Capture may refer to:
This page explains commonly used terms in chess in alphabetical order. Some of these have their own pages, like fork and pin. For a list of unorthodox chess pieces, see Fairy chess piece; for a list of terms specific to chess problems, see Glossary of chess problems; for a list of chess-related games, see Chess variants.
[adjective: prophylactic] Prophylactic techniques include the blockade, overprotection, and the mysterious rook move.
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Capture is an American reality competition television series on The CW that is hosted by Luke Tipple and premiered on July 30, 2013.
Capture, brings twelve teams of two to a 4,000-acre wilderness area called the Arena to participate in hunts to eliminate other teams as they vie for a $250,000 grand prize. The competition lasts for a month, and the teams, while still in the game, reside in a small camp named the Village and given meager food and rations, and otherwise forced to rely on survival skills for other resources. Teams are identified by matching color jackets they wear, and must stay together throughout the game. During hunts, each player wears a special vest mounted with an over-the-shoulder camera, as well as an armband mounted with a screen that can be used to display a map of the area, the team's current location, and other information during the hunt.
Worms? is a 1983 computer game written by David Maynard for Electronic Arts, released for the Atari 800 and Commodore 64. It was one of the original five games that launched the company. More a software toy than a game, Worms? is an interactive version of Paterson's Worms.
The game is abstract, like Conway's Game of Life, but the player's ostensible goal is to optimally program one or more "worms" (each a sort of cellular automaton) to grow and survive as long as possible. The game area is divided up into hexagonal cells, and the worms are essentially programmed to move in a particular direction for each combination of filled-in and empty frame segments in their immediate vicinity. Over the course of a game, the player needs to give his/her worm less and less input, and more and more moves by their worm result in the encountering of familiar situation for which the worm has already been 'trained'. As the worms move, they generate aleatoric music.
Orson Scott Card in Compute! in 1983 gave Worms? and two other EA games, M.U.L.E. and Archon: The Light and the Dark, complimentary reviews, writing that "they are original; they do what they set out to do very, very well; they allow the player to take part in the creativity; they do things that only computers can do".Compute!'s Gazette's reviewer called Worms? for the Commodore 64 "one of the most fascinating games I've played in a long time. It's so different from anything else that it quickly captivated me. Worms? tournaments become popular among the staff of Compute! ... [It] is as much fun to watch as it is to play". He added that part of its appeal was that "The game is hard to master. It's easy to play, but seems almost impossible to play well time after time".Compute! listed the game in May 1988 as one of "Our Favorite Games", writing that four years after its introduction "Worms? is still in a class by itself", requiring "a sense of strategy as well as proficiency at joystick maneuvers".
Worms (ワーム, Wāmu) are the villains in the Japanese tokusatsu series Kamen Rider Kabuto. They are an alien life form that came from a meteor destroying the city district of Shibuya seven years prior to the series' timeline. However, the Worms known as Natives existed prior to the coming of the Shibuya Meteorite, through another meteorite that came 35 years ago. In the movie, a third meteor nearly hit the Earth, though thanks to Kabuto it was adverted and history was altered. This implies that meteors containing Worms are insolated and there are others.
The Worms were designed by Yasushi Nirasawa (韮沢 靖, Nirasawa Yasushi), who also designed the Undead for Kamen Rider Blade, the Horrors in GARO and later created the Imagin for Kamen Rider Den-O. These designs were later detailed in Worm Works: GITAI (ワームワークスGITAI, Wāmu Wākusu GITAI).
A mysterious meteorite that crashed into Shibuya seven years ago. This meteorite brought along the extraterrestrial creatures known as Worms. During episode 41, Riku Kagami explains that another meteorite carrying the Natives had arrived on Earth thirty-five years before this, explaining why fragments of the meteorite similar to those of the Shibuya Meteorite existed so long ago. The Natives that arrived on Earth worked with humans to create the Masked Rider System in order to fend off the threat of other Worms that would arrive later. In the movie, which acts as a prequel to the series, it is revealed this meteor was actually far larger and would've vaporized Earth's oceans and released many more Worms until Hyper Kabuto went back in time with the meteor and caused it to slam into the Shibuya meteor, resulting in only a small fragment of it landing in Shibuya.
Worms is one of the 299 single member constituencies used for the German parliament, the Bundestag. One of fifteen districts covering the state of Rhineland-Palatinate, it consists of the city of Worms, the Alzey-Worms district and the municipalities of Bodenheim, Guntersblum and Nierstein-Oppenheim from the Mainz-Bingen district.
The constituency was created for the 1949 election, the first election in West Germany after World War II. The constituency was held by the Social Democratic Party of Germany (SPD) at every election until 2013 election, when it was gained by the Christian Democratic Union (CDU) candidate Jan Metzler.
Since its creation, the constituency has consisted of the city of Worms and the Alzey-Worms district, the latter of which was formed as a merger of its two eponymous districts in 1969. Until the 1972 election it also included the town of Oppenheim, however in that election it was removed and the district assumed its current boundaries.
You search inside the deepest parts
You radiate the darkness in my heart
Oh, I can't hide no more
You took this life that once was frail
And gave a strength where hopelessness won't prevail
And there's life more abundantly
Your beauty Lord, I know it captures me
Your sweet embrace, it brings me to my knees
Oh, You capture me, oh Lord, You capture me
You opened up my heart and made a home in me
You lifted up the weight the world has placed on me
Oh, You capture me, oh Lord, You capture me
You brought me joy that words can't speak
You gave a truth where lies will never reach
Oh, I won't fight no more
You gave me peace from this life of fear
Never alone at every grasp you are near
Now there's life more abundantly, oh
Your beauty, Lord, I know it captures me
Your sweet embrace, it brings me to my knees
Oh, You capture me, oh Lord, You capture me
You opened up my heart and made a home in me
You lifted up the weight the world has placed on me
Oh, You capture me, oh Lord, You capture me
Well, I can feel Your touch, I can feel Your heart
And Your fullness flowing over
Your ways of mercy over me
Your beauty, Lord, I know it captures me
Your sweet embrace, it brings me to my knees
Oh, the love You show, it pours all over me
Oh Lord, You capture me, oh Lord, You capture me
You opened up my heart and made a home in me
You lifted up the weight the world has placed on me
Oh, You capture me, oh Lord, You capture me, now
I can feel Your touch, I can feel Your heart
Oh, Your beauty Lord, it captures me
I can feel Your touch, I can feel Your heart
(Oh, Your beauty Lord, oh, Your beauty Lord)