Cantopop (traditional Chinese: 粵語流行音樂; simplified Chinese: 粤语流行音乐, a contraction of "Cantonese popular music") or HK-pop (short for "Hong Kong popular music") is a genre of Cantonese music made primarily in Hong Kong and characterized by a Southeast Asian cultural context of production and consumption. Originating in the 1970s, Cantopop reached its height of popularity in the 1980s and 1990s before its slow decline in the 2000s.
Cantopop is influenced by international styles, including jazz, rock and roll, rhythm and blues, electronic music, Western pop music and others. Cantopop songs are almost invariably performed in Cantonese. Boasting a multinational fanbase especially in Southeast Asian countries such as Malaysia, Singapore, Indonesia, Thailand, and in the Guangdong province of mainland China, Hong Kong remains the most significant hub of the genre. The most significant figures in the Cantopop industry include Samuel Hui, Alan Tam, Anita Mui, Leslie Cheung, Jacky Cheung, Sammi Cheng, Faye Wong, Eason Chan and Joey Yung.
Sugar sugar kandy pop
Push it down and pull it up
Sugar sugar kandy pop
Just don't let the music stop
You've got the brains, I've got no brawn
You wanna stop, I keep it on
You've got the brains, or so you say
Maybe you'll see things in another way
I've got better things to do
Than hang around with you and you
I've got better places to be
You know the only one is me
Sugar sugar....
Oh, oh, oh, kandy pop
Oh, oh, oh, kandy pop
Oh, oh, oh, kandy pop
Oh, oh, oh, kandy pop
Sugar sugar....
You've got the pain but I don't want to know
And you can keep on trying to put me off
By saying you've got the brains or so you say
Maybe you'll see things in another way
I've got better things....
Sugar sugar.....