The Theme of Cappadocia (Greek: θέμα Καππαδοκίας) was a Byzantine theme (a military-civilian province) encompassing the southern portion of the namesake region from the early 9th to the late 11th centuries.
The theme comprised most of the late antique Roman province of Cappadocia Secunda and parts of Cappadocia Prima. By the early 10th century, it was bounded to the northwest by the Bucellarian Theme, roughly along the line of the Lake Tatta and Mocissus; the Armeniac Theme and later Charsianon to the north, across the river Halys, and to the northeast near Caesarea and the fortress of Rodentos; to the south by the Taurus Mountains and the border with the Caliphate's lands and the Thughur frontier zone in Cilicia; and to the east with the Anatolic Theme, the boundary stretching across Lycaonia from the area of Heraclea Cybistra to Tatta.
Lying directly north of the Cilician Gates, the Arabs' major invasion route into Asia Minor, the region of Cappadocia suffered greatly from their repeated raids, with its towns and fortresses regularly sacked and the country widely devastated and depopulated. The cities of Tyana, Heraclea Cybistra and Faustinopolis had all been razed by the Arabs in the early 9th century, and although Cybistra was rebuilt, the populations of the other two cities fled to the fortresses of Nigde and Loulon respectively.
Cappadocia (/kæpəˈdoʊʃə/; also Capadocia; Turkish: Kapadokya, Greek: Καππαδοκία Kappadokía, from Ancient Greek: Καππαδοκία, from Old Persian: Katpatuka) is a historical region in Central Anatolia, largely in the Nevşehir, Kayseri, Aksaray, and Niğde Provinces in Turkey. In Ancient Greek Καππαδοξ (genitive -οκος) means "a Cappadocian".
In the time of Herodotus, the Cappadocians were reported as occupying the whole region from Mount Taurus to the vicinity of the Euxine (Black Sea). Cappadocia, in this sense, was bounded in the south by the chain of the Taurus Mountains that separate it from Cilicia, to the east by the upper Euphrates and the Armenian Highland, to the north by Pontus, and to the west by Lycaonia and eastern Galatia.
The name, traditionally used in Christian sources throughout history, continues in use as an international tourism concept to define a region of exceptional natural wonders, in particular characterized by fairy chimneys and a unique historical and cultural heritage.
Cappadocia (from Old Persian Katpatuka) was a satrapy (province) of the Achaemenid Empire used by the Achaemenids to administer the regions beyond the Taurus Mountains and the Euphrates river. The Satrapy belonged to the third tax district and paid an estimated 360 talents a year in tribute. The first satrap (governor) known by name is Ariaramnes, who ruled sometime at the beginning of the reign of the Achaemenid king Darius the Great. His successors are unknown, although Gobryas, the half brother of Xerxes, commanded the Cappadocians in 480 BCE. During the reign of Artaxerxes II, Cappadocia was divided, becoming Paphlagonia and Cappadocia Proper. Datames (abridged from Datamithra) then became the satrap of southern Cappadocia; he led a revolt and was later assassinated in 362 BCE. The last Achaemenid satrap of Cappadocia was Mithrobuzanes, who died in 334 BCE at the Battle of the Granicus fighting Alexander's invading army.
Cappadocia was a province of the Roman Empire in Anatolia (modern central-eastern Turkey), with its capital at Caesarea. It was established in 17 AD by the Emperor Tiberius (ruled 14-37 AD), following the death of Cappadocia's last king, Archelaus.
Cappadocia was an imperial province, meaning that its governor (legatus Augusti) was directly appointed by the emperor. During the latter 1st century, the province also incorporated the regions of Pontus and Armenia Minor.
Prior to direct imperial rule, Cappadocia was one of the successor kingdoms of Alexander the Great's empire. The Kingdom of Cappadocia was ruled by the Ariarathid dynasty from 331 BC until 95 BC. Under Ariarathes IV, Cappadocia first came into contact with the Roman Republic as a foe allied with Selecuid King Antiochus the Great during the Roman-Syrian War from 192-188 BC.
Following Rome's victory over Antiochus, Ariarathes IV entered friendly relations with the Republic by betrothing his daughter to the king of Pergamum, a Roman ally. The Ariarathid kings would thereafter become an major ally of Rome in the East. The kingdom supported the Republic as a counterweight against the Seleucid Empire, which claimed dominion over the Cappadocian kingdom. Cappadocia would also support Rome in the Third Macedonian War against Perseus of Macedon from 171-166 BC. Rome's defeat of the Selecuids and Macedonia established the Republic as a major power in the eastern Mediterranean.
Theme or themes may refer to:
In Indo-European studies, a thematic vowel or theme vowel is the vowel *e or *o from ablaut placed before the ending of a Proto-Indo-European (PIE) word. Nouns, adjectives, and verbs in the Indo-European languages with this vowel are thematic, and those without it are athematic. Used more generally, a thematic vowel is any vowel found at the end of the stem of a word.
PIE verbs and nominals (nouns and adjectives) consist of three parts:
The thematic vowel, if present, occurs at the end of the suffix (which may include other vowels or consonants) and before the ending:
Athematic forms, by contrast, have a suffix ending in a consonant, or no suffix at all (or arguably a null suffix):
For several reasons, athematic forms are thought to be older, and the thematic vowel was likely an innovation of late PIE: Athematic paradigms (inflection patterns) are more "irregular", exhibiting ablaut and mobile accent, while the thematic paradigms can be seen as a simplification or regularisation of verbal and nominal grammar. In the Anatolian languages, which were the earliest to split from PIE, thematic verbs are rare or absent. Furthermore, during late PIE and in the older daughter languages, a number of athematic forms were replaced by thematic ones, as in prehistoric Greek *thes- 'god' versus *thes-o- > Classical Greek θεός (theós).
The Family Way is a soundtrack recording composed by Paul McCartney, released in January 1967. The album is the soundtrack to the 1966 film of the same name, directed by Roy Boulting and starring Hayley Mills. Produced and arranged by George Martin, the album was credited to "The George Martin Orchestra" and issued under the full title The Family Way (Original Soundtrack Album). A 45rpm single, again credited to the George Martin Orchestra, was issued on 23 December 1966, comprising "Love in the Open Air" backed with "Theme From 'The Family Way'", as United Artists UP1165.
The Family Way won an Ivor Novello Award in 1967. It was remastered and released on CD in 1996 with new musical compositions not on the original 1967 soundtrack album.
The recording took place over November and December 1966, before the Beatles began work on their album Sgt. Pepper's Lonely Hearts Club Band. McCartney's involvement in the project was minimal, according to biographer Howard Sounes, who quotes Martin's recollection that he had to "pester Paul for the briefest scrap of a tune" with which to start writing the score. After McCartney had provided "a sweet little fragment of a waltz tune", Martin continued, "I was able to complete the score."