Captive (1986 film)
Captive is a 1986 Anglo-French cinema film loosely based on the experiences of Patty Hearst.
The daughter (Irina Brook) of a wealthy businessman (Oliver Reed) is kidnapped by a terrorist group, and thru manipulation psychologically subordinated and led from the cultural and emotional imprisonment of her former life to the liberation of theirs.
The soundtrack was provided by the The Edge working with Sinead O'Connor.
References
External links
Captive (2003 film)
Captive (Spanish: Cautiva) is a 2003 film that concerns itself with what happened to the children of the people killed after the 1970s military coup. The film states it was made with the support of Argentine National Institute of Cinema and Audiovisual Arts. Captive was an award winner at the 2003 San Sebastian Film Festival.
Plot
Cristina Quadri (Barbara Lombardo) is the model of a perfect student. Smart and affluent, her life is in perfect order until, one day, she is called from her class and made to appear in front of a judge. The judge informs her that her biological parents disappeared in the 1970s. Cristina is forced to go live with her grandmother, Elisa (Susana Campos), who has spent the past 16 years attempting to locate Cristina (whose birth name was Sofia). Although, at first, she is hurt, bitter and confused, Cristina/Sofia eventually grows to care for Elisa and begins to research the fate of her parents - and how much her adoptive parents knew of the truth.
Captive (2012 film)
Captive is a 2012 French-Filipino drama film directed by Brillante Mendoza and starring Isabelle Huppert. The film was screened in competition at the 62nd Berlin International Film Festival in February 2012.
The plot focuses on describing the torturous life of the hostages of the Dos Palmas kidnappings, whose survivors were freed after a year in captivity.
Cast
References
External links
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
Podcasts:
