The Song of Songs, also known as the Song of Solomon, the Canticle of Canticles, or simply Canticles (Hebrew: שִׁיר הַשִּׁירִים Šîr HašŠîrîm ; Greek: ᾎσμα ᾈσμάτων asma asmaton, both meaning "song of songs"), is one of the megillot (scrolls) of the Ketuvim (the "Writings", the last section of the Tanakh or Hebrew Bible), and the fifth of the "wisdom" books of the Christian Old Testament.
Scripturally, the Song of Songs is unique in its celebration of sexual love. It gives "the voices of two lovers, praising each other, yearning for each other, proffering invitations to enjoy". The two are in harmony, each desiring the other and rejoicing in sexual intimacy; the women (or "daughters") of Jerusalem form a chorus to the lovers, functioning as an audience whose participation in the lovers' erotic encounters facilitates the participation of the reader.
In modern Judaism, the Song is read on the Sabbath during the Passover, which marks the beginning of the grain harvest as well as commemorating the Exodus from Egypt. Jewish tradition reads it as an allegory of the relationship between God and Israel. Christian tradition, in addition to appreciating the literal meaning of a romantic song between man and woman, has read the poem as an allegory of Christ (the bridegroom) and his Church (the bride).
The five Canticles constitute a series of five musical works by composer Benjamin Britten. The pieces were written at various points in his career, with three of them written as memorials. Instrumentation differs on each piece, and several are based on non-sacred texts. A review in Opera Today notes, "Britten didn't draw upon the Scriptures for the texts of his canticles, which resemble cantatas more than church hymns in scale and structure, but an intense religious spirit pervades them all." Critic Peter Evans notes the works contain a "mood of spiritual elevation intense enough to demand realization in an ambitious musical structure."
Canticle I: "My beloved is mine and I am his", Op. 40. was written in 1947 for the memorial concert for Dick Sheppard, former vicar of St Martin-in-the-Fields. The lyrics are from "A Divine Rapture" by Francis Quarles, based on The Song of Solomon in the Bible. It is scored for high voice and piano.
Canticle II: "Abraham and Isaac". Op. 51, was written in 1952 for Peter Pears, Kathleen Ferrier and Britten to perform as a fundraiser for the English Opera Group. The text is based on the Abraham and Isaac story as depicted in the Chester Mystery Plays.
Oh, yeah, she comes
I am glad so rainy
My outer skin
Will be imbibed by the ground
I cannot stop this rain
Let it weeps in sadness
Cimmerian gloom, cimmerian gloom
Bats awaiting for my blood
Having wrapped by twisted downpour
Confused by frustration time
With the odd sways on the my walls
I'm draying miserable life
Scream, yell and cry
I'll never become myself
Like a wounded bird in the sky
I've forgiven my bloody Kill
Stop killing me
Confuse and bleed
Except my life
Except my life
You're killing me
Dying, dying, dying
And crisis and chase on me
I'm chanting all the prises
Of Nonentity I used to be
In mask
I turned away from all religions
I've lost my living way
I'm longing to be in visions
Desederating still in death
If you look into me
You'll discover red
It's a wounded fury
And the futile Dread
And this hopeless landscape
Has the something saint
Palace "Isolation"