfied.
Jerk out. - Ha ha ha ha! Hiyi, that's it.
Got to make some love tonight. - Got to make some love to night.
Jerk out. - Ayi Ayiiiii!
.... Please, who ever told you, you could sing?
Ah, yeah, yeah, baby.
Jerk out. - Jerome, stop at the instant teller so I can get me some cash.
Got to make some love to night. - Yes.
Fellas, y'all play somethin'? That's it.
You know I think I feel the need fo a change.
Cross over. There's so many things we can do.
You like, ah, Raviolios, Cherrios, Spaghettios.
You can just never have enough O's, uh!
Jerk out. - Hey, oh!
Jerkin' everything in sight - Everybody...
Jerk out. - No, oh!
Got to make some love to night - Whoaoo!
Jerk out. - Don't you all just hate it when we walk in y'all's joint?
Jerkin' everything in sight. - And just jerk out everything in sight? Don't it make you mad?
Jerk out. - Don't it make you mad?
Got to make some love tonight? - It'd make me mad.
Fellas? - Yeah?
What's the move? - Jerkin' everything in sight!
Uh, fellas? - Yeah?
What's the groove? - Make a little love tonight!
That's right, fellas? - Yeah?
What's the move? - Jerkin' everything in sight!
Huh, fellas? - Yeah?
What's the groove? - Make a little love tonight
Look out, fellas? - Yeah?
What's the move? - Jerkin' everything in sight!
Ha, fellas? - Yeah?
What's the groove? - Make a little love tonight
Fellas? - Yeah?
What's the move? - Jerkin' everything in sight!
Good God, fellas? - Yeah?
What's the groove? - Make a little love tonight!
Somebody bring me a mirror.
What suit should I wear tonight?
If you think I'm cool, you're right.
Somebody say Kool-Aid! - Kool-Aid!
Jerk it.... uh!
Make a little love tonight. - What?
Jerkin' everything in sight. - Oh, that's right.
Make a little love tonight. - Oh Lawd.
Jerkin' everything in sight. That's frightenin'.
Make a little love tonight. - We can do this.
Jerkin' everything in sight. - Oh Lawd.
Make a little love tonight. - Fellas.
Jerkin' everything in sight. - Yes.
Make a little love... - Oh.
Make a little love... - Yeah.
Make a little love tonight. - Ha ha!
Jerk out. - I'm the master of the jerk out.
.... Ha, them's your drawers, Morris.
Now tell me somethin' that I don't already know J.B.
Jerk out. - It's just one of them things you know, huh.
Got to make some love tonight. - Money, clothes, cars, credit cards, houses.
Jerk out. - You know what I'm talkin about, ha ha!
Jerkin' everything in sight.
.... What's he talkin' about?
You should see my home. It's... so nice.
.... Girl, he is kinda sexy.
.... Girl, please!
Oh, well, if you're not doin' anything. We could go there right now.
.... Can my friend come?
Oh, I'd love that.
.... Girl!
Uh, that sure is a lovely blouse you have on.
.... Thank you.
Can I take it off?
.... No.
Oh, I just wanna..., oh, I just wanna touch it.
.... Stop.
So nice, so nice.
.... No. Stop.
Oh, that was so nice.