Camel is the first studio album by English progressive rock band Camel. It was released in 1973. The bonus track "Homage To The God Of Light" was originally released in Peter Bardens's solo album The Answer in 1970.
By August of 1972, Camel were signed to MCA Records. They quickly entered the studio to record their first self-titled album, Camel. A collection of individual songs, chiefly from Andrew Latimer and Peter Bardens, the album was greeted with muted success and MCA did not take an option for a second album. By then, the group had acquired the management team of Geoff Jukes and Max Hole of Gemini Artists (later to become GAMA Records) and had moved to Decca Records, where they would remain for the next 10 years.
Camel gigged 9 months of the year and firmly established a reputation for their live sound in the UK, Switzerland, Belgium, and the Netherlands. They shared the stage with other artists such as Stackridge, Barclay James Harvest, Gong, Hawkwind, Pink Fairies, Global Village Trucking Company, and Spyro Gyra.
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
+ (the plus sign) is a binary operator that indicates addition, with 43 in ASCII.
+ may also refer to:
The camel (or long knight) is a fairy chess piece that moves like an elongated knight. When it moves, it can jump to a square that is three squares horizontally and one square vertically, or three squares vertically and one square horizontally, regardless of intervening pieces; thus, it is a (1,3)-leaper. Below, it is given the symbol L from Betza notation.
The camel is a very old piece, appearing in some very early chess variants, such as Tamerlane chess. It is still known as such in fairy chess problems.
The camel by itself is worth about two pawns (appreciably less than a knight), because of its colorboundedness and lack of sufficient freedom of movement on an 8×8 board. However a camel and a bishop and a king can force checkmate on a bare king (assuming that the attacking pieces are not on the same color); a camel, a knight and a king can force checkmate on a bare king, but not easily (there are thirteen types of fortress draws); a camel, a wazir and a king can sometimes force checkmate on a bare king, but it can take up to 77 moves. Even if they are on different colours, two camels cannot checkmate a lone king. While the rook versus camel endgame is a draw in general, there are more winning positions than there are in rook versus knight and rook versus bishop: the longest win takes 35 moves. (All endgame statistics mentioned are for the 8×8 board.)
Camel (1822 – 6 November 1844) was a British Thoroughbred racehorse. He won five of his seven races, including the Port Stakes in 1825, but his appearances were limited by leg problems. Throughout his racing career he was owned by Charles Wyndham. After retiring from racing Camel became a successful stallion, siring St. Leger winners Touchstone and Launcelot and becoming British Champion sire in 1838.
Camel was a brown colt bred by George Wyndham, 3rd Earl of Egremont, and foaled in 1822. He was sired by Whalebone, who won the Newmarket Stakes and Epsom Derby in 1834. After retiring from racing he was a successful stallion, becoming Champion sire twice. Amongst his other progeny were Derby winners Lap-dog and Spaniel, as well as the top sire Sir Hercules. Camel's dam was an unnamed daughter of Selim. Camel was owned by Egremont's son Charles Wyndham.
Camel was due to race the colt Peter Proteus in a match race at Newmarket on 21 April 1825, but Peter Proteus paid a forfeit and was withdrawn. They following day he contested the Newmarket Stakes, facing eight rivals. Cramer was the pre-race favourite at 6/4, with Camel second favourite at 3/1. The race was won by 17/1 outsider Crockery, with Camel finishing second. On 3 May he started as the 5/4 favourite for a £50 race for three-year-olds over the Rowley Mile at Newmarket. Ridden by W. Arnull, Camel won the race from Adeliza. At Newmarket's Second October meeting he beat Dahlia, Mortgage and 1000 Guineas winner Tontine in a race for one-third of a subscription of 25 sovereigns each. At the beginning of November he beat Tarandus in a match race over five and a half furlongs at Newmarket. Two days later Camel lost a match against the filly Scandel.
Camel are an English progressive rock band formed in 1971. Led by founding member Andrew Latimer, they have produced 14 original studio albums, 14 singles plus numerous other compilation and live albums.
Andrew Latimer (guitar), Andy Ward (drums) and Doug Ferguson (bass) had been playing as a trio called The Brew around the Guildford, Surrey area of England. On 20 February 1971, they auditioned to be the back-up band to singer/songwriter Phillip Goodhand-Tait and released an album with him in August 1971 titled "I Think I'll Write a Song" on DJM Records. This would be their first and last album with Goodhand-Tait. They recruited Peter Bardens (keyboards) and after an initial gig to fulfill a Bardens commitment on 8 October 1971 in Belfast, Northern Ireland under the name of Peter Bardens' On, they changed their name to Camel. Their first gig was at Waltham Forest Technical College, London supporting Wishbone Ash on 4 December 1971.
In August 1972 Camel signed with MCA Records and their eponymous debut album was released six months later. The record was not a success and the band moved to the Deram Records division of Decca Records (UK).