The airs above the ground or school jumps are a series of higher-level, Haute ecole, classical dressage movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various riding academies such as the Spanish Riding School in Vienna and the Cadre Noir in Saumur, and may be seen in other dressage performances. The levade and courbette are a particular feature of the Doma Menorquina, the riding tradition of the island of Menorca. Horses such as the Andalusian, Lusitano, Lipizzan and Menorquín are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.
There is a popular conception that these movements were originally taught to horses for military purposes, and indeed both the Spanish Riding School and the Cadre Noir are military foundations. However, while agility was necessary on the battlefield, most of the airs as performed today would have exposed the vulnerable underbelly of the horse to the weapons of foot soldiers. It is therefore more likely that the airs were exercises to develop the military horse and rider, rather than to be employed in combat.
She turned the key, opened the door
Was he there she wasn't sure
She didn't want to fight no more
She had good intentions
In that moment face to face
She saw the look upon his face
She held him in a tight embrace
There was warm affection
Took a while before she spoke
There were things she had to know
Compose herself and she said
Baby
Tell me what you dream, what you see
Tell me how you feel, oh yeah
Tell me what you dream
Will you share it all with me
What you dream
Baby you can talk to me
They agreed to meet halfway
They would take it day by day
He didn't want to lose her twice
That would cut him like a knife
He decided then and there to reveal his inner fears
He'd always loved her from the start
It was time to give his heart
Took a while before he spoke
There were things he had to know
Compose himself and he said
Baby
Tell me what you dream
What you see