Camilla (1954 film)
Camilla is a 1954 Italian comedy-drama film directed by Luciano Emmer.
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Camilla
Camilla may refer to:
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List of Muppets
The Muppets are a group of comedic puppet characters originally created by Jim Henson who have appeared in multiple television series and films since the 1950s. The majority of the characters listed here originated on The Muppet Show, a television series that aired from 1976 to 1981. Since then, several more characters have been introduced in other television series, as well as theatrical films.
The first Muppet characters appeared as early as 1955, in Sam and Friends, a Washington, D.C.-based show that was on the air for six years. Kermit the Frog was one of the show's regulars, and thus was one of Henson's first Muppet creations. The characters became a household name after their appearance in the children's television program Sesame Street. Henson was initially reluctant to become involved with Sesame Street because he feared being pigeon-holed as a children's performer, but agreed to work on the show to further his social goals. The characters created for that series are now owned by the Sesame Workshop, the producers of Sesame Street, and are now considered a separate franchise.
MV Camilla Desgagnés
MV Camilla Desgagnés is a Canadian cargo vessel that has operated since 2003 in the waters of eastern and Arctic Canada. Before that, the ship was sailing under the Finnish flag as Ms "Camilla", owned by Lundqvist Rederierna of Mariehamn, Åland Islands. The ship was built by Krögerwerft GmbH in Rendsburg, Germany (West) in 1982. As the ship operated out of Finnish and Baltic ports in winter mainly without icebreaker assistance, it has the highest Finnish-Swedish ice class of 1A Super.
2003 salvage
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
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Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
Lubrication theory
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
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